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Author: Sola Adeyemi Publisher: Cambridge Scholars Publishing ISBN: 152753796X Category : Performing Arts Languages : en Pages : 244
Book Description
Fémi Òsófisan is a major dramatist from Nigeria who experiments with forms and theatrical traditions. This book focuses on his development as a dramatist and his contribution to world drama as a postcolonial African writer whose major preoccupation has been to question the colonial and postcolonial issues of identity in theatre, literature and performance. The volume explores how Òsófisan exploits his Yorùbá heritage in his drama and the performances of his plays by reading new meanings into popular mythology, and by re-writing history to comment on contemporary social and political issues. Òsófisan has often introduced new motifs and narratives to energise dramatic performances in Nigeria and globally, and this text discusses developments in his theatre practices in the context of changing cultural trends.
Author: Sola Adeyemi Publisher: Cambridge Scholars Publishing ISBN: 152753796X Category : Performing Arts Languages : en Pages : 244
Book Description
Fémi Òsófisan is a major dramatist from Nigeria who experiments with forms and theatrical traditions. This book focuses on his development as a dramatist and his contribution to world drama as a postcolonial African writer whose major preoccupation has been to question the colonial and postcolonial issues of identity in theatre, literature and performance. The volume explores how Òsófisan exploits his Yorùbá heritage in his drama and the performances of his plays by reading new meanings into popular mythology, and by re-writing history to comment on contemporary social and political issues. Òsófisan has often introduced new motifs and narratives to energise dramatic performances in Nigeria and globally, and this text discusses developments in his theatre practices in the context of changing cultural trends.
Author: Yvonne Shafer Publisher: Universitat de València ISBN: 8437085403 Category : Literary Criticism Languages : en Pages : 163
Book Description
Aquest llibre d'assajos presenta una panoràmica del desenvolupament del teatre nord-americà des de principis del segle XIX fins a l'actualitat. Mostra els canvis que el teatre va reflectir a mesura que creixia el país i es modificava la societat. Amb cada dècada, una expressió més completa de la cultura nord-americana, amb la seva gran varietat, apareixia en obres de teatre, musicals i revistes. Els assajos analitzen els esforços de figures marginals -sobretot dramaturgs i productors no comercials, afro-americans i dones- per dur a terme una ampliació de l'espectre del teatre nord-americà quant a la dramatúrgia, disseny, representació i construcció dramàtica.
Author: W. B. Worthen Publisher: John Wiley & Sons ISBN: 9781444317381 Category : Literary Criticism Languages : en Pages : 304
Book Description
An engaging book spanning the fields of drama, literary criticism, genre, and performance studies, Drama: Between Poetry and Performance teaches students how to read drama by exploring the threshold between text and performance. Draws on examples from major playwrights including Shakespeare, Ibsen, Beckett, and Parks Explores the critical terms and controversies that animate the performance and study of drama, such as the status of language, the function of character and plot, and uses of writing Engages in a theoretical, disciplinary, and cultural repositioning of drama, by exploring and contesting its position at the threshold between text and performance
Author: Christine Schwanecke Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110724111 Category : Literary Criticism Languages : en Pages : 433
Book Description
This volume argues against Gérard Genette’s theory that there is an “insurmountable opposition” between drama and narrative and shows that the two forms of storytelling have been productively intertwined throughout literary history. Building on the idea that plays often incorporate elements from other genres, especially narrative ones, the present study theorises drama as a fundamentally narrative genre. Guided by the question of how drama tells stories, the first part of the study delineates the general characteristics of dramatic narration and zooms in on the use of narrative forms in drama. The second part proposes a history of dramatic storytelling from the Renaissance to the twenty-first century that transcends conventional genre boundaries. Close readings of exemplary British plays provide an overview of the dominant narrative modes in each period and point to their impact in the broader cultural and historical context of the plays. Finally, the volume argues that throughout history, highly narrative plays have had a performative power that reached well beyond the stage: dramatic storytelling not only reflects socio-political realities, but also largely shapes them.
Author: Sayed Kashua Publisher: Grove Press ISBN: 0802147909 Category : Fiction Languages : en Pages : 190
Book Description
An Arab Israeli man, back in Jerusalem to see his estranged father, narrates “a novel about just how sad, fractured and tricky cultural identity can get” (Seattle Times). Having emigrated to America years before, a nameless memoirist now residing in Illinois receives word that his estranged father, whom he has not spoken to in fourteen years, is dying. Leaving his wife and their three children, he returns to Jerusalem and to his hometown of Tira in Palestine to be by his family’s side. But few are happy to see him back and, geographically and emotionally displaced, he feels more alienated from his life than ever. Sitting by his father’s hospital bed, the memoirist begins to remember long-buried traumas, the root causes of his fallout with his family, the catalyst for his marriage and its recent dissolution, and his strained relationships with his children—all of which is strangely linked to a short story he published years ago about a young girl named Palestine. As he plunges deeper into his memory and recounts the history of his land and his love, the lines between truth and lies, fact and fiction become increasingly blurred. Hailed as “an unusually gifted storyteller with exceptional insight” (Jewish Tribune), Bernstein Award–winning writer Sayed Kashua presents a masterful novel about the stories Palestinians and Israelis tell themselves about their lives and their histories.
Author: Laurence Senelick Publisher: Routledge ISBN: 113472201X Category : Performing Arts Languages : en Pages : 566
Book Description
The answers to these questions - and much, much more - are to be found in The Changing Room , which traces the origins and variations of theatrical cross-dressing through the ages and across cultures. It examines: * tribal rituals and shamanic practices in the Balkans and Chinese-Tibet * the gender-bending elements of Greek and early Christian religion * the homosexual appeal of the boy actor on the traditional stage of China, Japan and England * the origins of the dame comedian, the principal boy, the glamour drag artiste and the male impersonator * artists such as David Bowie, Boy George, Charles Ludlam, Dame Edna Everage, Lily Savage, Candy Darling, Julian Clary and the New York Dolls. Lavishly illustrated with unusual and rare pictures, this is the first ever cross-cultural study of theatrical transvestism. It is a must for anyone interested in cross-dressing, theatre, and gender.
Author: Robert Landy Publisher: Bloomsbury Publishing ISBN: 113700374X Category : Performing Arts Languages : en Pages : 352
Book Description
Building on Robert J. Landy's seminal text, Handbook of Educational Drama and Theatre, Landy and Montgomery revisit this richly diverse and ever-changing field, identifying some of the best international practices in Applied Drama and Theatre. Through interviews with leading practitioners and educators such as Dorothy Heathcote, Jan Cohen Cruz, James Thompson, and Johnny Saldaña, the authors lucidly present the key concepts, theories and reflective praxis of Applied Drama and Theatre. As they discuss the changes brought about by practitioners in venues such as schools, community centres, village squares and prisons, Landy and Montgomery explore the field's ability to make meaning of a vast range of personal and social issues through the application of drama and theatre.
Author: Sola Adeyemi
Author: Sola Adeyemi
Author: Yvonne Shafer
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Author: Michael Anderson
Author: W. B. Worthen
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Author: Christine Schwanecke
Author: Sayed Kashua
Author: Laurence Senelick
Author: Robert Landy