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The Caerleon Edition of the Works of Arthur Machen: The three imposters

Author: Arthur Machen
Publisher:
ISBN:
Category : Horror tales, English
Languages : en
Pages : 242

Book Description

The Caerleon Edition of the Works of Arthur Machen: The three imposters

Author: Arthur Machen
Publisher:
ISBN:
Category : Horror tales, English
Languages : en
Pages : 242

Book Description

The Three Impostors

Author: Arthur Machen
Publisher: Bibliotech Press
ISBN:
Category : Fiction
Languages : en
Pages : 332

Book Description
The Three Impostors; or, The Transmutations is an episodic horror novel by British writer Arthur Machen, first published in 1895 in The Bodley Head's Keynote Series. It was revived in paperback by Ballantine Books as the forty-eighth volume of the Ballantine Adult Fantasy series in June 1972. The novel comprises several weird tales and culminates in a final denouement of deadly horror, connected with a secret society devoted to debauched pagan rites. The three impostors of the title are members of this society who weave a web of deception in the streets of London-relating the aforementioned weird tales in the process-as they search for a missing Roman coin commemorating an infamous orgy by the Emperor Tiberius and close in on their prey: "the young man with spectacles". (wikipedia.org)

A Century of Weird Fiction, 1832-1937

Author: Jonathan Newell
Publisher: University of Wales Press
ISBN: 1786835460
Category : Literary Criticism
Languages : en
Pages : 270

Book Description
Offers a new critical perspective on the weird that combines two ways of looking at weird and cosmic horror. Mingling of nausea and knowledge, this book connects pulp horror with metaphysical insight, offering an innovative approach aesthetics and metaphysics. Combines recent speculative philosophy and affect theory.

The three imposters

Author: Arthur Machen
Publisher:
ISBN:
Category :
Languages : en
Pages : 242

Book Description

The Islington Mystery

Author: Arthur Machen
Publisher: Read Books Ltd
ISBN: 1528785274
Category : Fiction
Languages : en
Pages : 22

Book Description
“The Islington Mystery” is a classic horror mystery story by one of the modern masters of supernatural and horror fiction, Arthur Machan. Arthur Machen (1863 – 1947) was a Welsh author and renowned mystic during the 1890s and early 20th century who garnered literary acclaim for his contributions to the supernatural, horror, and fantasy fiction genres. His seminal novella “The Great God Pan” (1890) has become a classic of horror fiction, with Stephen King describing it as one of the best horror stories ever written in the English language. Other notable fans of his gruesome tales include William Butler Yeats and Arthur Conan Doyle; and his work has been compared to that of Robert Louis Stevenson, Bram Stoker, and Oscar Wilde. This chilling tale of inexplicable circumstances in London's borough of Islington is highly recommended for fans of the macabre and is not to be missed by collectors of vintage supernatural fiction. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

Popular Literature, Authorship and the Occult in Late Victorian Britain

Author: Andrew McCann
Publisher: Cambridge University Press
ISBN: 1316061736
Category : Literary Criticism
Languages : en
Pages : 211

Book Description
With the increasing commercialization of publishing at the end of the nineteenth century, the polarization of serious literature and popular fiction became a commonplace of literary criticism. Andrew McCann cautions against this opposition by arguing that popular fiction's engagement with heterodox conceptions of authorship and creativity complicates its status as mere distraction or entertainment. Popular writers such as George Du Maurier, Marie Corelli, Rosa Praed and Arthur Machen drew upon a contemporary fascination with occult practices to construct texts that had an intensely ambiguous relationship to the proprietary notions of authorship that were so central to commercial publishing. Through trance-induced or automatic writing, dream states, dual personality and the retrieval of past lives channeled through mediums, they imagined forms of authorship that reinvested popular texts with claims to aesthetic and political value that cut against the homogenizing pressures of an emerging culture industry.