Author: Elisabeth AchelisPublisher: New York : G.P. Putnam's sons
ISBN:
Category : Bahai calendar
Languages : en
Pages : 164
Book Description
The Calendar for Everybody
Author: Elisabeth AchelisPublisher: New York : G.P. Putnam's sons
ISBN:
Category : Bahai calendar
Languages : en
Pages : 164
Book Description
Everybody's Magazine
Author: Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 632
Book Description
Everybody's Magazine
Author: Everybody's
Author: Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 1078
Book Description
All the Year Round
Author: Everybody's Cyclopedia
Author: Charles Leonard-StuartPublisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 658
Book Description
Everybody Ahead
Author: Orison Swett MardenPublisher:
ISBN:
Category : Conduct of life
Languages : en
Pages : 562
Book Description
The Corner Cupboard of Facts for Everybody
Author: Robert Kemp PhilpPublisher:
ISBN:
Category : Cooking, American
Languages : en
Pages : 396
Book Description
Corrosion for Everybody
Author: Alec GroysmanPublisher: Springer Science & Business Media
ISBN: 9048134773
Category : Technology & Engineering
Languages : en
Pages : 377
Book Description
People seldom enjoy corrosion. They usually perceive it as a nasty phenomenon with which they must cope. Yet many people, far from the corrosion field, come across it because of their professional duty. Lawyers, historians, doctors, architects, philosophers, artists, and archeologists, to name a few, may want or need to understand the principles of corrosion. This volume explains this important topic in a lucid, interesting, and popular form to everybody: to students and young engineers who are only beginning their studies, to scientists and engineers who have dealt with corrosion for many years, and to non-specialists involved in corrosion problems. The book uses a fresh writing style, with some new explanations relating to thermodynamics of oxidation of iron and mild steels in water, reversible and irreversible potential, solubility of oxygen in water and aqueous solutions of electrolytes, corrosion of metals in fuels, corrosion of storage tanks for fuels and their corrosion control, corrosion monitoring in practice, humanitarian aspects of corrosion science and technology (history of the evolution of knowledge about corrosion, relationships between corrosion and philosophy, corrosion and art). Many practical examples of various corrosion phenomena are given.
Everybody In, Nobody Out
Author: Ken FischerPublisher: University of MICHIGAN REGIONAL
ISBN: 0472132024
Category : Biography & Autobiography
Languages : en
Pages : 217
Book Description
Housed on the campus of the University of Michigan in Ann Arbor, the University Musical Society is one of the oldest performing arts presenters in the country. A past recipient of the National Medal of Arts, the nation’s highest public artistic honor, UMS connects audiences with wide-ranging performances in music, dance, and theater each season.Between 1987 and 2017, UMS was led by Ken Fischer, who over three decades pursued an ambitious campaign to expand and diversify the organization’s programming and audiences—initiatives inspired by Fischer’s overarching philosophy toward promoting the arts, “Everybody In, Nobody Out.” The approach not only deepened UMS’s engagement with the university and southeast Michigan communities, it led to exemplary partnerships with distinguished artists across the world. Under Fischer’s leadership, UMS hosted numerous breakthrough performances, including the Vienna Philharmonic’s final tour with Leonard Bernstein, appearances by then relatively unknown opera singer Cecilia Bartoli, a multiyear partnership with the Royal Shakespeare Company, and artists as diverse as Yo-Yo Ma, Jawole Willa Jo Zollar, Elizabeth Streb, and Nusrat Fateh Ali Khan. Though peppered with colorful anecdotes of how these successes came to be, this book is neither a history of UMS nor a memoir of Fischer’s significant accomplishments with the organization. Rather it is a reflection on the power of the performing arts to engage and enrich communities—not by handing down cultural enrichment from on high, but by meeting communities where they live and helping them preserve cultural heritage, incubate talent, and find ways to make community voices heard.