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The Carnival Stage

The Carnival Stage PDF Author: José I. Suárez
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634912
Category : Literary Criticism
Languages : en
Pages : 180

Book Description
"The application of Bakhtin's critical theories to Gil Vicente has helped in understanding the genre and plot-compositional traits and sources of Vicente's drama. Until now, these have been virtually ignored by Vicentine scholars, most of whom have limited themselves to biographical/historical approaches in an effort to explain the playlets as products of a particular epoch - the Middle Ages and/or the Renaissance - and the corresponding literary modes. The author concludes that it is not the subjective memory of the playwrights but the objective memory of the genre in which they compose their plays that preserves its fundamental characteristics through the centuries, characteristics that derive from the incursion of the popular element into the realm of literary creation." "Direct in its presentation, this study presents a concise and scholarly synthesis of Peninsular drama from its origins and the impact that the popular element had on its formation, and it will continue to be regarded as an original facet in the overall complexity of Vicentine studies."--BOOK JACKET.

The Carnival Stage

The Carnival Stage PDF Author: José I. Suárez
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838634912
Category : Literary Criticism
Languages : en
Pages : 180

Book Description
"The application of Bakhtin's critical theories to Gil Vicente has helped in understanding the genre and plot-compositional traits and sources of Vicente's drama. Until now, these have been virtually ignored by Vicentine scholars, most of whom have limited themselves to biographical/historical approaches in an effort to explain the playlets as products of a particular epoch - the Middle Ages and/or the Renaissance - and the corresponding literary modes. The author concludes that it is not the subjective memory of the playwrights but the objective memory of the genre in which they compose their plays that preserves its fundamental characteristics through the centuries, characteristics that derive from the incursion of the popular element into the realm of literary creation." "Direct in its presentation, this study presents a concise and scholarly synthesis of Peninsular drama from its origins and the impact that the popular element had on its formation, and it will continue to be regarded as an original facet in the overall complexity of Vicentine studies."--BOOK JACKET.

Trinidad Carnival

Trinidad Carnival PDF Author: Garth L. Green
Publisher: Indiana University Press
ISBN: 0253116724
Category : Social Science
Languages : en
Pages : 546

Book Description
Like many Caribbean nations, Trinidad has felt the effects of globalization on its economy, politics, and expressive culture. Even Carnival, once a clandestine folk celebration, has been transformed into a major transnational festival. In Trinidad Carnival, Garth L. Green, Philip W. Scher, and an international group of scholars explore Carnival as a reflection of the nation and culture of Trinidad and Trinidadians worldwide. The nine essays cover topics such as women in Carnival, the politics and poetics of Carnival, Carnival and cultural memory, Carnival as a tourist enterprise, the steelband music of Carnival, Calypso music on the world stage, Carnival and rap, and Carnival as a global celebration. For readers interested in the history and current expression of Carnival, this volume offers a multidimensional and transnational view of Carnival as a representation of Trinidad and Caribbean culture everywhere. Contributors are Robin Balliger, Shannon Dudley, Pamela R. Franco, Patricia A. de Freitas, Ray Funk, Garth L. Green, Donald R. Hill, Lyndon Phillip, Victoria Razak, and Philip W. Scher.

The Carnival is a Stage

The Carnival is a Stage PDF Author: Rui Mourão
Publisher:
ISBN:
Category :
Languages : en
Pages : 8

Book Description


The Trinidad Carnival

The Trinidad Carnival PDF Author: Errol Hill
Publisher:
ISBN:
Category : History
Languages : en
Pages : 194

Book Description


Carnival of Horrors

Carnival of Horrors PDF Author: Philip Preece
Publisher: Capstone
ISBN: 1434216152
Category : Juvenile Fiction
Languages : en
Pages : 82

Book Description
When Ben tries to hide from bullies at a carnival, he is drawn into a sideshow that promises to make his dreams of popularity and good grades come true, if only he signs a contract agreeing to give up a few minutes of his time.

Don't Stop the Carnival

Don't Stop the Carnival PDF Author: Herman Wouk
Publisher: Open Road Media
ISBN: 1504096592
Category : Fiction
Languages : en
Pages : 440

Book Description
The basis for the Herman Wouk–Jimmy Buffett musical: A middle-aged New Yorker buys a Caribbean hotel and learns that paradise has its drawbacks in this novel that “moves as fast as a Marx Brothers movie” (The New York Times Book Review). Broadway press agent Norman Paperman is pushing fifty with one heart attack already under his belt. So he decides to chuck the stressful Manhattan life and bring his wife and teenage daughter to a lush green island. With the help of a wheeler-dealer friend, he winds up buying a small hotel. How hard could running one be? Pretty hard, actually, when you throw in an earthquake, plumbing problems, rampaging ants, and a few more unexpected developments at the Gull Reef Club. Before long, Norman’s spirit is as drained as his bank account, his marriage is on the brink, and he’s desperately searching for a way out of this beautiful nightmare . . . Don’t Stop the Carnival is a clever comic departure for the Pulitzer Prize–winning, #1 New York Times–bestselling author of such classics as Marjorie Morningstar, The Winds of War, and The Caine Mutiny—and eventually served as the basis for the celebrated Jimmy Buffett album and stage musical. “Funny [and] continuously entertaining. . . . Norman Paperman, although hardly an admirable person, is exceedingly human and entirely believable. One cringes with sympathy for him.” —The New York Times “His sandy beaches are alive with stinging sand flies . . . farce laced with tears.” —Time

Jump Up Time

Jump Up Time PDF Author: Lynn Joseph
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 40

Book Description
Although she is jealous of all the attention being paid to her older sister's Carnival costume, Lily helps Christine when she gets nervous before time to go on stage.

How to Stage an Indoor Carnival

How to Stage an Indoor Carnival PDF Author: Albert V. Jensen
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 32

Book Description


High Mas

High Mas PDF Author: Clement Burkett
Publisher:
ISBN:
Category : Carnival
Languages : en
Pages : 54

Book Description


The Music Went 'round and Around

The Music Went 'round and Around PDF Author: John Vacha
Publisher: Kent State University Press
ISBN: 9780873387989
Category : History
Languages : en
Pages : 164

Book Description
Spotting a trend in the early 1950s of staging summer theater in the round under tents, Clevelander John L. Price Jr. decided to give it a try. Consulting a local statistician to determine the geographical center of the culturally inclined population, the bull's-eye fell in Warrensville Heights, a Cleveland suburb that was also the home to Thistledown Race Track. Price opened his Musicarnival there, on the grounds of the race track, with a production of Oklahoma! in the summer of 1954. The Music Went 'Round and Around tells the story of this unique summer theater and of its ebullient founder, John L. Price Jr. Price's venture was one of the last commercial legitimate theaters established in Cleveland. In its heyday the Musicar-nival had a capacity of 2500 and presented an average of eight to ten shows each summer. The backbone of the repertoire consisted of such musical classics as Carousel; Kiss Me, Kate; Wonderful Town; Fanny; Paint Your Wagon; and The Unsinkable Molly Brown. The summer schedule also featured popular solo acts, such as Louis Armstrong, Henny Youngman, Tom Jones, and even burlesque. Occasionally Price tried to sneak in an opera, letting the popular shows support these operatic flings. For the first eleven seasons Price principally used a resident stock company, occasionally bringing in a visiting star, if available and right for the role. Toward the end of the 1960s, however, Price was forced to adopt the star system to keep his tent filled. Dropping the stock company, he brought in packaged productions generally headlined by popular singing or television stars. Both offerings had strong followings, and Musicarnival kept the torch of musical theater burning brightly in Cleveland until 1975, when declining attendance finally forced its closing. The Music Went 'Round and Around is the first book in the Cleveland Showtime Series.