Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 788
Book Description
The Antiquaries Journal
Catalogues of Sale
Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 122
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 122
Book Description
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 540
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 540
Book Description
Dictionary Catalogue of the Library of the Pontifical Institute of Mediaeval Studies, Toronto, Canada
Author: Pontifical Institute of Mediaeval Studies. Library
Publisher:
ISBN:
Category : Church history
Languages : un
Pages : 660
Book Description
Publisher:
ISBN:
Category : Church history
Languages : un
Pages : 660
Book Description
Elephant Skull
The Discovery of Guiana and the Journal of the Second Voyage Thereto
Author: Sir Walter Raleigh
Publisher:
ISBN:
Category : America
Languages : en
Pages : 202
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 202
Book Description
The Sale of Works of Art
Author: Geraldine Keen
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 304
Book Description
Relationship betwen money and art and a general survey of the international art market.
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 304
Book Description
Relationship betwen money and art and a general survey of the international art market.
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
The History of the World
Author: Sir Walter Raleigh
Publisher:
ISBN:
Category : History, Ancient
Languages : en
Pages : 1390
Book Description
Publisher:
ISBN:
Category : History, Ancient
Languages : en
Pages : 1390
Book Description
Prints and Drawings of Käthe Kollwitz
Author: Käthe Kollwitz
Publisher: Courier Corporation
ISBN: 0486132218
Category : Art
Languages : en
Pages : 106
Book Description
Eighty-three moving works: The Weavers, The Peasant War, War, Death, and others. "To see the beautiful examples of her work reproduced . . . is to sit at the feet of a great modern master." — School Arts.
Publisher: Courier Corporation
ISBN: 0486132218
Category : Art
Languages : en
Pages : 106
Book Description
Eighty-three moving works: The Weavers, The Peasant War, War, Death, and others. "To see the beautiful examples of her work reproduced . . . is to sit at the feet of a great modern master." — School Arts.