The Ceramic Presence in Modern Art PDF Download

Author: Sequoia Miller
Publisher:
ISBN: 9780300214406
Category : Art
Languages : en
Pages : 0

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Published in conjunction with an exhibition of the same name held at the Yale University Art Gallery, September 4, 2015-January 3, 2016.

Author: Laura Gray
Publisher: Routledge
ISBN: 135162640X
Category : Art
Languages : en
Pages : 318

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This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.

Author: Matthias Ostermann
Publisher: University of Pennsylvania Press
ISBN: 9780812239706
Category : Antiques & Collectibles
Languages : en
Pages : 236

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The Ceramic Narrative is an exploration of past and present ceramic iconography concerned with the depiction of narratives, or with images meant to be thought-provoking, beyond the merely decorative. The book is beautifully illustrated with an extensive variety of work from history and the present day, showing how many contemporary artists continue this tradition with modern interpretations. Examining ancient Greece, the ceramic imagery of the Maya culture, the ceramics of China, Persia, and Japan, European tin-glaze traditions, and the narrative imagery appearing on later European porcelains, Matthias Ostermann attempts wherever possible not only to present ceramic narratives in their cultural and historical contexts but also to refer to some of the older myths and sources that may have served as inspiration. Applied arts writer David Whiting contributes an essay on the development of ceramic narratives in the twentieth century, while illustrations present the work of more than 75 contemporary international ceramic artists who explore narrative in distinctive and different ways. These include the exploration of mythologies and existing stories; personal visions, private stories and memory; the human figure, relationships and identity; political and social commentary; and finally, the ceramic object itself, seen as message and metaphor. This book will serve as a beginning for further study of this fascinating and little-explored subject and as a celebration of the work of all ceramic artists whose passion is the ceramic narrative.

Author: Sequoia Miller
Publisher: Princeton University Press
ISBN: 0691265305
Category : Art
Languages : en
Pages : 97

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A beautifully illustrated look at how the acclaimed ceramicist draws on the postcolonial experience in her work Magdalene Odundo (b. 1950) is a Kenyan-born British ceramicist whose extraordinary works have been widely celebrated for their beauty and universality. Her studies of classical forms across many global traditions—from Greek and Chinese to Aztec and African—are evident in her intimate, evocative shapes. Sequoia Miller sheds light on the colonial and material traditions that inform Odundo's ceramics, showing how the artist deftly blends cultural and ethnographic sources to give expression to the postcolonial experience. This beautifully illustrated book discusses Odundo’s innovative method and puts her ceramic forms into conversation with global contemporary art. This close examination allows for a careful look at the artist’s works on paper—her prints and sketchbook drawings, published here in depth for the first time—demonstrating how they are a fundamental aspect of her creative practice. The book also features an in-depth Q&A with Odundo, in which she shares rare insights into her sense of self as an artist. With an incisive foreword by Susan Jefferies and illuminating contributions by Nehal El-Hadi, Elizabeth Harney, and Barbara Thompson, Magdalene Odundo provides new perspectives on an incomparable artist of our time, revealing the profound complexities of her work while deepening our understanding of modernism more broadly. Published in association with the Gardiner Museum of Ceramic Art, Toronto

Author: Christie Brown
Publisher: Routledge
ISBN: 1317160878
Category : Language Arts & Disciplines
Languages : en
Pages : 247

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This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book examines how ceramic artists have, over the last decade, begun to animate museum collections in new ways, and reflects on the impact that these new initiatives have had in the broad context of visual culture. Ceramics in the Expanded Field is the culmination of a three-year AHRC funded project, and reflects its major findings. It brings together leading international voices in the field of ceramics, research undertaken throughout the project and papers delivered at the concluding conference. By examining the benefits and constraints of interventions and the dialogue between ceramics and museological practice, this book will bring focus to an area of museology that has not yet been theorized, and will contribute to policy debates and art practice.

Author: Whitney Museum of American Art
Publisher:
ISBN:
Category : Ceramic sculpture, American
Languages : en
Pages : 34

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Author: Glenn Adamson
Publisher: Yale University Press
ISBN: 9780300227468
Category : ART
Languages : en
Pages : 0

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For nearly a century British potters have invigorated traditional ceramic forms by developing or reinventing techniques, materials, and means of display. Things of Beauty Growing explores major typologies of the vessel--such as bowl, vase, and charger--that have defined studio ceramics since the early 20th century. It places British studio pottery within the context of objects from Europe, Japan, and Korea and presents essays by an international team of scholars and experts. The book highlights the objects themselves, including new works by Adam Buick, Halima Cassell, and Nao Matsunago, featured alongside works by William Staite Murray, Lucie Rie, Edmund de Waal, and others, many published here for the first time. Rounding out the beautifully illustrated volume is an interview with renowned collector John Driscoll and approximately fifty illustrated short biographies of significant makers. Published in association with the Yale Center for British Art and the Fitzwilliam Museum, Cambridge Exhibition Schedule: Yale Center for British Art, New Haven (09/14/17-12/03/17) The Fitzwilliam Museum, Cambridge (03/20/18-06/18/18)

Author: Jonathan L. Fairbanks
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100

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Author: Paul Greenhalgh
Publisher: Bloomsbury Publishing
ISBN: 1474239730
Category : Art
Languages : en
Pages : 914

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"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.

Author: Kate Bonansinga
Publisher: University of Texas Press
ISBN: 9780976015468
Category : Ceramic sculpture
Languages : en
Pages : 53

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