Author: Thomas Evelyn Scott-Ellis Baron Howard de Walden
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Cauldron of Annwn. Including the Story of Bronwen
Author: Thomas Evelyn Scott-Ellis Baron Howard de Walden
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Stories of the Trilogy
Author: Thomas Evelyn Scott-Ellis Baron Howard de Walden
Publisher:
ISBN:
Category : Mabinogion
Languages : en
Pages : 15
Book Description
Publisher:
ISBN:
Category : Mabinogion
Languages : en
Pages : 15
Book Description
The Cauldron of Annwn
Author: Thomas Evelyn Scott-Ellis Baron Howard de Walden
Publisher:
ISBN:
Category : Mabinogion
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Mabinogion
Languages : en
Pages : 356
Book Description
From the Cauldron Born
Author: Kristoffer Hughes
Publisher: Llewellyn Worldwide
ISBN: 0738734640
Category : Body, Mind & Spirit
Languages : en
Pages : 156
Book Description
The tale of Taliesin and the magical cauldron of Cerridwen speaks from the heart of the Celtic Pagan tradition. In From the Cauldron Born, you are invited not only to read the story but to live it. You are invited to resonate with the magic of the witch mother Cerridwen and her cauldron of inspiration. You are invited to become Taliesin, the prophetic spirit with the radiant brow. You are invited to awaken to a lucidity of spirit born from the archetypes of sacred myth. Join Kristoffer Hughes on a yearlong journey of rituals based on one of Wales's most profound legends. With deeply transformative exercises and lyrical wisdom, you will experience beauty and knowledge, imagination and creation as never before. Praise: "If you are captivated by the exploration of Welsh and Celtic myth, Kristoffer Hughes's in-depth, scholarly work belongs on your bookshelf."—Ellen Dugan, author of Seasons of Witchery "In this book, Kris Hughes takes up his Druid's staff and guides us through the winding paths of the tale of Taliesin with insight, learning, and inspiration so that we too may drink the magical brew in the cauldron of Cerridwen and emerge transformed."—Anna Franklin, author of The Sacred Circle Tarot
Publisher: Llewellyn Worldwide
ISBN: 0738734640
Category : Body, Mind & Spirit
Languages : en
Pages : 156
Book Description
The tale of Taliesin and the magical cauldron of Cerridwen speaks from the heart of the Celtic Pagan tradition. In From the Cauldron Born, you are invited not only to read the story but to live it. You are invited to resonate with the magic of the witch mother Cerridwen and her cauldron of inspiration. You are invited to become Taliesin, the prophetic spirit with the radiant brow. You are invited to awaken to a lucidity of spirit born from the archetypes of sacred myth. Join Kristoffer Hughes on a yearlong journey of rituals based on one of Wales's most profound legends. With deeply transformative exercises and lyrical wisdom, you will experience beauty and knowledge, imagination and creation as never before. Praise: "If you are captivated by the exploration of Welsh and Celtic myth, Kristoffer Hughes's in-depth, scholarly work belongs on your bookshelf."—Ellen Dugan, author of Seasons of Witchery "In this book, Kris Hughes takes up his Druid's staff and guides us through the winding paths of the tale of Taliesin with insight, learning, and inspiration so that we too may drink the magical brew in the cauldron of Cerridwen and emerge transformed."—Anna Franklin, author of The Sacred Circle Tarot
Miniature Essays: Arnold Bax
Opera in the British Isles, 1875-1918
Author: Paul Rodmell
Publisher: Routledge
ISBN: 1317085442
Category : Music
Languages : en
Pages : 427
Book Description
While the musical culture of the British Isles in the 'long nineteenth century' has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the latter part of this period has remained largely elusive. Paul Rodmell argues that there were far more opportunities for composers, performers and audiences than one might expect, an assertion demonstrated by the fact that over one hundred serious operas by British composers were premiered between 1875 and 1918. Rodmell examines the nature of operatic culture in the British Isles during this period, looking at the way in which opera was produced and 'consumed' by companies and audiences, the repertory performed, social attitudes to opera, the dominance of London's West End and the activities of touring companies in the provinces, and the position of British composers within this realm of activity. In doing so, he uncovers the undoubted challenges faced by opera in Britain in this period, and delves further into why it was especially difficult to make a breakthrough in this particular genre when other fields of compositional endeavour were enjoying a period of sustained growth. Whilst contemporaneous composers and commentators and later advocates of British music may have felt that the country's operatic life did not measure up to their aspirations or ambitions, there was still a great deal of activity and, even if this was not necessarily that which was always desired, it had a significant and lasting impact on musical culture in Britain.
Publisher: Routledge
ISBN: 1317085442
Category : Music
Languages : en
Pages : 427
Book Description
While the musical culture of the British Isles in the 'long nineteenth century' has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the latter part of this period has remained largely elusive. Paul Rodmell argues that there were far more opportunities for composers, performers and audiences than one might expect, an assertion demonstrated by the fact that over one hundred serious operas by British composers were premiered between 1875 and 1918. Rodmell examines the nature of operatic culture in the British Isles during this period, looking at the way in which opera was produced and 'consumed' by companies and audiences, the repertory performed, social attitudes to opera, the dominance of London's West End and the activities of touring companies in the provinces, and the position of British composers within this realm of activity. In doing so, he uncovers the undoubted challenges faced by opera in Britain in this period, and delves further into why it was especially difficult to make a breakthrough in this particular genre when other fields of compositional endeavour were enjoying a period of sustained growth. Whilst contemporaneous composers and commentators and later advocates of British music may have felt that the country's operatic life did not measure up to their aspirations or ambitions, there was still a great deal of activity and, even if this was not necessarily that which was always desired, it had a significant and lasting impact on musical culture in Britain.
A Short History of Opera
Author: Donald Jay Grout
Publisher: Columbia University Press
ISBN: 0231119585
Category : Opera
Languages : en
Pages : 1049
Book Description
"The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Publisher: Columbia University Press
ISBN: 0231119585
Category : Opera
Languages : en
Pages : 1049
Book Description
"The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
The Dictionary of Welsh Biography, 1941-1970
Author: Robert Thomas Jenkins
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 488
Book Description
This volume is an English version of the corresponding Welsh dictionaries, Y Bywgraffiadur Cymreig, 1941-1950, and Y Bywgraffiadur Cymreig, 1951-1970, and includes the amendments found in the appendices to these earlier dictionaries.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 488
Book Description
This volume is an English version of the corresponding Welsh dictionaries, Y Bywgraffiadur Cymreig, 1941-1950, and Y Bywgraffiadur Cymreig, 1951-1970, and includes the amendments found in the appendices to these earlier dictionaries.
Operas in English
Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
The Barnes Book of the Opera
Author: Gladys Davidson
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 932
Book Description
Includes about 230 stories of many of the best known operas, as well as many of the less familiar.
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 932
Book Description
Includes about 230 stories of many of the best known operas, as well as many of the less familiar.