Author: Andrew Radford
Publisher: Bloomsbury Publishing
ISBN: 144110643X
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Mary Butts was an important figure in inter-war modernist circles and one who reviewed and associated with some of the major literary figures of the era, from T.S. Eliot to Gertrude Stein. Despite her importance and the varied nature of her writing, she has been a neglected figure in modernist scholarship. Providing a new analysis of the interwar literary period, Mary Butts and British Neo-Romanticism revisits her work - vividly experimental writings spanning memoir, poetry, polemic and fiction - through the lens of mid-20th-century British neo-Romanticism. The book argues that behind Butts's eco-feminist writings lies an intricate political and philosophical commentary.
The British Neo-Romantics, 1935-1950
Mary Butts and British Neo-Romanticism
Author: Andrew Radford
Publisher: Bloomsbury Publishing
ISBN: 144110643X
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Mary Butts was an important figure in inter-war modernist circles and one who reviewed and associated with some of the major literary figures of the era, from T.S. Eliot to Gertrude Stein. Despite her importance and the varied nature of her writing, she has been a neglected figure in modernist scholarship. Providing a new analysis of the interwar literary period, Mary Butts and British Neo-Romanticism revisits her work - vividly experimental writings spanning memoir, poetry, polemic and fiction - through the lens of mid-20th-century British neo-Romanticism. The book argues that behind Butts's eco-feminist writings lies an intricate political and philosophical commentary.
Publisher: Bloomsbury Publishing
ISBN: 144110643X
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Mary Butts was an important figure in inter-war modernist circles and one who reviewed and associated with some of the major literary figures of the era, from T.S. Eliot to Gertrude Stein. Despite her importance and the varied nature of her writing, she has been a neglected figure in modernist scholarship. Providing a new analysis of the interwar literary period, Mary Butts and British Neo-Romanticism revisits her work - vividly experimental writings spanning memoir, poetry, polemic and fiction - through the lens of mid-20th-century British neo-Romanticism. The book argues that behind Butts's eco-feminist writings lies an intricate political and philosophical commentary.
Neo-Romantic Landscapes
Author: Stella Hockenhull
Publisher: Cambridge Scholars Publishing
ISBN: 1443808598
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Neo-Romantic Landscapes offers a reappraisal of the 1940s films of Powell and Pressburger focusing on their use of landscape. Questioning the established notion that the two film-makers, owing to their non-British personal roots, are located as un-British and ‘other’, Stella Hockenhull draws a correlation between the two media of film and painting to suggest otherwise. Emphasising the spiritual aspects of landscape and nature at a time when the experience and imagery of the war years generated a particular kind of ‘affect’ arising from the aftermath of destruction, she locates Powell and Pressburger’s wartime films in their historical and cultural context, notably Neo-Romanticism. By offering a close analysis of films such as A Canterbury Tale, I Know Where I’m Going!, Black Narcissus and Gone to Earth she finds similar aesthetic qualities in a number of British landscape paintings executed contemporaneously. Drawing on press reviews for contemporary spectator response, Neo-Romantic Landscapes offers a redirection of Film Studies, foregrounding the aesthetic pleasures of cinema in excess of narrative plausibility, thus resituating Powell and Pressburger in the British cultural traditions of the visual arts.
Publisher: Cambridge Scholars Publishing
ISBN: 1443808598
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Neo-Romantic Landscapes offers a reappraisal of the 1940s films of Powell and Pressburger focusing on their use of landscape. Questioning the established notion that the two film-makers, owing to their non-British personal roots, are located as un-British and ‘other’, Stella Hockenhull draws a correlation between the two media of film and painting to suggest otherwise. Emphasising the spiritual aspects of landscape and nature at a time when the experience and imagery of the war years generated a particular kind of ‘affect’ arising from the aftermath of destruction, she locates Powell and Pressburger’s wartime films in their historical and cultural context, notably Neo-Romanticism. By offering a close analysis of films such as A Canterbury Tale, I Know Where I’m Going!, Black Narcissus and Gone to Earth she finds similar aesthetic qualities in a number of British landscape paintings executed contemporaneously. Drawing on press reviews for contemporary spectator response, Neo-Romantic Landscapes offers a redirection of Film Studies, foregrounding the aesthetic pleasures of cinema in excess of narrative plausibility, thus resituating Powell and Pressburger in the British cultural traditions of the visual arts.
Keith Vaughan
Author: Philip Vann
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781848220973
Category : Art
Languages : en
Pages : 188
Book Description
Keith Vaughan (1912-77) was a major figure in post-war British art who is known for his searching portraits of the male nude and his association with the Neo-Romantic painters. This book provides for the first time a definitive, illustrated account of his life and work, exploring his wide-ranging achievement as a modern British artist.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781848220973
Category : Art
Languages : en
Pages : 188
Book Description
Keith Vaughan (1912-77) was a major figure in post-war British art who is known for his searching portraits of the male nude and his association with the Neo-Romantic painters. This book provides for the first time a definitive, illustrated account of his life and work, exploring his wide-ranging achievement as a modern British artist.
The Grove Encyclopedia of American Art
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
British Romantic Art and the Second World War
Author: Stuart Sillars
Publisher: Springer
ISBN: 134909918X
Category : Art
Languages : en
Pages : 257
Book Description
An examination of the ways in which the artists and writers of the 1940s developed and extended approaches from earlier English romanticism to provide a direct and compassionate response to the reality of contemporary destruction.
Publisher: Springer
ISBN: 134909918X
Category : Art
Languages : en
Pages : 257
Book Description
An examination of the ways in which the artists and writers of the 1940s developed and extended approaches from earlier English romanticism to provide a direct and compassionate response to the reality of contemporary destruction.
The Force of Culture
Author: Karen Finlay
Publisher: University of Toronto Press
ISBN: 1442658258
Category : History
Languages : en
Pages : 372
Book Description
A misunderstood and sometimes maligned figure, Vincent Massey was one of Canada's most influential cultural policy-makers and art patrons. Best known as Canada's first native-born Governor General, he chaired the landmark Royal Commission on National Development in the Arts, Letters, and Sciences that led to the creation of the Canada Council. The Force of Culture examines Massey's notion of culture, its conflicted roots in late nineteenth-century and early twentieth-century Canadian Protestant thought, and Massey's transformation into a champion of culture as a bastion of Canadian sovereignty. Karen Finlay's study goes beyond existing literature by examining the role of Massey's Methodist upbringing in instilling an education gospel as the bedrock of culture and the foundation of a national citizenry. The study also reassesses Massey's reputation as a supporter of the fine arts. Steeped in Methodism, his attitudes towards the arts were ambiguous. He never adopted a purely art-for-art's sake doctrine, but came to understand that the arts, without being moralizing, could serve a moral and cultural purpose: the expression and affirmation of national character and sovereignty. As well as charting Massey's evolving attitudes towards culture and the arts, Finlay attempts to redress the common charges of sexism, elitism, and anglophonism levelled against him. Finlay stresses Massey's contradictory views on issues relating to gender, race, and class, outweighed by the ongoing legacy of his belief in Canadian cultural diversity. Above all, Massey valorized the principles of excellence and diversity as twin antidotes to the anathema of conformity and cultural homogenization. The tenet Massey sought to honour, pertaining deeply to the collective and moral nature of humanism in Canada, Finlay argues, was community without uniformity. The Force of Culture shows that Massey was, in certain respects, a democratizer and even a populist, who believed that difference need not divide. Electronic Format Disclaimer: Images removed at the request of the rights holder.
Publisher: University of Toronto Press
ISBN: 1442658258
Category : History
Languages : en
Pages : 372
Book Description
A misunderstood and sometimes maligned figure, Vincent Massey was one of Canada's most influential cultural policy-makers and art patrons. Best known as Canada's first native-born Governor General, he chaired the landmark Royal Commission on National Development in the Arts, Letters, and Sciences that led to the creation of the Canada Council. The Force of Culture examines Massey's notion of culture, its conflicted roots in late nineteenth-century and early twentieth-century Canadian Protestant thought, and Massey's transformation into a champion of culture as a bastion of Canadian sovereignty. Karen Finlay's study goes beyond existing literature by examining the role of Massey's Methodist upbringing in instilling an education gospel as the bedrock of culture and the foundation of a national citizenry. The study also reassesses Massey's reputation as a supporter of the fine arts. Steeped in Methodism, his attitudes towards the arts were ambiguous. He never adopted a purely art-for-art's sake doctrine, but came to understand that the arts, without being moralizing, could serve a moral and cultural purpose: the expression and affirmation of national character and sovereignty. As well as charting Massey's evolving attitudes towards culture and the arts, Finlay attempts to redress the common charges of sexism, elitism, and anglophonism levelled against him. Finlay stresses Massey's contradictory views on issues relating to gender, race, and class, outweighed by the ongoing legacy of his belief in Canadian cultural diversity. Above all, Massey valorized the principles of excellence and diversity as twin antidotes to the anathema of conformity and cultural homogenization. The tenet Massey sought to honour, pertaining deeply to the collective and moral nature of humanism in Canada, Finlay argues, was community without uniformity. The Force of Culture shows that Massey was, in certain respects, a democratizer and even a populist, who believed that difference need not divide. Electronic Format Disclaimer: Images removed at the request of the rights holder.
Myth and the Creative Process
Author: Jacob E. Nyenhuis
Publisher: Wayne State University Press
ISBN: 9780814330029
Category : Art
Languages : en
Pages : 432
Book Description
Highlighting the interaction between myth and artist, word and image, Jacob Nyenthuis here presents a catalogue of these works, one that will enlighten Ayrton's British following while introducing him to an American audience."--BOOK JACKET.
Publisher: Wayne State University Press
ISBN: 9780814330029
Category : Art
Languages : en
Pages : 432
Book Description
Highlighting the interaction between myth and artist, word and image, Jacob Nyenthuis here presents a catalogue of these works, one that will enlighten Ayrton's British following while introducing him to an American audience."--BOOK JACKET.
"Landscape, Art and Identity in 1950s Britain "
Author: Catherine Jolivette
Publisher: Routledge
ISBN: 1351560972
Category : Art
Languages : en
Pages : 272
Book Description
During the years following World War II debates about the British landscape fused with questions of national identity as the country reconstructed its sense of self. For better or for worse artists, statesmen, and ordinary citizens saw themselves reflected in the landscape, and in turn helped to shape the way that others envisioned the land. While landscape art is frequently imagined in terms of painting, this book examines the role of landscape in terms of a broader definition of visual culture to include the discussion not only of works of oil on canvas, but also prints, sculpture, photography, advertising, fashion journalism, artists' biographies, and the multi-media stage of the national exhibition. Making extensive use of archival materials (newspaper reviews, radio broadcasts, interviews with artists, letters and exhibition planning documents), Catherine Jolivette explores the intersection of landscape art with a variety of discourses including the role of women in contemporary society, the status of immigrant artists in Britain, developments in science and technology, and the promotion of British art and culture abroad.
Publisher: Routledge
ISBN: 1351560972
Category : Art
Languages : en
Pages : 272
Book Description
During the years following World War II debates about the British landscape fused with questions of national identity as the country reconstructed its sense of self. For better or for worse artists, statesmen, and ordinary citizens saw themselves reflected in the landscape, and in turn helped to shape the way that others envisioned the land. While landscape art is frequently imagined in terms of painting, this book examines the role of landscape in terms of a broader definition of visual culture to include the discussion not only of works of oil on canvas, but also prints, sculpture, photography, advertising, fashion journalism, artists' biographies, and the multi-media stage of the national exhibition. Making extensive use of archival materials (newspaper reviews, radio broadcasts, interviews with artists, letters and exhibition planning documents), Catherine Jolivette explores the intersection of landscape art with a variety of discourses including the role of women in contemporary society, the status of immigrant artists in Britain, developments in science and technology, and the promotion of British art and culture abroad.
The Encyclopedia of Musicians and Bands on Film
Author: Melissa U. D. Goldsmith
Publisher: Rowman & Littlefield
ISBN: 1442269871
Category : Performing Arts
Languages : en
Pages : 487
Book Description
Musicians, both fictional and real, have long been subjects of cinema. From biopics of composers Beethoven and Mozart to the rise (and often fall) of imaginary bands in The Commitments and Almost Famous, music of all types has inspired hundreds of films. The Encyclopedia of Musicians and Bands on Film features the most significant productions from around the world, including straightforward biographies, rockumentaries, and even the occasional mockumentary. The wide-ranging scope of this volume allows for the inclusion of films about fictional singers and bands, with emphasis on a variety of themes: songwriter–band relationships, the rise and fall of a career, music saving the day, the promoter’s point of view, band competitions, the traveling band, and rock-based absurdity. Among the films discussed in this book are Amadeus, The Blues Brothers, The Buddy Holly Story, The Commitments, Dreamgirls, The Glenn Miller Story, A Hard Day’s Night, I’m Not There, Jailhouse Rock, A Mighty Wind, Ray, ’Round Midnight, The Runaways, School of Rock, That Thing You Do!, and Walk the Line.With entries that span the decades and highlight a variety of music genres, The Encyclopedia of Musicians and Bands on Film is a valuable resource for moviegoers and music lovers alike, as well as scholars of both film and music.
Publisher: Rowman & Littlefield
ISBN: 1442269871
Category : Performing Arts
Languages : en
Pages : 487
Book Description
Musicians, both fictional and real, have long been subjects of cinema. From biopics of composers Beethoven and Mozart to the rise (and often fall) of imaginary bands in The Commitments and Almost Famous, music of all types has inspired hundreds of films. The Encyclopedia of Musicians and Bands on Film features the most significant productions from around the world, including straightforward biographies, rockumentaries, and even the occasional mockumentary. The wide-ranging scope of this volume allows for the inclusion of films about fictional singers and bands, with emphasis on a variety of themes: songwriter–band relationships, the rise and fall of a career, music saving the day, the promoter’s point of view, band competitions, the traveling band, and rock-based absurdity. Among the films discussed in this book are Amadeus, The Blues Brothers, The Buddy Holly Story, The Commitments, Dreamgirls, The Glenn Miller Story, A Hard Day’s Night, I’m Not There, Jailhouse Rock, A Mighty Wind, Ray, ’Round Midnight, The Runaways, School of Rock, That Thing You Do!, and Walk the Line.With entries that span the decades and highlight a variety of music genres, The Encyclopedia of Musicians and Bands on Film is a valuable resource for moviegoers and music lovers alike, as well as scholars of both film and music.