Author: Francisco Goya
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 138
Book Description
La Tauromaquia
Author: Francisco Goya
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 138
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 138
Book Description
Great Goya Etchings
Author: Francisco Goya
Publisher: Courier Corporation
ISBN: 0486156745
Category : Art
Languages : en
Pages : 145
Book Description
This lavish volume presents prints from The Proverbs, La Tauromaquia, and The Bulls of Bordeaux. Its 78 etchings recapture the incomparable grandeur of Goya's art as well as the major themes of his works.
Publisher: Courier Corporation
ISBN: 0486156745
Category : Art
Languages : en
Pages : 145
Book Description
This lavish volume presents prints from The Proverbs, La Tauromaquia, and The Bulls of Bordeaux. Its 78 etchings recapture the incomparable grandeur of Goya's art as well as the major themes of his works.
The Bulls of Francisco de Goya
Author: José René Cruz Revueltas
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Goya was always, in addition to being a painter, a Spaniard, and fundamentally an Aragonese. He never despised his birthplace or his origin but rather showed, through his art, his knowledge of Spanish customs and traditions. His passion was Spain: his land, sun, and love. Goya could not banish his fondness for good wine, bulls, and women from his heart. Bullfighting, art as Spanish as Spain itself, and Goyesque as Goya himself: light, beauty, aesthetics with the frame, and the possibility of grotesque death in a sadomasochistic act, which transforms joy into anguish, beauty into ugliness, life in pain and death. The bulls are the Spanish national festival that could define Goya and Spain itself. Spain was born from the triumph of absolutist Christianity over the Moors and the Jews. That grows with the wealth of its colonies. But with the establishment of the holy inquisition, he condemns his people to live under terror and suspicion. Wherever there is a desire and transgression, no matter how small, there is sin and the possibility of brutal punishment in this life or Hell. Spain that after its initial greatness, consumes itself. And that by the time of Goya, it has become the Spain of Don Quixote, of Lazarillo de Tormes, of Buscón, where the good years are behind us. You have to defend yourself with everything to dream and survive. And it is in the festival of the bull where the Spanish people find a catharsis against that unequal, unjust, corrupt world where the decadent court lives in luxury, deceit, and lies. In the Bulls, where there can be no lies because courage cannot be hidden, it faces beauty, art, and grace as equals with the most real truths that we know: fear, pain, and death. Goya was famous for his drunkenness, love affairs with maidens and married women, and a distinctive sign of his character, his fondness for bullfighting. He often signed his letters as "Francisco, the one with the bulls." As a young man, Goya tried to apply for a fellowship at the Royal Academy of Arts in Madrid, twice being turned down. Before him, there was room for those recommended from the larger provinces, mainly Andalusians and Castilians. And he, being an Aragonese with no influence at court, a stranger without work, a hillbilly and ignorant, despite his solid national roots, could not obtain any position. So, to survive, he secured a certain amount of money by fighting bulls in provincial arenas. Now in his eighties, Goya continued to flaunt his erudition in matters of bullfighting, bullfighters, and bullrings. He also boasted that he could still give the most colorful bull passes, which says much about his temperament and personality. In the following pages, you will be able to observe the series of La Tauromaquia that consists of 33 engravings that Francisco de Goya published in 1816. These works were elaborated slowly, without a specific plan. You will also appreciate the works of the "Bulls of Bordeaux" series painted between 1824 and 1825 in the French city of Bordeaux. Unlike ]La Tauromaquia], these works reflect professional bullfights and the sets of well-known bullfighters. Together with the bullfighters, the collective brutalization of the masses is reflected. There are also several works by Goya where the theme is bullfighting.
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Goya was always, in addition to being a painter, a Spaniard, and fundamentally an Aragonese. He never despised his birthplace or his origin but rather showed, through his art, his knowledge of Spanish customs and traditions. His passion was Spain: his land, sun, and love. Goya could not banish his fondness for good wine, bulls, and women from his heart. Bullfighting, art as Spanish as Spain itself, and Goyesque as Goya himself: light, beauty, aesthetics with the frame, and the possibility of grotesque death in a sadomasochistic act, which transforms joy into anguish, beauty into ugliness, life in pain and death. The bulls are the Spanish national festival that could define Goya and Spain itself. Spain was born from the triumph of absolutist Christianity over the Moors and the Jews. That grows with the wealth of its colonies. But with the establishment of the holy inquisition, he condemns his people to live under terror and suspicion. Wherever there is a desire and transgression, no matter how small, there is sin and the possibility of brutal punishment in this life or Hell. Spain that after its initial greatness, consumes itself. And that by the time of Goya, it has become the Spain of Don Quixote, of Lazarillo de Tormes, of Buscón, where the good years are behind us. You have to defend yourself with everything to dream and survive. And it is in the festival of the bull where the Spanish people find a catharsis against that unequal, unjust, corrupt world where the decadent court lives in luxury, deceit, and lies. In the Bulls, where there can be no lies because courage cannot be hidden, it faces beauty, art, and grace as equals with the most real truths that we know: fear, pain, and death. Goya was famous for his drunkenness, love affairs with maidens and married women, and a distinctive sign of his character, his fondness for bullfighting. He often signed his letters as "Francisco, the one with the bulls." As a young man, Goya tried to apply for a fellowship at the Royal Academy of Arts in Madrid, twice being turned down. Before him, there was room for those recommended from the larger provinces, mainly Andalusians and Castilians. And he, being an Aragonese with no influence at court, a stranger without work, a hillbilly and ignorant, despite his solid national roots, could not obtain any position. So, to survive, he secured a certain amount of money by fighting bulls in provincial arenas. Now in his eighties, Goya continued to flaunt his erudition in matters of bullfighting, bullfighters, and bullrings. He also boasted that he could still give the most colorful bull passes, which says much about his temperament and personality. In the following pages, you will be able to observe the series of La Tauromaquia that consists of 33 engravings that Francisco de Goya published in 1816. These works were elaborated slowly, without a specific plan. You will also appreciate the works of the "Bulls of Bordeaux" series painted between 1824 and 1825 in the French city of Bordeaux. Unlike ]La Tauromaquia], these works reflect professional bullfights and the sets of well-known bullfighters. Together with the bullfighters, the collective brutalization of the masses is reflected. There are also several works by Goya where the theme is bullfighting.
Francisco de Goya
Author: Richard Muther
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 120
Book Description
Goya in the Metropolitan Museum of Art
Author: Colta Feller Ives
Publisher: Metropolitan Museum of Art
ISBN: 0870997521
Category :
Languages : en
Pages : 82
Book Description
Goya is the most original artist of his generation & the best known Spanish painter of all time. This study offers the reader an insightful introduction to the painter & his great talent. It includes 43 color & black & white photographs of Goya's work as displayed in the Metropolitan Museum of Art.
Publisher: Metropolitan Museum of Art
ISBN: 0870997521
Category :
Languages : en
Pages : 82
Book Description
Goya is the most original artist of his generation & the best known Spanish painter of all time. This study offers the reader an insightful introduction to the painter & his great talent. It includes 43 color & black & white photographs of Goya's work as displayed in the Metropolitan Museum of Art.
The Roots of Francisco de Goya
Author: J. Carlos Arroyos
Publisher: EBL Books
ISBN: 1524328286
Category : Biography & Autobiography
Languages : en
Pages : 226
Book Description
"The Roots of Francisco" de Goya describes the famous Spanish painter ́s beginnings in Aragon, the fertile ground which nurtured his soul and intelligence and bore his genius. Goya was born in 1746 in Fuendetodos, a small town in the province of Zaragoza, where he lived in a rural and family-centred community. He enjoyed the colourful scenery, which changed with the seasons, and participated in the region ́s frequent traditional festivals and ceremonies. Goya moved on to Zaragoza and Madrid, evolving as a prolific artist and painting many portraits of prominent figures of the era. As a witness to revolutionary times and tumult in Europe, Francisco de Goya enjoyed a life as colourful and interesting as the tapestries and paintings he masterfully created, yet he never forgot his roots in Fuendetodos.
Publisher: EBL Books
ISBN: 1524328286
Category : Biography & Autobiography
Languages : en
Pages : 226
Book Description
"The Roots of Francisco" de Goya describes the famous Spanish painter ́s beginnings in Aragon, the fertile ground which nurtured his soul and intelligence and bore his genius. Goya was born in 1746 in Fuendetodos, a small town in the province of Zaragoza, where he lived in a rural and family-centred community. He enjoyed the colourful scenery, which changed with the seasons, and participated in the region ́s frequent traditional festivals and ceremonies. Goya moved on to Zaragoza and Madrid, evolving as a prolific artist and painting many portraits of prominent figures of the era. As a witness to revolutionary times and tumult in Europe, Francisco de Goya enjoyed a life as colourful and interesting as the tapestries and paintings he masterfully created, yet he never forgot his roots in Fuendetodos.
Francisco Goya Y Lucientes
Author: Charles Henry Caffin
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 20
Book Description