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The BOOK OF 101 OPERA LIBRETTOS

The BOOK OF 101 OPERA LIBRETTOS PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

Book Description


The BOOK OF 101 OPERA LIBRETTOS

The BOOK OF 101 OPERA LIBRETTOS PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

Book Description


The BOOK OF 101 OPERA LIBRETTOS

The BOOK OF 101 OPERA LIBRETTOS PDF Author:
Publisher:
ISBN:
Category :
Languages : de
Pages :

Book Description


101 Opera Librettos

101 Opera Librettos PDF Author: Octopus Publishing Group
Publisher: Bounty Books
ISBN: 9780753702192
Category :
Languages : en
Pages :

Book Description


Book of One Hundred and One Opera Librettos

Book of One Hundred and One Opera Librettos PDF Author: Allison Brewster Franzetti
Publisher: Black Dog & Leventhal
ISBN: 9781884822797
Category : Operas
Languages : it
Pages : 0

Book Description
Contrary to the title and publisher's notes, the original Russian texts of the operas of Borodin, Mussorgsky, Rimsky-Korsakov and Tchaikovsky are not included, French or German or Italian having been substituted; the original Czech text of Smetana's Bohemian opera The Bartered Bride is also not included but substituted with a German version. - TNH Cataloging.

Death by Opera

Death by Opera PDF Author: Erica Miner
Publisher:
ISBN: 9781606191309
Category :
Languages : en
Pages : 260

Book Description
Having survived her entanglement in a murder plot at the Metropolitan Opera, violinist Julia Kogan finds herself once more in operatic turmoil at the Santa Fe Opera. Against the breathtaking backdrop of mystical New Mexico and the elegant contemporary outdoor Santa Fe Opera Theatre, chaos ensues, as murderous activities plague the performers on stage and off.

Avidly Reads Opera

Avidly Reads Opera PDF Author: Alison Kinney
Publisher: NYU Press
ISBN: 1479811769
Category : Music
Languages : en
Pages : 114

Book Description
“Opera is community, comfort, art, voice, breath, life. It’s hope.” All art exists to make life more bearable. For Alison Kinney, it was the wild, fantastical world of opera that transformed her listening and her life. Whether we’re listening for the first time or revisiting the arias that first stole our hearts, Avidly Reads Opera welcomes readers and listeners to a community full of friendship, passion, critique—and, always, beautiful music. In times of delirious, madcap fun and political turmoil, opera fans have expressed their passion by dispatching records into the cosmos, building fairy-tale castles, and singing together through the arduous work of social activism. Avidly Reads Opera is a love letter to the music and those who love it, complete with playlists, a crowdsourced tip sheet from ultra-fans to newbies, and stories of the turbulent, genre-busting, and often hilarious history of opera and its audiences. Across five acts—and the requisite intermission—Alison Kinney takes us everywhere opera’s rich melodies are heard, from the cozy bedrooms of listeners at home, to exclusive music festivals, to protests, and even prisons. Part of the Avidly Reads series, this slim book gives us a new way of looking at culture. With the singular blend of personal reflection and cultural criticism featured in the series, Avidly Reads Opera is an homage to the marvelous, sensational world of opera for the casual viewer.

Catalogue of Opera Librettos Printed Before 1800

Catalogue of Opera Librettos Printed Before 1800 PDF Author: Oscar George Theodore Sonneck
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516

Book Description


The Librettist of Venice

The Librettist of Venice PDF Author: Rodney Bolt
Publisher: Bloomsbury Publishing USA
ISBN: 1596919825
Category : Biography & Autobiography
Languages : en
Pages : 460

Book Description
In 1805, Lorenzo Da Ponte was the proprietor of a small grocery store in New York. But since his birth into an Italian Jewish family in 1749, he had already been a priest, a poet, the lover of many women, a scandalous Enlightenment thinker banned from teaching in Venice, the librettist for three of Mozart's most sublime operas, a collaborator with Salieri, a friend of Casanova, and a favorite of Emperor Joseph II. He would go on to establish New York City's first opera house and be the first professor of Italian at Columbia University. An inspired innovator but a hopeless businessman, who loved with wholehearted loyalty and recklessness, Da Ponte was one of the early immigrants to live out the American dream. In Rodney Bolt's rollicking and extensively researched biography, Da Ponte's picaresque life takes readers from Old World courts and the back streets of Venice, Vienna, and London to the New World promise of New York City. Two hundred and fifty years after Mozart's birth, the life and legacy of his librettist Da Ponte are as astonishing as ever.

The Operas of Monteverdi

The Operas of Monteverdi PDF Author: Claudio Monteverdi
Publisher: Oneworld Classics
ISBN: 9780714544465
Category : Operas
Languages : en
Pages : 0

Book Description
English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. Monteverdi s 1607 version of the legend of Orpheus is arguably the first masterpiece of opera. Composed for the court of Mantua, where Monteverdi was employed, it is very different from his two other surviving operas, which he wrote more than30 years later to entertain Venetian audiences in the first public opera houses. Orfeo was long considered untranslatable, because the text is so closely tied to the music, and the Venetian librettos owe some of their brilliance to Spanish Golden Age theatre. This opera guide is an opportunity to read all three of Monteverdi s stage works together, in Anne Ridler s graceful translations."

Nero in Opera

Nero in Opera PDF Author: Gesine Manuwald
Publisher: Walter de Gruyter
ISBN: 3110317516
Category : Music
Languages : en
Pages : 420

Book Description
This book considers the story of Nero and Octavia, as told in the pseudo-Senecan Octavia and the works of ancient historiographers, and its reception in (early) modern opera and some related examples of other performative genres. In total the study assembles more than 30 performative texts (including 22 librettos), ranging chronologically from L'incoronazione di Poppea in 1642/43 until the early 20th century, and provides detailed information on all of them. In a close examination of the libretto (and dramatic) texts, the study shows the impact and development of this fascinating story from the beginnings of historical opera onwards. The volume demonstrates the various transformations of the characters of Nero and his wives and of the depiction of their relationship over the centuries, and it looks at the tension between “historical” elements and genre conventions. The book is therefore of relevance to literary scholars as well as to readers interested in the evolution of Nero’s image in present-day media.