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Author: Peter Redford Publisher: Manchester University Press ISBN: 1526104512 Category : Literary Criticism Languages : en Pages : 462
Book Description
The Burley manuscript is a miscellany compiled in the late sixteenth and early seventeenth century, unique in size and variety. In this study, annotated transcriptions are given of all of the private letters in English and all the English verse. Incipit transcriptions and identification are provided for each of the other items, including those in foreign languages. The history and provenance of the collection are described in detail, with lengthy notes on memorial transcription of verse and prose, and the clandestine interception of letters. The book makes available texts, annotations and commentary that will have an impact on a wide range of scholarship. It will be found useful to literary scholars, editors, and social historians, illuminating such diverse subjects as the circulation of verse, the correspondence of John Donne, the self-fashioning of English gentlemen after the classical Romans of their class and the government's paranoiac spying on its own citizens.
Author: Peter Redford Publisher: Manchester University Press ISBN: 1526104512 Category : Literary Criticism Languages : en Pages : 462
Book Description
The Burley manuscript is a miscellany compiled in the late sixteenth and early seventeenth century, unique in size and variety. In this study, annotated transcriptions are given of all of the private letters in English and all the English verse. Incipit transcriptions and identification are provided for each of the other items, including those in foreign languages. The history and provenance of the collection are described in detail, with lengthy notes on memorial transcription of verse and prose, and the clandestine interception of letters. The book makes available texts, annotations and commentary that will have an impact on a wide range of scholarship. It will be found useful to literary scholars, editors, and social historians, illuminating such diverse subjects as the circulation of verse, the correspondence of John Donne, the self-fashioning of English gentlemen after the classical Romans of their class and the government's paranoiac spying on its own citizens.
Author: Lara M. Crowley Publisher: Oxford University Press ISBN: 0192554956 Category : Literary Criticism Languages : en Pages : 276
Book Description
Manuscript Matters illuminates responses to some of John Donne's most elusive texts by his contemporary audiences. Since examples of seventeenth-century literary criticism prove somewhat rare and frequently ambiguous, this book emphasizes a critical framework rarely used for exhibiting early readers' exegeses of literary texts: the complete manuscripts containing them. Many literary manuscripts that include poems by Donne and his contemporaries were compiled during their lifetimes, often by members of their circles. For this reason, and because various early modern poems and prose works satirize topical events and prominent figures in highly coded language, attempting to understand early literary interpretations proves challenging but highly valuable. Compilers, scribes, owners, and other readers–men and women who shared in Donne's political, religious, and social contexts–offer clues to their literary responses within a range of features related to the construction and subsequent use of the manuscripts. This study's findings call us to investigate more extensively and systematically how certain early manuscripts were constructed through analysis of such features as scripts, titles, sequence of contents, ascriptions, and variant diction. While such studies can throw light on many early modern texts, exploring artefacts containing Donne's works proves particularly useful because more of his poetry circulated in manuscript than did that of any other early modern poet. Manuscript Matters engages Donne's satiric, lyric, and religious poetry, as well as his prose paradoxes and problems. Analysing his texts within their manuscript contexts enables modern readers to interpret Donne's poetry and prose through an early modern lens.
Author: Laura Estill Publisher: Rutgers University Press ISBN: 1644530473 Category : Literary Criticism Languages : en Pages : 268
Book Description
Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences. Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton’s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare’s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, “different readers [bring] the text to life in different ways.” By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Arthur F. Marotti Publisher: Routledge ISBN: 1000390683 Category : Literary Criticism Languages : en Pages : 335
Book Description
This study examines the transmission and compilation of poetic texts through manuscripts from the late-Elizabethan era through the mid-seventeenth century, paying attention to the distinctive material, social, and literary features of these documents. The study has two main focuses: the first, the particular social environments in which texts were compiled and, second, the presence within this system of a large body of (usually anonymous) rare or unique poems. Manuscripts from aristocratic, academic, and urban professional environments are examined in separate chapters that highlight particular collections. Two chapters consider the social networking within the university and London that facilitated the transmission within these environments and between them. Although the topic is addressed throughout the study, the place of rare or unique poems in manuscript collections is at the center of the final three chapters. The book as a whole argues that scholars need to pay more attention to the social life of texts in the period and to little-known or unknown rare or unique poems that represent a field of writing broader than that defined in a literary history based mainly on the products of print culture.
Author: Steven W. May Publisher: Oxford University Press ISBN: 0198878001 Category : Literary Criticism Languages : en Pages : 289
Book Description
English Renaissance Manuscript Culture: The Paper Revolution traces the development of a new type of scribal culture in England that emerged early in the fourteenth century. The main medieval writing surfaces of parchment and wax tablets were augmented by a writing medium that was both lasting and cheap enough to be expendable. Writing was transformed from a near monopoly of professional scribes employed by the upper class to a practice ordinary citizens could afford. Personal correspondence, business records, notebooks on all sorts of subjects, creative writing, and much more flourished at social levels where they had previously been excluded by the high cost of parchment. Steven W. May places literary manuscripts and in particular poetic anthologies in this larger scribal context, showing how its innovative features affected both authorship and readership. As this amateur scribal culture developed, the medieval professional culture expanded as well. Classes of documents formerly restricted to parchment often shifted over to paper, while entirely new classes of documents were added to the records of church and state as these institutions took advantage of relatively inexpensive paper. Paper stimulated original composition by making it possible to draft, revise, and rewrite works in this new, affordable medium. Amateur scribes were soon producing an enormous volume of manuscript works of all kinds--works they could afford to circulate in multiple copies. England's ever-increasing literate population developed an informal network that transmitted all kinds of texts from single sheets to book-length documents efficiently throughout the kingdom. The operation of restrictive coteries had little if any role in the mass circulation of manuscripts through this network. However, paper was cheap enough that manuscripts could also be readily disposed of (unlike expensive parchment). More than 90% of the output from this scribal tradition has been lost, a fact that tends to distort our understanding and interpretation of what has survived. May illustrates these conclusions with close analysis of representative manuscripts.
Author: H. R. Woudhuysen Publisher: Clarendon Press ISBN: 0191591025 Category : Literary Criticism Languages : en Pages : 541
Book Description
This is the first modern study of the production and circulation of manuscripts during the English Renaissance. H.R. Woudhuysen examines the relationship between manuscript and print, looks at people who lived by their pens, and surveys authorial and scribal manuscripts, paying particular attention to the copying of verse, plays, and scholarly works by hand. It investigates the professional production of manuscripts for sale by scribes such as Ralph Crane and Richard Robinson. The second part of the book examines Sir Philip Sydney's works in the context of Woudhuysen's research, discussing all Sidney's important manuscripts, and seeking to assess his part in the circulation of his works and his role in the promotion of a scribal culture. A detailed examination of the manuscripts and early prints of his poems, his Arcadias, and of Astrophil and Stella shed new light on their composition, evolution, and dissemination, as well as on Sidney's friends and admirers.
Author: Alessandro Conti Publisher: BRILL ISBN: 9004244603 Category : History Languages : en Pages : 451
Book Description
Until some thirty years ago, medieval scholars and historians of philosophy have not generally done justice to Walter Burley (ca. 1275-after 1344). On the one hand, he was been misconstrued as holding a mere variation of more moderate realist positions – something that is true only for the first part of his career (before 1324). On the other hand, very often his ideas were studied simply as a means to a better understanding Ockham’s theories, so dwarfing the worth and interest of Burley’s doctrines. On the contrary, in terms of rigour, originality, and influence, Burley was one of the most prominent logicians and metaphysicians of the Middle Ages. This volume, which contains thirteen substantial essays on Burley's philosophy, tries to rectify that situation. It aims to reconstruct Burley’s thought and the role it played in the development of late medieval philosophy, to situate it definitely within its historical and intellectual context, and to clarify its internal evolution. Contributors include: Fabrizio Amerini, E. Jennifer Ashworth, Laurent Cesalli, Alessandro D. Conti, Iacopo Costa, Catarina Dutilh Novaes, Marek Gensler, Elżbieta Jung, Roberto Lambertini, Cecilia Trifogli, Marta Vittorini, and Hans-Ulrich Wöhler.
Author: Peter Beal Publisher: ISBN: Category : Education Languages : en Pages : 250
Book Description
As Queen of England for nearly forty-five years, Elizabeth I left behind a formidable and fascinating paper trail. She wrote copiously, including works in verse and in prose, original works and translations, treatises, prayers, and speeches, but as the essays collected in Elizabeth I and the Culture of Writing demonstrate, Elizabeth did not simply participate in the cultural phenomenon of the growth of writing—as the most powerful person in Britain, her example played an instrumental part in its spread. These essays consider all facets of Elizabeth’s role in the culture of writing from the private to the political and bring to light many newly discovered documents. H. R. Woudhuysen scrutinizes the Queen’s handwriting, Jane Lawson looks at the books Elizabeth received as gifts, Peter Beal examines the execution warrants she was obliged to sign, and Steven May gives an account of the prayers and letters of condolence Elizabeth wrote. Ultimately this textual record of the Queen’s reign reveals a dauntingly complex identity—at once sovereign, spectator, friend, woman, creator, muse, and icon.
Author: Michael Hattaway Publisher: John Wiley & Sons ISBN: 9781444319026 Category : Literary Criticism Languages : en Pages : 1264
Book Description
In this revised and greatly expanded edition of theCompanion, 80 scholars come together to offer an originaland far-reaching assessment of English Renaissance literature andculture. A new edition of the best-selling Companion to EnglishRenaissance Literature, revised and updated, with 22 newessays and 19 new illustrations Contributions from some 80 scholars including Judith H.Anderson, Patrick Collinson, Alison Findlay, Germaine Greer,Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, RobertMiola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literaryand cultural territories the Companion offers new readingsof both ‘literary’ and ‘non-literary’texts Features essays discussing material culture, sectarian writing,the history of the body, theatre both in and outside theplayhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advancedstudents and faculty with new directions for theirresearch All of the essays from the first edition, along with therecommendations for further reading, have been reworked orupdated
Author: Peter Redford
Author: Peter Redford
Author: Lara M. Crowley
Author: Laura Estill
Author: Arthur F. Marotti
Author: Steven W. May
Author: H. R. Woudhuysen
Author: Alessandro Conti
Author: Great Britain. Royal Commission on Historical Manuscripts
Author: Peter Beal
Author: Michael Hattaway