Author: Charles River Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781979561099
Category :
Languages : en
Pages : 86
Book Description
*Includes pictures *Includes accounts written by Emperor Maximilian and his wife of their lives and reign in Mexico *Includes online resources and a bibliography for further reading *Includes a table of contents Once upon a time, when a Civil War threatened to fracture the US, there was a monarchy south of the Rio Grande. That kingdom was called Mexico. It had a magnificent castle, a beautiful princess and a tall, handsome prince; he was noble and idealistic, he had fire in his heart, but he was weak and gullible. A fool, some would say. One day, when he was still a teenager, he wrote, "Ambition is like the balloonist. To some extent, the rise is nice and he does enjoy a splendid view and a vast landscape. But when he rises more, vertigo occurs, the air becomes thin and the risk of a big fall increases." With this parable, the Austrian Archduke Maximilian of Hapsburg inadvertently predicted the destiny to which he would bravely ride, despite the warnings and the sweet talkers. In any case, he followed his heart ́s mandate. And Charlotte, the princess, was "one of the most cultured and beautiful" in Europe. Since she was a girl she'd known that one day she would become a queen or an empress. When it was first hinted that they would be offered the crown of Mexico, she was 22 and he was 28, and they were surrounded by the intrigue and ambition of their own brothers, who could not wait to have them removed from the picture. So when, three years later, the couple received the official diplomatic mission which affirmed Mexico required their presence, the proposition was like a fairy tale come true. In the imagination of the era, Mexico was the distant paradise described by the great geographer Alexander von Humboldt: thick jungles and forests, steaming volcanoes, copious gold and silver mines, infinite beaches and exotic birds. "The most dangerous worldview is the worldview of those who have not viewed the world," the Prussian explorer had written, and Max believed it in all sincerity and contemplated the adventure with the eyes of his soul. In Mexico, the reality was different from the imagination. It was too late by the time they realized they had been seduced by sirens, specifically the siren sitting upon the throne of France, Napoleon III. The zealous emperor frowned at the expansion of the US and the Protestant, Anglo-Saxon race. But there were also the vast territories of northern Mexico to consider, the gold and silver mines, plus Napoleon ́s vague idea of rebuilding the Latin race and culture in the Americas. With that in mind, he brought two puppets to his global stage, Maximilian and Charlotte, and made sure they were told that the Mexican people would tender unto them a carpet of roses as soon as they saw their royal feet touch their land. In their dreams, Max of Austria and Charlotte of Belgium would become the saviors of the ancient empire of Montezuma, now unable to govern itself, and on the road to self-destruction. But Maximilian was not thinking of conquest and looting, as did his ancestor, Charles I of Spain, but in reconstruction and healing. It is not that he was guilty of arrogance, either. Sending a European monarch to the American continent sounds outrageous these days, but at the time, it was common for the kings of England, Belgium, Greece or Bulgaria to be of other nationalities. Still, Maximilian refused to accept the throne of Mexico until he was shown evidence that the Mexicans agreed. When he was shown a pretend plebiscite, he agreed on the dangerous adventure. The tragedy of Maximilian and Charlotte was romantic and political. In Mexico ́s official history, the one recorded by the winners, they were an affront to independence and a symbol of European arrogance. For the monarchies of Europe, they are a sad and embarrassing memory, because of the abandonment, craftiness and treachery they lived through.
The Last Emperor of Mexico
Author: Edward Shawcross
Publisher:
ISBN: 9781541674202
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
The "superbly entertaining and well‑researched" (Financial Times) history of Maximilian and Carlota, the European aristocrats who stumbled into power in Mexico--and faced bloody consequences. In the 1860s, Napoleon III, intent on curbing the rise of American imperialism, persuaded a young Austrian archduke and a Belgian princess to leave Europe and become the emperor and empress of Mexico. They and their entourage arrived in a Mexico ruled by terror, where revolutionary fervor was barely suppressed by French troops. When the United States, now clear of its own Civil War, aided the rebels in pushing back Maximilian's imperial soldiers, the French army withdrew, abandoning the young couple. The regime fell apart. Maximilian was executed by a firing squad and Carlota, secluded in a Belgian castle, descended into madness. Assiduously researched and vividly told, The Last Emperor of Mexico is a dramatic story of European hubris, imperialist aspirations clashing with revolutionary fervor, and the Old World breaking from the New.
Publisher:
ISBN: 9781541674202
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
The "superbly entertaining and well‑researched" (Financial Times) history of Maximilian and Carlota, the European aristocrats who stumbled into power in Mexico--and faced bloody consequences. In the 1860s, Napoleon III, intent on curbing the rise of American imperialism, persuaded a young Austrian archduke and a Belgian princess to leave Europe and become the emperor and empress of Mexico. They and their entourage arrived in a Mexico ruled by terror, where revolutionary fervor was barely suppressed by French troops. When the United States, now clear of its own Civil War, aided the rebels in pushing back Maximilian's imperial soldiers, the French army withdrew, abandoning the young couple. The regime fell apart. Maximilian was executed by a firing squad and Carlota, secluded in a Belgian castle, descended into madness. Assiduously researched and vividly told, The Last Emperor of Mexico is a dramatic story of European hubris, imperialist aspirations clashing with revolutionary fervor, and the Old World breaking from the New.
Emperor Maximilian I of Mexico
Author: Charles River Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781979561099
Category :
Languages : en
Pages : 86
Book Description
*Includes pictures *Includes accounts written by Emperor Maximilian and his wife of their lives and reign in Mexico *Includes online resources and a bibliography for further reading *Includes a table of contents Once upon a time, when a Civil War threatened to fracture the US, there was a monarchy south of the Rio Grande. That kingdom was called Mexico. It had a magnificent castle, a beautiful princess and a tall, handsome prince; he was noble and idealistic, he had fire in his heart, but he was weak and gullible. A fool, some would say. One day, when he was still a teenager, he wrote, "Ambition is like the balloonist. To some extent, the rise is nice and he does enjoy a splendid view and a vast landscape. But when he rises more, vertigo occurs, the air becomes thin and the risk of a big fall increases." With this parable, the Austrian Archduke Maximilian of Hapsburg inadvertently predicted the destiny to which he would bravely ride, despite the warnings and the sweet talkers. In any case, he followed his heart ́s mandate. And Charlotte, the princess, was "one of the most cultured and beautiful" in Europe. Since she was a girl she'd known that one day she would become a queen or an empress. When it was first hinted that they would be offered the crown of Mexico, she was 22 and he was 28, and they were surrounded by the intrigue and ambition of their own brothers, who could not wait to have them removed from the picture. So when, three years later, the couple received the official diplomatic mission which affirmed Mexico required their presence, the proposition was like a fairy tale come true. In the imagination of the era, Mexico was the distant paradise described by the great geographer Alexander von Humboldt: thick jungles and forests, steaming volcanoes, copious gold and silver mines, infinite beaches and exotic birds. "The most dangerous worldview is the worldview of those who have not viewed the world," the Prussian explorer had written, and Max believed it in all sincerity and contemplated the adventure with the eyes of his soul. In Mexico, the reality was different from the imagination. It was too late by the time they realized they had been seduced by sirens, specifically the siren sitting upon the throne of France, Napoleon III. The zealous emperor frowned at the expansion of the US and the Protestant, Anglo-Saxon race. But there were also the vast territories of northern Mexico to consider, the gold and silver mines, plus Napoleon ́s vague idea of rebuilding the Latin race and culture in the Americas. With that in mind, he brought two puppets to his global stage, Maximilian and Charlotte, and made sure they were told that the Mexican people would tender unto them a carpet of roses as soon as they saw their royal feet touch their land. In their dreams, Max of Austria and Charlotte of Belgium would become the saviors of the ancient empire of Montezuma, now unable to govern itself, and on the road to self-destruction. But Maximilian was not thinking of conquest and looting, as did his ancestor, Charles I of Spain, but in reconstruction and healing. It is not that he was guilty of arrogance, either. Sending a European monarch to the American continent sounds outrageous these days, but at the time, it was common for the kings of England, Belgium, Greece or Bulgaria to be of other nationalities. Still, Maximilian refused to accept the throne of Mexico until he was shown evidence that the Mexicans agreed. When he was shown a pretend plebiscite, he agreed on the dangerous adventure. The tragedy of Maximilian and Charlotte was romantic and political. In Mexico ́s official history, the one recorded by the winners, they were an affront to independence and a symbol of European arrogance. For the monarchies of Europe, they are a sad and embarrassing memory, because of the abandonment, craftiness and treachery they lived through.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781979561099
Category :
Languages : en
Pages : 86
Book Description
*Includes pictures *Includes accounts written by Emperor Maximilian and his wife of their lives and reign in Mexico *Includes online resources and a bibliography for further reading *Includes a table of contents Once upon a time, when a Civil War threatened to fracture the US, there was a monarchy south of the Rio Grande. That kingdom was called Mexico. It had a magnificent castle, a beautiful princess and a tall, handsome prince; he was noble and idealistic, he had fire in his heart, but he was weak and gullible. A fool, some would say. One day, when he was still a teenager, he wrote, "Ambition is like the balloonist. To some extent, the rise is nice and he does enjoy a splendid view and a vast landscape. But when he rises more, vertigo occurs, the air becomes thin and the risk of a big fall increases." With this parable, the Austrian Archduke Maximilian of Hapsburg inadvertently predicted the destiny to which he would bravely ride, despite the warnings and the sweet talkers. In any case, he followed his heart ́s mandate. And Charlotte, the princess, was "one of the most cultured and beautiful" in Europe. Since she was a girl she'd known that one day she would become a queen or an empress. When it was first hinted that they would be offered the crown of Mexico, she was 22 and he was 28, and they were surrounded by the intrigue and ambition of their own brothers, who could not wait to have them removed from the picture. So when, three years later, the couple received the official diplomatic mission which affirmed Mexico required their presence, the proposition was like a fairy tale come true. In the imagination of the era, Mexico was the distant paradise described by the great geographer Alexander von Humboldt: thick jungles and forests, steaming volcanoes, copious gold and silver mines, infinite beaches and exotic birds. "The most dangerous worldview is the worldview of those who have not viewed the world," the Prussian explorer had written, and Max believed it in all sincerity and contemplated the adventure with the eyes of his soul. In Mexico, the reality was different from the imagination. It was too late by the time they realized they had been seduced by sirens, specifically the siren sitting upon the throne of France, Napoleon III. The zealous emperor frowned at the expansion of the US and the Protestant, Anglo-Saxon race. But there were also the vast territories of northern Mexico to consider, the gold and silver mines, plus Napoleon ́s vague idea of rebuilding the Latin race and culture in the Americas. With that in mind, he brought two puppets to his global stage, Maximilian and Charlotte, and made sure they were told that the Mexican people would tender unto them a carpet of roses as soon as they saw their royal feet touch their land. In their dreams, Max of Austria and Charlotte of Belgium would become the saviors of the ancient empire of Montezuma, now unable to govern itself, and on the road to self-destruction. But Maximilian was not thinking of conquest and looting, as did his ancestor, Charles I of Spain, but in reconstruction and healing. It is not that he was guilty of arrogance, either. Sending a European monarch to the American continent sounds outrageous these days, but at the time, it was common for the kings of England, Belgium, Greece or Bulgaria to be of other nationalities. Still, Maximilian refused to accept the throne of Mexico until he was shown evidence that the Mexicans agreed. When he was shown a pretend plebiscite, he agreed on the dangerous adventure. The tragedy of Maximilian and Charlotte was romantic and political. In Mexico ́s official history, the one recorded by the winners, they were an affront to independence and a symbol of European arrogance. For the monarchies of Europe, they are a sad and embarrassing memory, because of the abandonment, craftiness and treachery they lived through.
The Book of Hours and the Body
Author: Sherry C. M. Lindquist
Publisher: Taylor & Francis
ISBN: 1003822118
Category : Art
Languages : en
Pages : 380
Book Description
This book explores our corporeal connections to the past by considering what three theoretical approaches - somaesthetics, posthumanism, and the uncanny - may reveal about both premodern and postmodern terms of embodiment. It takes as its point of departure a selection of fifteenth-century northern European Books of Hours - evocative objects designed at once to inscribe social status, to strengthen religious commitment, to entertain, to stimulate emotions, and to encourage discomfiting self-scrutiny. Studying their kaleidoscopically strange, moving, humorous, disturbing, and imaginative pages not only enables a window into relationships among bodies, images, and things in the past but also in our own internet era, where surprisingly popular memes drawn from such manuscripts constitute a part of our own visual culture. In negotiating theoretical, post-theoretical, and historical concerns, this book aims to contribute to an emerging and much-needed intersectional social history of art. It will be of interest to scholars working in art history, medieval studies, Renaissance/early modern studies, gender studies, the history of the book, posthumanism, aesthetics, and the body.
Publisher: Taylor & Francis
ISBN: 1003822118
Category : Art
Languages : en
Pages : 380
Book Description
This book explores our corporeal connections to the past by considering what three theoretical approaches - somaesthetics, posthumanism, and the uncanny - may reveal about both premodern and postmodern terms of embodiment. It takes as its point of departure a selection of fifteenth-century northern European Books of Hours - evocative objects designed at once to inscribe social status, to strengthen religious commitment, to entertain, to stimulate emotions, and to encourage discomfiting self-scrutiny. Studying their kaleidoscopically strange, moving, humorous, disturbing, and imaginative pages not only enables a window into relationships among bodies, images, and things in the past but also in our own internet era, where surprisingly popular memes drawn from such manuscripts constitute a part of our own visual culture. In negotiating theoretical, post-theoretical, and historical concerns, this book aims to contribute to an emerging and much-needed intersectional social history of art. It will be of interest to scholars working in art history, medieval studies, Renaissance/early modern studies, gender studies, the history of the book, posthumanism, aesthetics, and the body.
Miniatures and Borders from the Book of Hours of Bona Sforza, Duchess of Milan in the British Museum
Author: George Frederic Warner
Publisher:
ISBN:
Category : Books of hours
Languages : en
Pages : 186
Book Description
Publisher:
ISBN:
Category : Books of hours
Languages : en
Pages : 186
Book Description
Albrecht Dürer’s material world
Author: Edward H. Wouk
Publisher: Manchester University Press
ISBN: 1526183498
Category : Art
Languages : en
Pages : 400
Book Description
The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery’s outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer’s art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.
Publisher: Manchester University Press
ISBN: 1526183498
Category : Art
Languages : en
Pages : 400
Book Description
The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery’s outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer’s art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.
Theuerdank. the Epic of the Last Knight
Author: Stephan Füssel
Publisher:
ISBN: 9783836566209
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
Discover the last great epic verse of the Middle Ages. Theuerdank follows the highly embellished "real-life" story of Emperor Maximilian I, the first modern-age ruler to employ print media as propaganda. This edition reproduces an extremely rare original, gathering all 118 gold-adorned woodcuts, revelatory essays, fascimiles, and a chapter-by-...
Publisher:
ISBN: 9783836566209
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
Discover the last great epic verse of the Middle Ages. Theuerdank follows the highly embellished "real-life" story of Emperor Maximilian I, the first modern-age ruler to employ print media as propaganda. This edition reproduces an extremely rare original, gathering all 118 gold-adorned woodcuts, revelatory essays, fascimiles, and a chapter-by-...
The Book of Hours
Author: John P. Harthan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192
Book Description
The Book of Hours were derived from the official service-books of the Church, but they were produced as the personal prayerbooks of the laity. Combining sacred and secular elements in a manner found in no other type of illuminated manuscript, Books of Hours have an especial significance in the history of religious sentiment and in the development of painting.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 192
Book Description
The Book of Hours were derived from the official service-books of the Church, but they were produced as the personal prayerbooks of the laity. Combining sacred and secular elements in a manner found in no other type of illuminated manuscript, Books of Hours have an especial significance in the history of religious sentiment and in the development of painting.
The World's Great Classics Comprising a General Index, a Subject Index, and Index of Authors, and a Chronologicaal Index
Index to the World's Great Classics
The Traveller in the Evening
Author: Morton D. Paley
Publisher: Oxford University Press, USA
ISBN: 0199255628
Category : Art
Languages : en
Pages : 347
Book Description
Five adventures from the clay-animated children's show following the friendly white kitten around Stump Village. Episodes are: 'Vegetable Sunglasses', 'The Seesaw Mill', 'Goodie Town', 'Heart Shped Biscuit' and 'Friends Again'.
Publisher: Oxford University Press, USA
ISBN: 0199255628
Category : Art
Languages : en
Pages : 347
Book Description
Five adventures from the clay-animated children's show following the friendly white kitten around Stump Village. Episodes are: 'Vegetable Sunglasses', 'The Seesaw Mill', 'Goodie Town', 'Heart Shped Biscuit' and 'Friends Again'.