The Chicago Federal Theatre Project PDF Download

Author: Patrick Schmitt
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 234

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Book Description

Author: Vanita Marian Vactor
Publisher:
ISBN:
Category : African American theater
Languages : en
Pages : 488

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Book Description

Author: Elizabeth A. Osborne
Publisher: Springer
ISBN: 0230119565
Category : Performing Arts
Languages : en
Pages : 386

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Book Description
The Federal Theatre Project, a New Deal plan to fund theatre and other live artistic performances during the Great Depression, had the primary goal of employing out-of-work artists, writers, and directors, with the secondary aim of entertaining poor families and creating relevant art. These case studies explore the ties between the Federal Theatre Project and regional communities throughout the United States.

Author: Vanita Marian Vactor
Publisher:
ISBN: 9780599160989
Category :
Languages : en
Pages : 266

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Book Description

Author: George Kazacoff
Publisher: Xlibris Corporation
ISBN: 1456887378
Category : Business & Economics
Languages : en
Pages : 397

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Book Description

Author: John O'Connor
Publisher: Washington : New Republic Books ; New York : trade distribution by Simon and Schuster
ISBN:
Category : Performing Arts
Languages : en
Pages : 258

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Book Description

Author: Cecelia Moore
Publisher: Lexington Books
ISBN: 1498526837
Category : History
Languages : en
Pages : 233

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Book Description
The Federal Theatre Project in the American South introduces the people and projects that shaped the regional identity of the Federal Theatre Project. When college theatre director Hallie Flanagan became head of this New Deal era jobs program in 1935, she envisioned a national theatre comprised of a network of theatres across the country. A regional approach was more than organizational; it was a conceptual model for a national art. Flanagan was part of the little theatre movement that had already developed a new American drama drawn from the distinctive heritage of each region and which they believed would, collectively, illustrate a national identity. The Federal Theatre plan relied on a successful regional model – the folk drama program at the University of North Carolina, led by Frederick Koch and Paul Green. Through a unique partnership of public university, private philanthropy and community participation, Koch had developed a successful playwriting program and extension service that built community theatres throughout the state. North Carolina, along with the rest of the Southern region, seemed an unpromising place for government theatre. Racial segregation and conservative politics limited the Federal Theatre’s ability to experiment with new ideas in the region. Yet in North Carolina, the Project thrived. Amateur drama units became vibrant community theatres where whites and African Americans worked together. Project personnel launched The Lost Colony, one of the first so-called outdoor historical dramas that would become its own movement. The Federal Theatre sent unemployed dramatists, including future novelist Betty Smith, to the university to work with Koch and Green. They joined other playwrights, including African American writer Zora Neale Hurston, who came to North Carolina because of their own interest in folk drama. Their experience, told in this book, is a backdrop for each successive generation’s debates over government, cultural expression, art and identity in the American nation.

Author: Paul Sporn
Publisher: Wayne State University Press
ISBN: 9780814325902
Category : Art
Languages : en
Pages : 388

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Book Description
This work devoted to federally funded arts programmes in the American Midwest, deals with the controversial Federal Theater Project (FTP) and the Federal Writers Project (FWP) under the New Deal's Works Progress Administration (WPA).

Author: Megan E. Geigner
Publisher: Northwestern University Press
ISBN: 0810143836
Category : History
Languages : en
Pages : 373

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Book Description
Since Chicago’s founding, theater has blossomed in the city’s makeshift spaces, from taverns to parks, living rooms to storefronts. Makeshift Chicago Stages brings together leading historians to share the history of theater and performance in the Second City. The essays collected here theorize a regional theater history and aesthetic that are inherently improvisational, rough-and-tumble, and marginal, reflecting the realities of a hypersegregated city and its neighborhoods. Space and place have contributed to Chicago’s reputation for gritty, ensemble-led work, part of a makeshift ethos that exposes the policies of the city and the transgressive possibilities of performance. This book examines the rise and proliferation of Chicago’s performance spaces, which have rooted the city’s dynamic, thriving theater community. Chapters cover well‐known, groundbreaking, and understudied theatrical sites, ensembles, and artists, including the 1893 Columbian Exposition Midway Plaisance, the 57th Street Artist Colony, the Fine Arts Building, the Goodman Theatre, the Federal Theatre Project, the Kingston Mines and Body Politic Theaters, ImprovOlympics (later iO), Teatro Vista, Theaster Gates, and the Chicago Home Theater Festival. By putting space at the center of the city’s theater history, the authors in Makeshift Chicago Stages spotlight the roles of neighborhoods, racial dynamics, atypical venues, and borders as integral to understanding the work and aesthetics of Chicago’s artists, ensembles, and repertoires, which have influenced theater practices worldwide. Featuring rich archival work and oral histories, this anthology will prove a valuable resource for theater historians, as well as anyone interested in Chicago’s cultural heritage.

Author: Rania Karoula
Publisher: Edinburgh Critical Studies in
ISBN: 9781474445498
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
This book presents a comparative study of the history, performances and politics of the FTP by drawing and exposing further links between American modernism and its European counterparts.