Author: John Merbecke
Publisher: BoD – Books on Demand
ISBN: 3382122944
Category : Fiction
Languages : en
Pages : 86
Book Description
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The Book of Common Prayer and Musical Notes
Author: John Merbecke
Publisher: BoD – Books on Demand
ISBN: 3382122944
Category : Fiction
Languages : en
Pages : 86
Book Description
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Publisher: BoD – Books on Demand
ISBN: 3382122944
Category : Fiction
Languages : en
Pages : 86
Book Description
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The Book of common prayer with musical notes
Author: Church of England
Publisher:
ISBN:
Category : Anglican chants
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category : Anglican chants
Languages : en
Pages : 84
Book Description
A New History of the Book of Common Prayer
BOOK OF COMMON PRAYER WITH MUSICAL NOTES
Author: JOHN. MERBECKE
Publisher:
ISBN: 9781033470084
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781033470084
Category :
Languages : en
Pages : 0
Book Description
The Book of Common Prayer with Musical Notes
Author: Edward Francis Rimbault
Publisher:
ISBN:
Category :
Languages : en
Pages : 61
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 61
Book Description
Humanism and the Reform of Sacred Music in Early Modern England
Author: Hyun-Ah Kim
Publisher: Routledge
ISBN: 1317119584
Category : History
Languages : en
Pages : 298
Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Publisher: Routledge
ISBN: 1317119584
Category : History
Languages : en
Pages : 298
Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Book of Common Prayer with Musical Notes
Author: John Merbecke
Publisher:
ISBN: 9783337836818
Category :
Languages : en
Pages : 88
Book Description
Publisher:
ISBN: 9783337836818
Category :
Languages : en
Pages : 88
Book Description
The Book of Common Prayer with Musical Notes
Author: John Merbecke
Publisher: Forgotten Books
ISBN: 9780243253852
Category : Religion
Languages : en
Pages : 90
Book Description
Excerpt from The Book of Common Prayer With Musical Notes: The First Office Book of the Reformation Fox, Acts and Monuments, 1562; Burnet, History of the Reformation; Strype, Annals of the Reformation, 1653. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780243253852
Category : Religion
Languages : en
Pages : 90
Book Description
Excerpt from The Book of Common Prayer With Musical Notes: The First Office Book of the Reformation Fox, Acts and Monuments, 1562; Burnet, History of the Reformation; Strype, Annals of the Reformation, 1653. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Book of Common Prayer : with Musical Notes : the First Office Book of the Reformation
Author: Church of England. Book of Common Prayer. Communion service
Publisher: London : Sacred Music Warehouse : Novello, Ewer
ISBN:
Category :
Languages : en
Pages : 61
Book Description
Publisher: London : Sacred Music Warehouse : Novello, Ewer
ISBN:
Category :
Languages : en
Pages : 61
Book Description
Thomas Tallis and His Music in Victorian England
Author: Suzanne Cole
Publisher: Boydell Press
ISBN: 9781843833802
Category : History
Languages : en
Pages : 242
Book Description
A survey of the huge importance of Thomas Tallis, the `Father of Church Music', on Victorian musical life. In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged. Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne.
Publisher: Boydell Press
ISBN: 9781843833802
Category : History
Languages : en
Pages : 242
Book Description
A survey of the huge importance of Thomas Tallis, the `Father of Church Music', on Victorian musical life. In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged. Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne.