The Book of the Art of Cennino Cennini PDF Download

Author: Cennino Cennini
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 340

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Author: Cennino Cennini
Publisher: Courier Corporation
ISBN: 0486136620
Category : Crafts & Hobbies
Languages : en
Pages : 196

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Book Description
Fifteenth-century handbook, written by a working artist of the day, reveals techniques of the masters in drawing, oil painting, frescoes, panel painting, gilding, casting, more. Direct link to artists of Middle Ages.

Author: Lara Broecke
Publisher:
ISBN: 9781909492288
Category : Art
Languages : en
Pages : 248

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Book Description
This book, a new translation (with introduction and notes) of Il Libro dell'Arte, marks a great step forward in our understanding of Cennino Cennini - his life and times - and the materials and techniques employed by artists in fourteenth century Italy. Over eighty years ago, D. V. Thompson presented his translation entitled The Craftsman's Handbook as a workshop manual aimed at readers who wished to produce a work of art by following Cennino's instructions. The present volume not only establishes more precisely what Cennino actually wrote, by correcting more than 400 errors in Thompson's text, but also includes the transcribed Italian text and very extensive notes on both the language and the technical descriptions. In addition, the author's most informative introduction places Cennino in context and accounts for the genesis of the libro dell'arte by reference to the society in which it was produced. This volume is a landmark text for students and professionals in the field of art history. Contents: Foreword; Acknowledgements; Introduction; Why a new translation?; Who was Cennino Cennini?; What is the Libro dell'arte?; The transmission and translation of the Libro dell'arte; Notes on the transcription; Notes on the translation; Il libro dell'arte: English translation and commentary and Italian transcription; Notes on substantive differences from Thompson's translation; Appendix; Bibliography.

Author: Cennino Cennini
Publisher: Routledge
ISBN: 1351342827
Category : Art
Languages : en
Pages : 265

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Book Description
A Translated version of the Art of Cennino Cennini. A contemporary practical treatise on Quattrocento Painting, including notes on medieval methods, and early explanations of oil painting and other techniques.

Author: Robert L. Herbert
Publisher: Yale University Press
ISBN: 9780300081367
Category : Art
Languages : en
Pages : 334

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Book Description
Renoir's works and writing on the decorative arts

Author: Cennino Cennini
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 340

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Book Description

Author: Mark Clarke
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 164

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Book Description
This volume explores the history and interpretation of mediaeval technical treatises on the arts, and includes a catalogue of over 400 manuscript sources, many of them largely unknown.

Author: Daniel V. Thompson
Publisher: Courier Corporation
ISBN: 0486141640
Category : Art
Languages : en
Pages : 175

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Book Description
Tempera painting, the method in which colors are mixed with some binding material other than oil (primarily egg yolk), is the earliest type of painting known to man. The wall paintings of ancient Egypt and Babylon are tempera, as are many of the paintings of Giotto, Lippi, Botticelli, Raphael, Titian, Tintoretto, and many other masters. But in spite of the time-proven excellence of this technique — which boasts many clear advantages over oil paint — it does not receive the degree of attention from modern painters that it deserves. Part of the explanation for this neglect, surely, is the absence of sufficient information about the materials and procedures involved in tempera painting. The present volume, in fact, is virtually the only complete, authoritative, step-by-step treatment of the subject in the English language, D.V. Thompson wrote this book after an exhaustive study, over many years, of countless medieval and Renaissance manuscripts in the British Museum and elsewhere, and is unquestionably the world's leading authority on tempera materials and processes. Beginning with an introductory chapter on the uses and limitations of tempera, the author covers such topics as the choice of material for the panel; propensities of various woods; preparing the panel for gilding; making the gesso mixture; methods of applying the gesso; planning the design of a tempera painting; use of tinted papers; application of metals to the panel; tools for gliding; handling and laying gold; combination gold and silver leafing; pigments and brushes; choice of palette; mixing the tempera; tempering and handling the colors; techniques of the actual painting; mordant gilding; permanence of tempera painting; varnishing; and artificial emulsion painting. The drawings and diagrams, illustrating the various materials and techniques, infinitely increase the clarity of the discussions. As a careful exposition of all aspects of authentic tempera painting, including many of the possible modern uses for this ancient method, this book actually stands alone. No one who is interested in tempera painting as a serious pursuit can afford to be without it.

Author: R. J. Gettens
Publisher: Courier Corporation
ISBN: 0486142426
Category : Art
Languages : en
Pages : 370

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Book Description
The combined training and experience of the authors of this classic in the varied activities of painting conservation, cultural research, chemistry, physics, and paint technology ideally suited them to the task they attempted. Their book, written when they were both affiliated with the Department of Conservation at Harvard's Fogg Art Museum, is not a handbook of instruction. It is, instead, an encyclopedic collection of specialized data on every aspect of painting and painting research. The book is divided into five sections: Mediums, Adhesives, and Film Substances (amber, beeswax, casein, cellulose, nitrate, dragon's blood, egg tempera, paraffin, lacquer, gum Arabic, Strasbourg turpentine, water glass, etc.); Pigments and Inert Materials (over 100 entries from alizarin to zinnober green); Solvents, Diluents, and Detergents (acetone, ammonia, carbon tetrachloride, soap, water, etc.); Supports (academy board, dozens of different woods, esparto grass, gesso, glass, leather, plaster, silk, vellum, etc.); and Tools and Equipment. Coverage within each section is exhaustive. Thirteen pages are devoted to items related to linseed oil; eleven to the history and physical and chemical properties of pigments; two to artificial ultramarine blue; eleven to wood; and so on with hundreds of entries. Much of the information — physical behavior, earliest known use, chemical composition, history of synthesis, refractive index, etc. — is difficult to find elsewhere. The rest was drawn from such a wide range of fields and from such a long span of time that the book was immediately hailed as the best organized, most accessible work of its kind. That reputation hasn't changed. The author's new preface lists some recent discoveries regarding pigments and other materials and the pigment composition chart has been revised, but the text remains essentially unchanged. It is still invaluable not only for museum curators and conservators for whom it was designed, but for painters themselves and for teachers and students as well.

Author: Gerald W. R. Ward
Publisher:
ISBN: 0195313917
Category : Art
Languages : en
Pages : 848

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Book Description
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."