Author: Arthur Conan Doyle
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 126
Book Description
'The Case for Spirit Photography' is a book that argues in favor of spirit photography, proposing that the phenomena is indeed a marriage between the scientific and the spiritual world. It is a type of photography whose primary goal is to capture images of ghosts and other spiritual entities, especially in ghost hunting. Perhaps, notably, the author of this book is not known for his trust in such superstitions, for this individual is none other than the author of the Sherlock Holmes series, Arthur Conan Doyle.
The Case for Spirit Photography
Author: Arthur Conan Doyle
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 160
Book Description
The publicity given to the recent attacks on Psychic Photography has been out of all proportion to their scientific value as evidence. When Sir Arthur Conan Doyle returned to Great Britain, after his successful tour in America, the controversy was in full swing. With characteristic promptitude he immediately decided to meet these negative attacks by a positive counter-attack, and this volume is the outcome of that decision. We have used the term Spirit Photography on the title-page as being the popular name by which these phenomena are known. This does not imply that either Sir Arthur or I imagine that everything supernormal must be of spirit origin. There is, undoubtedly, a broad borderland where these photographic effects may be produced from forces contained within ourselves. This merges into those higher phenomena of which many cases are here described. Those desiring fuller information on this subject are referred to Photo graphing the Invisible, by James Coates.
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 160
Book Description
The publicity given to the recent attacks on Psychic Photography has been out of all proportion to their scientific value as evidence. When Sir Arthur Conan Doyle returned to Great Britain, after his successful tour in America, the controversy was in full swing. With characteristic promptitude he immediately decided to meet these negative attacks by a positive counter-attack, and this volume is the outcome of that decision. We have used the term Spirit Photography on the title-page as being the popular name by which these phenomena are known. This does not imply that either Sir Arthur or I imagine that everything supernormal must be of spirit origin. There is, undoubtedly, a broad borderland where these photographic effects may be produced from forces contained within ourselves. This merges into those higher phenomena of which many cases are here described. Those desiring fuller information on this subject are referred to Photo graphing the Invisible, by James Coates.
Making Photography Matter
Author: Cara A. Finnegan
Publisher: University of Illinois Press
ISBN: 0252097319
Category : History
Languages : en
Pages : 257
Book Description
Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.
Publisher: University of Illinois Press
ISBN: 0252097319
Category : History
Languages : en
Pages : 257
Book Description
Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.
Reasoned and Unreasoned Images
Author: Josh Ellenbogen
Publisher: Penn State Press
ISBN: 0271052597
Category : Photography
Languages : en
Pages : 281
Book Description
"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--
Publisher: Penn State Press
ISBN: 0271052597
Category : Photography
Languages : en
Pages : 281
Book Description
"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--
Photography and the Law
Author: Michael O’Flanagan
Publisher: Routledge
ISBN: 0429887558
Category : Law
Languages : en
Pages : 173
Book Description
Photographers and publishers of photographs enjoy a wide range of legal rights including freedom of expression and of publication. They have a right to create and publish photographs. They may invoke their intellectual, moral and property rights to protect and enforce their rights in their created and/or published works. These rights are not absolute. This book analyses the various legal restrictions and prohibitions, which may affect these rights. Photography and the Law investigates the legal limitations faced by professional and amateur photographers and photograph publishers under Irish, UK and EU Law. Through an in-depth discussion of the personal rights of the public, including the right not to be harassed, the book gives a clear analysis of the current legal standpoint on the relationship between privacy and freedom of expression. Additionally, the book looks at the reconciliation of photographers’ rights with the state’s interest in public security and defence, alongside the enforcement of ethical and moral codes. Comparative legal standing in the European Union is used as a springboard to further analyse Irish and UK statutes and case law, including recent reforms and current proposals for future change. The book ends with pertinent suggestions of the necessary reforms and enactments required to rebalance the relationship between the personal rights of individuals, the state’s duties and the protection of photographers’ and photograph publishers’ rights. By clearly explaining the theoretical and conceptual reasoning behind the current law, alongside proposed reforms, the book will be a useful tool for any student or academic interested in photography law, privacy and media law, alongside professional and amateur photographers and photograph publishers.
Publisher: Routledge
ISBN: 0429887558
Category : Law
Languages : en
Pages : 173
Book Description
Photographers and publishers of photographs enjoy a wide range of legal rights including freedom of expression and of publication. They have a right to create and publish photographs. They may invoke their intellectual, moral and property rights to protect and enforce their rights in their created and/or published works. These rights are not absolute. This book analyses the various legal restrictions and prohibitions, which may affect these rights. Photography and the Law investigates the legal limitations faced by professional and amateur photographers and photograph publishers under Irish, UK and EU Law. Through an in-depth discussion of the personal rights of the public, including the right not to be harassed, the book gives a clear analysis of the current legal standpoint on the relationship between privacy and freedom of expression. Additionally, the book looks at the reconciliation of photographers’ rights with the state’s interest in public security and defence, alongside the enforcement of ethical and moral codes. Comparative legal standing in the European Union is used as a springboard to further analyse Irish and UK statutes and case law, including recent reforms and current proposals for future change. The book ends with pertinent suggestions of the necessary reforms and enactments required to rebalance the relationship between the personal rights of individuals, the state’s duties and the protection of photographers’ and photograph publishers’ rights. By clearly explaining the theoretical and conceptual reasoning behind the current law, alongside proposed reforms, the book will be a useful tool for any student or academic interested in photography law, privacy and media law, alongside professional and amateur photographers and photograph publishers.
The Making of English Photography: Allegories
Author:
Publisher: Penn State Press
ISBN: 9780271048376
Category :
Languages : en
Pages : 392
Book Description
Publisher: Penn State Press
ISBN: 9780271048376
Category :
Languages : en
Pages : 392
Book Description
The Insubordination of Photography
Author: Ángeles Donoso Macaya
Publisher:
ISBN: 9781683401346
Category : Authoritarianism
Languages : en
Pages : 0
Book Description
The Insubordination of Photography is the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Chilean dictator Augusto Pinochet's regime. Featuring never-before-seen photos and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice.
Publisher:
ISBN: 9781683401346
Category : Authoritarianism
Languages : en
Pages : 0
Book Description
The Insubordination of Photography is the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Chilean dictator Augusto Pinochet's regime. Featuring never-before-seen photos and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice.
Photography in the Third Reich: Art, Physiognomy and Propaganda
Author: Christopher Webster
Publisher: Open Book Publishers
ISBN: 1783749172
Category : Social Science
Languages : en
Pages : 290
Book Description
This lucid and comprehensive collection of essays by an international group of scholars constitutes a photo-historical survey of select photographers who embraced National Socialism during the Third Reich. These photographers developed and implemented physiognomic and ethnographic photography, and, through a Selbstgleichschaltung (a self-co-ordination with the regime), continued to practice as photographers throughout the twelve years of the Third Reich. The volume explores, through photographic reproductions and accompanying analysis, diverse aspects of photography during the Third Reich, ranging from the influence of Modernism, the qualitative effect of propaganda photography, and the utilisation of technology such as colour film, to the photograph as ideological metaphor. With an emphasis on the idealised representation of the German body and the role of physiognomy within this representation, the book examines how select photographers created and developed a visual myth of the ‘master race’ and its antitheses under the auspices of the Nationalist Socialist state. Photography in the Third Reich approaches its historical source photographs as material culture, examining their production, construction and proliferation. This detailed and informative text will be a valuable resource not only to historians studying the Third Reich, but to scholars and students of film, history of art, politics, media studies, cultural studies and holocaust studies.
Publisher: Open Book Publishers
ISBN: 1783749172
Category : Social Science
Languages : en
Pages : 290
Book Description
This lucid and comprehensive collection of essays by an international group of scholars constitutes a photo-historical survey of select photographers who embraced National Socialism during the Third Reich. These photographers developed and implemented physiognomic and ethnographic photography, and, through a Selbstgleichschaltung (a self-co-ordination with the regime), continued to practice as photographers throughout the twelve years of the Third Reich. The volume explores, through photographic reproductions and accompanying analysis, diverse aspects of photography during the Third Reich, ranging from the influence of Modernism, the qualitative effect of propaganda photography, and the utilisation of technology such as colour film, to the photograph as ideological metaphor. With an emphasis on the idealised representation of the German body and the role of physiognomy within this representation, the book examines how select photographers created and developed a visual myth of the ‘master race’ and its antitheses under the auspices of the Nationalist Socialist state. Photography in the Third Reich approaches its historical source photographs as material culture, examining their production, construction and proliferation. This detailed and informative text will be a valuable resource not only to historians studying the Third Reich, but to scholars and students of film, history of art, politics, media studies, cultural studies and holocaust studies.
On Photography
Author: Susan Sontag
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 224
Book Description
Among Peers
Author: Michelle Dunn Marsh
Publisher:
ISBN: 9781735642338
Category :
Languages : en
Pages :
Book Description
Isolation restrictions due to COVID-19 immediately changed education programs that had long prioritized in-person mentorship and guidance. This book highlights a selection of recent work by young people across the country who have continued acts of personal expression through the support of youth photography organizations. From poignant portraits to thoughtful abstractions, this timely book holds our emerging state of being through the eyes of our future.
Publisher:
ISBN: 9781735642338
Category :
Languages : en
Pages :
Book Description
Isolation restrictions due to COVID-19 immediately changed education programs that had long prioritized in-person mentorship and guidance. This book highlights a selection of recent work by young people across the country who have continued acts of personal expression through the support of youth photography organizations. From poignant portraits to thoughtful abstractions, this timely book holds our emerging state of being through the eyes of our future.
The Case for Spirit Photography
Author: Arthur Conan Doyle
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 126
Book Description
'The Case for Spirit Photography' is a book that argues in favor of spirit photography, proposing that the phenomena is indeed a marriage between the scientific and the spiritual world. It is a type of photography whose primary goal is to capture images of ghosts and other spiritual entities, especially in ghost hunting. Perhaps, notably, the author of this book is not known for his trust in such superstitions, for this individual is none other than the author of the Sherlock Holmes series, Arthur Conan Doyle.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 126
Book Description
'The Case for Spirit Photography' is a book that argues in favor of spirit photography, proposing that the phenomena is indeed a marriage between the scientific and the spiritual world. It is a type of photography whose primary goal is to capture images of ghosts and other spiritual entities, especially in ghost hunting. Perhaps, notably, the author of this book is not known for his trust in such superstitions, for this individual is none other than the author of the Sherlock Holmes series, Arthur Conan Doyle.