Author: A. Van Jordan
Publisher: W. W. Norton & Company
ISBN: 0393239152
Category : Literary Criticism
Languages : en
Pages : 134
Book Description
Each poem is inspired by the poet's reaction to a film, whose director and date appear before the poem. The poems range widely: from The great train robbery (1903), Birth of a nation, Chien Andalou, to Blazing Saddles, or the 2010 remake of Metropolis.
The Cineaste
Author: A. Van Jordan
Publisher: W. W. Norton & Company
ISBN: 0393239152
Category : Literary Criticism
Languages : en
Pages : 134
Book Description
Each poem is inspired by the poet's reaction to a film, whose director and date appear before the poem. The poems range widely: from The great train robbery (1903), Birth of a nation, Chien Andalou, to Blazing Saddles, or the 2010 remake of Metropolis.
Publisher: W. W. Norton & Company
ISBN: 0393239152
Category : Literary Criticism
Languages : en
Pages : 134
Book Description
Each poem is inspired by the poet's reaction to a film, whose director and date appear before the poem. The poems range widely: from The great train robbery (1903), Birth of a nation, Chien Andalou, to Blazing Saddles, or the 2010 remake of Metropolis.
The Cineaste: Poems
Author: A. Van Jordan
Publisher: W. W. Norton & Company
ISBN: 0393240290
Category : Poetry
Languages : en
Pages : 100
Book Description
“Finds evocative new ways to connect us to a shared storytelling heritage.”—Entertainment Weekly A. Van Jordan, an acclaimed American poet and the author of three previous volumes, “demonstrates poetry’s power to be at once intimate and wide-ranging” (Robert Pinsky, Washington Post Book World). In this penetrating new work he takes us with him to the movies, where history reverberates and characters are larger than life. The Cineaste is an entrancing montage of poems, wherein film serves as the setting for contemplative trances, memoir, and pure fantasy. At its center is a sonnet sequence that imagines the struggle of pioneer filmmaker Oscar Micheaux against D. W. Griffith’s The Birth of a Nation, which Micheaux saw not only as racist but also as the start of a powerful new art form. “Sharpen the focus in your lens, and you / Sharpen your view of the world; you can see / How people inhabit space in their lives, / How the skin of Negroes and whites both play / With light.” Scenes and characters from films such as Metropolis, Stranger than Paradise, Last Year at Marienbad, The Red Shoes, and The Great Train Robbery also come to luminous life in this vibrant new collection. The Cineaste is an extended riff on Jordan’s life as a moviegoer and a brilliant exploration of film, poetry, race, and the elusiveness of reverie. from “Last Year at Marienbad” A place, though visible, is like a ghost of memories. Even memories one forgets linger in the space in which they occurred. Here within the expanse of vaulted ceilings, doorways leading to more doors, hallways leading to more halls, the faintest recollections absorb over time; no act will wholly evanesce.
Publisher: W. W. Norton & Company
ISBN: 0393240290
Category : Poetry
Languages : en
Pages : 100
Book Description
“Finds evocative new ways to connect us to a shared storytelling heritage.”—Entertainment Weekly A. Van Jordan, an acclaimed American poet and the author of three previous volumes, “demonstrates poetry’s power to be at once intimate and wide-ranging” (Robert Pinsky, Washington Post Book World). In this penetrating new work he takes us with him to the movies, where history reverberates and characters are larger than life. The Cineaste is an entrancing montage of poems, wherein film serves as the setting for contemplative trances, memoir, and pure fantasy. At its center is a sonnet sequence that imagines the struggle of pioneer filmmaker Oscar Micheaux against D. W. Griffith’s The Birth of a Nation, which Micheaux saw not only as racist but also as the start of a powerful new art form. “Sharpen the focus in your lens, and you / Sharpen your view of the world; you can see / How people inhabit space in their lives, / How the skin of Negroes and whites both play / With light.” Scenes and characters from films such as Metropolis, Stranger than Paradise, Last Year at Marienbad, The Red Shoes, and The Great Train Robbery also come to luminous life in this vibrant new collection. The Cineaste is an extended riff on Jordan’s life as a moviegoer and a brilliant exploration of film, poetry, race, and the elusiveness of reverie. from “Last Year at Marienbad” A place, though visible, is like a ghost of memories. Even memories one forgets linger in the space in which they occurred. Here within the expanse of vaulted ceilings, doorways leading to more doors, hallways leading to more halls, the faintest recollections absorb over time; no act will wholly evanesce.
The Cineaste Interviews
Author: Dan Georgakas
Publisher: Lakeview
ISBN: 9780941702034
Category : Film
Languages : en
Pages : 0
Book Description
Roger Ebert wrote the foreword to this collection of 35 in-depth interviews with the world's leading filmmakers and critics, from Fonda to Fassbinder, from Canby to Costa-Gavras, from Sarris to Sayles. Cineaste, America's leading magazine on the art and politics of the cinema, has become known for its in-depth interviews with filmmakers and film critics of international stature. The best of these interviews are now collected in this volume. The interviews: Constantin Costa-Gavras, Glauber Rocha, Miguel Littin, Bernardo Bertolucci, Ousmane Sembene, Elio Petri, Dusan Makavejev; Gillo Pontecorvo; Alain Tanner, Jane Fonda, Francesco Rosi, Lina Wertmuller, Roberto Rossellini, Tomas Gutierrez Alea, Gordon Parks, Rainer Werner Fassbinder, John Howard Lawson, Paul Schrader, Agnes Varda, Bertrand Tavernier, Andrew Sarris, Bruce Gilbert, Jorge Semprun, Vincent Canby, John Berger, Andrzej Wajda, John Sayles, Krzysztof Zanussi, Molly Haskell, Budd Schulberg, Satyajit Ray. The unique value of these interviews will be the comments by the filmmakers on the crucial artistic and political decisions confronted in the making of their films, many of which have become classics of their kind. The filmmakers and critics talk about their own development, films which influenced their work, and the continuing controversies and alternative approaches in filmmaking. They take on their critics and their own previous positions with a clarity and forcefulness to be expected from some of the leading practitioners of their art. The interviews are introduced with a foreword by Roger Ebert, television commentator and critic for the Chicago Sun-Times. Mr. Ebert discusses the relation of art and politics and some of the common perspectives which unite filmmakers of different cultures and of diverse artistic and political temperaments. Among the subjects of these wide-ranging talks are: the choice between popular and experimental forms of narrative; the filmmaker's responsibility to society; blacks and women in the movies; the rise of third world filmmaking; Hollywood's left and progressives; the conditions of filmmaking in different societies; the challenges of independent production; different forms of censorship, from the U.S. to Poland; trends in criticism and auteur theory to feminism; the power of the reviewer.
Publisher: Lakeview
ISBN: 9780941702034
Category : Film
Languages : en
Pages : 0
Book Description
Roger Ebert wrote the foreword to this collection of 35 in-depth interviews with the world's leading filmmakers and critics, from Fonda to Fassbinder, from Canby to Costa-Gavras, from Sarris to Sayles. Cineaste, America's leading magazine on the art and politics of the cinema, has become known for its in-depth interviews with filmmakers and film critics of international stature. The best of these interviews are now collected in this volume. The interviews: Constantin Costa-Gavras, Glauber Rocha, Miguel Littin, Bernardo Bertolucci, Ousmane Sembene, Elio Petri, Dusan Makavejev; Gillo Pontecorvo; Alain Tanner, Jane Fonda, Francesco Rosi, Lina Wertmuller, Roberto Rossellini, Tomas Gutierrez Alea, Gordon Parks, Rainer Werner Fassbinder, John Howard Lawson, Paul Schrader, Agnes Varda, Bertrand Tavernier, Andrew Sarris, Bruce Gilbert, Jorge Semprun, Vincent Canby, John Berger, Andrzej Wajda, John Sayles, Krzysztof Zanussi, Molly Haskell, Budd Schulberg, Satyajit Ray. The unique value of these interviews will be the comments by the filmmakers on the crucial artistic and political decisions confronted in the making of their films, many of which have become classics of their kind. The filmmakers and critics talk about their own development, films which influenced their work, and the continuing controversies and alternative approaches in filmmaking. They take on their critics and their own previous positions with a clarity and forcefulness to be expected from some of the leading practitioners of their art. The interviews are introduced with a foreword by Roger Ebert, television commentator and critic for the Chicago Sun-Times. Mr. Ebert discusses the relation of art and politics and some of the common perspectives which unite filmmakers of different cultures and of diverse artistic and political temperaments. Among the subjects of these wide-ranging talks are: the choice between popular and experimental forms of narrative; the filmmaker's responsibility to society; blacks and women in the movies; the rise of third world filmmaking; Hollywood's left and progressives; the conditions of filmmaking in different societies; the challenges of independent production; different forms of censorship, from the U.S. to Poland; trends in criticism and auteur theory to feminism; the power of the reviewer.
M-A-C-N-O-L-I-A
Author: A. Van Jordan
Publisher: W. W. Norton & Company
ISBN: 9780393059076
Category : African American teenage girls
Languages : en
Pages : 164
Book Description
MacNolia Cox won the Akron District Spelling Bee, and at the age of 13 she became the first African American to reach the final round of the national competition. The Southern judges, it is thought, kept her from winning by presenting a word not on the official list. The word that tripped MacNolia, ironically, was "nemesis." When she died 40 years later, the girl who "was almost/ The national spelling champ" had become a cleaning woman, a grandmother, and "the best damn maid in town." Cox's ambition and her later frustration find incisive shape in this remarkably varied meditation on ambition, racism, discouragement and ennui, where successive pages can bring to mind a handbook of poetic forms (a double sestina, Japanese-inspired syllabics, a blues ghazal and prose poems based on definitions of prepositions), Ann Carson's "TV Men" poems, Rita Dove's Thomas and Beulah and the documentary film Spellbound. Jordan (Rise) begins in Cox's later life, giving voice to her husband, John Montiere, at "The Moment Before He Asks MacNolia Out on a Date," then to MacNolia herself when in 1970 her son dies just after his return from Vietnam. As counterpoints, Jordan intersperses poems about African-Americans who won more lasting public acclaim, among them Richard Pryor, Josephine Baker and the great labor organizer and orator A. Philip Randolph. Jordan's most quotable poems, however, return to the voice of the 13-year-old speller, who "learned the word chiaroscuro/ By rolling it on my tongue// Like cotton candy the color/ Of day and night." (June) Copyright 2004 Reed Business Information. Library Journal.
Publisher: W. W. Norton & Company
ISBN: 9780393059076
Category : African American teenage girls
Languages : en
Pages : 164
Book Description
MacNolia Cox won the Akron District Spelling Bee, and at the age of 13 she became the first African American to reach the final round of the national competition. The Southern judges, it is thought, kept her from winning by presenting a word not on the official list. The word that tripped MacNolia, ironically, was "nemesis." When she died 40 years later, the girl who "was almost/ The national spelling champ" had become a cleaning woman, a grandmother, and "the best damn maid in town." Cox's ambition and her later frustration find incisive shape in this remarkably varied meditation on ambition, racism, discouragement and ennui, where successive pages can bring to mind a handbook of poetic forms (a double sestina, Japanese-inspired syllabics, a blues ghazal and prose poems based on definitions of prepositions), Ann Carson's "TV Men" poems, Rita Dove's Thomas and Beulah and the documentary film Spellbound. Jordan (Rise) begins in Cox's later life, giving voice to her husband, John Montiere, at "The Moment Before He Asks MacNolia Out on a Date," then to MacNolia herself when in 1970 her son dies just after his return from Vietnam. As counterpoints, Jordan intersperses poems about African-Americans who won more lasting public acclaim, among them Richard Pryor, Josephine Baker and the great labor organizer and orator A. Philip Randolph. Jordan's most quotable poems, however, return to the voice of the 13-year-old speller, who "learned the word chiaroscuro/ By rolling it on my tongue// Like cotton candy the color/ Of day and night." (June) Copyright 2004 Reed Business Information. Library Journal.
The Film Genre Book
Author: John Sanders
Publisher: Oxford University Press, USA
ISBN: 9781903663905
Category : Performing Arts
Languages : en
Pages : 0
Book Description
A comprehensive introduction to film history, The Film Genre Book allows the reader to create their own narrative of film through history by focusing on seven genres, highlighting a key film from each genre over a ninety-year period--sixty-three films discussed in detail. The reader can trace the developments in a particular genre over time or compare films in a particular decade from the different genres. Each case-study considers issues of historical context, representation and the close textual analysis of significant scenes. Analysing films as diverse as Bambi and Pan's Labyrinth, the book immerses its reader into the full range of film experience. Its breadth of study, and the way in which it bridges the gap between commercial film guides and academic studies, makes it invaluable to teacher, student, and cineaste alike.
Publisher: Oxford University Press, USA
ISBN: 9781903663905
Category : Performing Arts
Languages : en
Pages : 0
Book Description
A comprehensive introduction to film history, The Film Genre Book allows the reader to create their own narrative of film through history by focusing on seven genres, highlighting a key film from each genre over a ninety-year period--sixty-three films discussed in detail. The reader can trace the developments in a particular genre over time or compare films in a particular decade from the different genres. Each case-study considers issues of historical context, representation and the close textual analysis of significant scenes. Analysing films as diverse as Bambi and Pan's Labyrinth, the book immerses its reader into the full range of film experience. Its breadth of study, and the way in which it bridges the gap between commercial film guides and academic studies, makes it invaluable to teacher, student, and cineaste alike.
The Cinema of Tom DiCillo
Author: Wayne Byrne
Publisher: Columbia University Press
ISBN: 0231851200
Category : Performing Arts
Languages : en
Pages : 413
Book Description
This volume considers for the first time in a single collection this acclaimed, award-winning director's entire oeuvre, addressing and analyzing themes such as identity, family, and masculinity, supported by in-depth coverage of the generic and aesthetic aspects of DiCillo's distinctive and influential film style. Through detailed chapters on each of DiCillo's feature films, presented here is a candid look behind-the-scenes of both the American independent film industry - from the No Wave movement of the 1980s, through the Indie boom of the 1990s, to the contemporary milieu - and the Hollywood studio system. This study documents the writing, production, and release of every DiCillo picture, each followed by an extensive Q&A with the director. Also featured are exclusive interviews and commentary with many cast members and collaborators, and members of legendary rock group, The Doors. Films covered include Johnny Suede, Living In Oblivion, Box of Moonlight, The Real Blonde, Double Whammy, Delirious, When You're Strange, and Down in Shadowland.
Publisher: Columbia University Press
ISBN: 0231851200
Category : Performing Arts
Languages : en
Pages : 413
Book Description
This volume considers for the first time in a single collection this acclaimed, award-winning director's entire oeuvre, addressing and analyzing themes such as identity, family, and masculinity, supported by in-depth coverage of the generic and aesthetic aspects of DiCillo's distinctive and influential film style. Through detailed chapters on each of DiCillo's feature films, presented here is a candid look behind-the-scenes of both the American independent film industry - from the No Wave movement of the 1980s, through the Indie boom of the 1990s, to the contemporary milieu - and the Hollywood studio system. This study documents the writing, production, and release of every DiCillo picture, each followed by an extensive Q&A with the director. Also featured are exclusive interviews and commentary with many cast members and collaborators, and members of legendary rock group, The Doors. Films covered include Johnny Suede, Living In Oblivion, Box of Moonlight, The Real Blonde, Double Whammy, Delirious, When You're Strange, and Down in Shadowland.
A Short History of Film, Third Edition
Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813595169
Category : Art
Languages : en
Pages : 525
Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Publisher: Rutgers University Press
ISBN: 0813595169
Category : Art
Languages : en
Pages : 525
Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
The Dawn of Technicolor, 1915-1935
Author: James Layton
Publisher:
ISBN: 9780935398229
Category : Color cinematography
Languages : en
Pages : 0
Book Description
"Traces the first two decades of the Technicolor Corporation and the development of its two-color motion picture process, using such resources as corporate documents, studio production files, contemporary accounts, and unpublished interviews. Includes annotated filmography of all two-color Technicolor titles produced between 1915 and 1935"--
Publisher:
ISBN: 9780935398229
Category : Color cinematography
Languages : en
Pages : 0
Book Description
"Traces the first two decades of the Technicolor Corporation and the development of its two-color motion picture process, using such resources as corporate documents, studio production files, contemporary accounts, and unpublished interviews. Includes annotated filmography of all two-color Technicolor titles produced between 1915 and 1935"--
Camera Historica
Author: Antoine de Baecque
Publisher: Columbia University Press
ISBN: 0231156502
Category : History
Languages : en
Pages : 420
Book Description
Antoine de Baecque proposes a new historiography of cinema, investigating how cinematic representation changes the very nature of history.
Publisher: Columbia University Press
ISBN: 0231156502
Category : History
Languages : en
Pages : 420
Book Description
Antoine de Baecque proposes a new historiography of cinema, investigating how cinematic representation changes the very nature of history.
The Cinema of Takeshi Kitano
Author: Sean Redmond
Publisher: Columbia University Press
ISBN: 0231163320
Category : Performing Arts
Languages : en
Pages : 129
Book Description
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan’s finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano’s oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano’s films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).
Publisher: Columbia University Press
ISBN: 0231163320
Category : Performing Arts
Languages : en
Pages : 129
Book Description
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan’s finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano’s oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano’s films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).