The Book of Common Prayer with Musical Notes PDF Download

Author: Church of England
Publisher:
ISBN:
Category : Anglican chants
Languages : en
Pages : 102

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Author: Edward F. Rimbault
Publisher: BoD – Books on Demand
ISBN: 3368866907
Category : Fiction
Languages : en
Pages : 90

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Reprint of the original, first published in 1845.

Author: Daniel APPLETON (AND CO.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 508

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Author: D. Appleton and Co. (New York, N.Y.)
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 460

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Author:
Publisher:
ISBN:
Category : Anglican chants
Languages : en
Pages : 364

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Author: Thomas Helmore
Publisher:
ISBN:
Category : Gregorian chants
Languages : en
Pages : 306

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Book Description

Author: Hyun-Ah Kim
Publisher: Routledge
ISBN: 1317119592
Category : History
Languages : en
Pages : 272

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Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.

Author: Suzanne Cole
Publisher: Boydell Press
ISBN: 9781843833802
Category : History
Languages : en
Pages : 242

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A survey of the huge importance of Thomas Tallis, the `Father of Church Music', on Victorian musical life. In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged. Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 174

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Author: George Frideric Handel
Publisher:
ISBN:
Category :
Languages : en
Pages : 208

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