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Author: Michael Y. Bennett Publisher: Cambridge University Press ISBN: 1316395359 Category : Drama Languages : en Pages : 177
Book Description
Michael Y. Bennett's accessible Introduction explains the complex, multidimensional nature of the works and writers associated with the absurd - a label placed upon a number of writers who revolted against traditional theatre and literature in both similar and widely different ways. Setting the movement in its historical, intellectual and cultural contexts, Bennett provides an in-depth overview of absurdism and its key figures in theatre and literature, from Samuel Beckett and Harold Pinter to Tom Stoppard. Chapters reveal the movement's origins, development and present-day influence upon popular culture around the world, employing the latest research to this often challenging area of study in a balanced and authoritative approach. Essential reading for students of literature and theatre, this book provides the necessary tools to interpret and develop the study of a movement associated with some of the twentieth century's greatest and most influential cultural figures.
Author: Michael Y. Bennett Publisher: Cambridge University Press ISBN: 1316395359 Category : Drama Languages : en Pages : 177
Book Description
Michael Y. Bennett's accessible Introduction explains the complex, multidimensional nature of the works and writers associated with the absurd - a label placed upon a number of writers who revolted against traditional theatre and literature in both similar and widely different ways. Setting the movement in its historical, intellectual and cultural contexts, Bennett provides an in-depth overview of absurdism and its key figures in theatre and literature, from Samuel Beckett and Harold Pinter to Tom Stoppard. Chapters reveal the movement's origins, development and present-day influence upon popular culture around the world, employing the latest research to this often challenging area of study in a balanced and authoritative approach. Essential reading for students of literature and theatre, this book provides the necessary tools to interpret and develop the study of a movement associated with some of the twentieth century's greatest and most influential cultural figures.
Author: Michael Y. Bennett Publisher: Cambridge University Press ISBN: 1107053927 Category : Drama Languages : en Pages : 177
Book Description
This accessible Introduction provides an in-depth overview of absurdism and its key figures in theatre and literature, from Samuel Beckett and Harold Pinter to Tom Stoppard. Essential reading for students, this book provides the necessary tools to develop the study of some of the twentieth century's most influential works.
Author: Michael Y. Bennett Publisher: Taylor & Francis ISBN: 1040001610 Category : Literary Criticism Languages : en Pages : 803
Book Description
The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the twentieth century, including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called “Theatre of the Absurd,” this volume wades deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, LGBTQ+, and non-Western voices.
Author: K. M. Newton Publisher: Edinburgh University Press ISBN: 0748636749 Category : Literary Criticism Languages : en Pages : 192
Book Description
This book explores modern literature's responses to the tragic. It examines writers from the latter half of the nineteenth century through to the later twentieth century who respond to ideas about tragedy. Although Ibsen has been accused of being responsible for the 'death of tragedy', Ken Newton argues that Ibsen instead generates an anti-tragic perspective that had a major influence on dramatists such as Shaw and Brecht. By contrast, writers such as Hardy and Conrad, influenced by Schopenhauerean pessimism and Darwinism, attempt to modernise the concept of the tragic. Nietzsche's revisionist interpretation of the tragic influenced writers who either take pessimism or the 'Dionysian' commitment to life to an extreme, as in Strindberg and D. H. Lawrence. Different views emerge in the period following the second world war with the 'Theatre of the Absurd' and postmodern anti-foundationalism.
Author: Carmen Dominte Publisher: Cambridge Scholars Publishing ISBN: 1527559882 Category : Literary Criticism Languages : en Pages : 198
Book Description
Using the character as a central element, this volume provides insights into the Theatre of the Absurd, highlighting its specific key characteristics. Adopting both semiotic-structuralist and mathematical approaches, its analysis of the absurdist character introduces new models of investigation, including a possible algebraic model operating on the scenic, dramatic and paradigmatic level of a play, not only exploring the relations, configurations, confrontations, functions and situations but also providing necessary information for a possible geometric model. The book also takes into consideration the relations established among the most important units of a dramatic work, character, cue, décor and régie, re-configuring the basic pattern. It will be useful for any reader interested in analyzing, staging or writing a play starting from a single character.
Author: Edward J. Hughes Publisher: Cambridge University Press ISBN: 1139827340 Category : Literary Criticism Languages : en Pages : 187
Book Description
Albert Camus is one of the iconic figures of twentieth-century French literature, one of France's most widely read modern literary authors and one of the youngest winners of the Nobel Prize for Literature. As the author of L'Etranger and the architect of the notion of 'the Absurd' in the 1940s, he shot to prominence in France and beyond. His work nevertheless attracted hostility as well as acclaim and he was increasingly drawn into bitter political controversies, especially the issue of France's place and role in the country of his birth, Algeria. Most recently, postcolonial studies have identified in his writings a set of preoccupations ripe for revisitation. Situating Camus in his cultural and historical context, this 2007 Companion explores his best-selling novels, his ambiguous engagement with philosophy, his theatre, his increasingly high-profile work as a journalist and his reflection on ethical and political questions that continue to concern readers today.
Author: Jonathan Greenberg Publisher: Cambridge University Press ISBN: 1107030188 Category : Humor Languages : en Pages : 335
Book Description
Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
Author: M. Bennett Publisher: Palgrave Macmillan ISBN: 9781349295203 Category : Performing Arts Languages : en Pages : 0
Book Description
Fifty years after the publication of Martin Esslin's The Theatre of the Absurd , which suggests that 'absurd' plays purport the meaninglessness of life, this book uses the works of five major playwrights of the 1950s to provide a timely reassessment of one of the most important theatre 'movements' of the 20th century.
Author: Qurratulaen Liaqat Publisher: Cambridge Scholars Publishing ISBN: 1527518957 Category : Literary Criticism Languages : en Pages : 197
Book Description
What is a suitable genre to describe the post-9/11 era mired in wars, violence, and unspeakable horror? What kind of literary expressions and techniques are appropriate to give voice to the prevalence of global anguish in the post-9/11 scenario? Is the Theatre of the Absurd a viable option for the expression of the incongruity of the unspeakable horror unleashed after 9/11? Is the term ‘absurd’ applicable to this era? If yes, in what terms is this applicable? This book tries to find answers to these questions and many more. It reflects on the epistemological shifts in the avant-garde tradition of the Theatre of the Absurd, its ongoing critical currency in contemporary history, and its changing contours in the post-9/11 plays of Rajiv Joseph, an emerging American dramatist. It establishes the continued relevance of the Theatre of the Absurd at the current juncture of human history.
Author: Michael Y. Bennett
Author: Michael Y. Bennett
Author: Michael Y. Bennett
Author: Michael Y. Bennett
Author: K. M. Newton
Author: Carmen Dominte
Author: Edward J. Hughes
Author: Jonathan Greenberg
Author: M. Bennett
Author: Qurratulaen Liaqat
Author: C. W. E. Bigsby