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Author: Helmut Friedel Publisher: Prestel Publishing ISBN: Category : Art Languages : en Pages : 336
Book Description
Works by Kandinsky, Marc, and Klee are avant-garde icons known the world over. The Lenbachhaus in Munich, Germany, possesses the world's finest collection of works by these artists.
Author: Helmut Friedel Publisher: Prestel Publishing ISBN: Category : Art Languages : en Pages : 336
Book Description
Works by Kandinsky, Marc, and Klee are avant-garde icons known the world over. The Lenbachhaus in Munich, Germany, possesses the world's finest collection of works by these artists.
Author: Wassily Kandinsky Publisher: Prestel Publishing ISBN: Category : Art Languages : en Pages : 242
Book Description
This book presents a representative selection of Kandinsky's exquisite watercolors, including rare, early works that have never been exhibited before, and dramatic pictures on dark backgrounds from the last years of Kandinsky's life. The authors, both of whom are leading Kandinsky experts, provide a wealth of information on the artist's early career, on his circle of colleagues, and on the extensive records he kept of the people who acquired and promoted his art. A chronology elucidates the crucial phases of Kandinsky's development.
Author: Armin Zweite Publisher: Prestel Publishing ISBN: Category : Art Languages : en Pages : 290
Book Description
This is a collection of work housed in the Lenbachhaus in Munich of the artist's group, The Blue Rider, which became a symbol of revolution in modern art in the early 20th century. Their preoccupation was with abstraction, the forces and laws of nature, primitive art, and the .role of colour. The work of Vassily Kadinsky, Franz Marc and Paul Klee have since become avant-garde icons known throughout the world. The Lenbachhaus possesses the world's finest collection of works by these artists and this volume brings together some 120 highlights.
Author: Städtische Galerie im Lenbachhaus München Publisher: Hirmer Verlag GmbH ISBN: 9783777432717 Category : Art Languages : en Pages : 0
Book Description
The outstanding collection of works on paper by the Blue Rider group of artists in the Lenbachhaus is being presented for the first time. This book reproduces the watercolours, drawings, and prints from the collection in whole page illustrations and relates the works to each other.
Author: Ulf Küster Publisher: Hatje Cantz Verlag ISBN: 9783775741699 Category : Art, German Languages : en Pages : 0
Book Description
For just a few years at the beginning of the twentieth century, Munich was the ?hot spot? of Germany?s artistic avant-garde. Russian painter Wassily Kandinsky and Franz Marc?s initiative as founding editors of the almanac Der Blaue Reiter (The Blue Rider) was a stroke of luck for the arts. The journal and exhibition of the same name made international waves when they heralded the start of the modern era in Germany before the First World War. Since then, the names of the movement?s key players Franz Marc, Gabriele Münter, Alexej von Jawlensky, August Macke et al., signal an essential chapter in the international history of art marked by the transition of painting into a vibrant, colorful and transcendental form of abstraction. This beautiful publication that dedicates itself to this topic will show a revolutionary re-valuation of the arts in an open Europe.00Exhibition: Fondation Beyeler, Riehen/Basel, Switzerland (4.9.2016-22.1.2017).
Author: Volker Adolphs Publisher: ISBN: 9783775738835 Category : Art, Modern Languages : en Pages : 0
Book Description
"[August Macke and Franz Marc] conducted many long and involved discussions about the goals of art, coming to both similar and different conclusions. These dialogues enabled each of them to stake out his own position and provided the impetus driving their exchange. While Macke's art referred directly to the world he saw around him, his images deriving their authenticity from the sensual presence of that world, Marc sought to arrive at a spiritual understanding of the world and strove to develop art forms that would render visible the unity of being in his pictures. Divided into several sections, the exhibition traces the development of both artists from 1910 onward : from their first encounters in Tegernsee, Sindelsdorf, and later Bonn, to their early preoccupation with the theory of color, their work within the Blue Rider, and their participation in important exhibitions, such as those staged by the Cologne Sonderbund and the Erster Deutscher Herbstsalon. In its portrayal of the journeys they undertook together, their reciprocal visits and gifts, and the execution of arts and crafts works, the exhibition also attests to the key role played in their deepening friendship by the two artists' wives, Elisabeth Macke and Maria Marc. Their bond culminated in 1912 in the mural Paradise, jointly painted in Macke's Bonne studio. The exhibition also shows in some detail how Macke and Marc incorporated the ideas of Fauvism, Cubism, Futurism, and Orphism in their work as well as the positions they adopted on the notion of non-representative art. Out of these influences and ideas each evolved an art of his own, a trajectory that the exhibition documents right up to the final pictures produced in 1914, when the catastrophe of war brought an abrupt end to their lives and work."--Foreword.
Author: Magdalena Dabrowski Publisher: Scala Books ISBN: Category : Antiques & Collectibles Languages : en Pages : 214
Book Description
The intellectual dialogue and friendship between two key modernist artists - the painter Wassily Kandinsky and the composer Arnold Schoenberg - forms the focal point of this fascinating survey, charting the early 20th century parallel movements towards abstraction in art and atonality in music.
Author: Matthias Mühling Publisher: Hatje Cantz Verlag ISBN: 3775748415 Category : Art Languages : en Pages : 444
Book Description
»Das ganze Werk, Kunst genannt, kennt keine Grenzen und Völker, sondern die Menschheit.« So schrieben es Franz Marc und Wassily Kandinsky 1911 für ihren Almanach Der Blaue Reiter. Dieses programmatische Jahrbuch etablierte den Blauen Reiter (ca. 1911–1914) als einen der ersten transnationalen Künstler*innenkreise. Und dieses Credo inspirierte das Lenbachhaus dazu, das Werk der beteiligten Künstler*innen – unter ihnen Gabriele Münter, Alfred Kubin, Maria Marc und Elisabeth Epstein – nicht nur ästhetisch und historisch, sondern in seinen geistigen, sozio-ökonomischen sowie politischen Zusammenhängen zu betrachten. Denn nicht nur mit Worten, sondern auch mit Bildern und Taten setzte sich der Kreis des Blauen Reiter für ein globales, gleichberechtigtes Kunstverständnis ein. Gefangen in der Zeit der kolonialen Weltordnung vor dem Ersten Weltkrieg, gelang es allerdings auch ihnen nicht, eine emanzipatorische Praxis von Kunst jenseits nationaler Zugehörigkeit sowie tradierter Hierarchien und Gattungen umzusetzen.
Author: Helmut Friedel
Author: Helmut Friedel
Author: Wassily Kandinsky
Author: Armin Zweite
Author: München Städtischen Galerie im Lenbachhaus
Author: Städtische Galerie im Lenbachhaus München
Author: Ulf Küster
Author: Volker Adolphs
Author: Magdalena Dabrowski
Author: Isabelle Jansen
Author: Matthias Mühling