Author: Carl Van Vechten
Publisher:
ISBN:
Category : Autographed editions
Languages : en
Pages : 284
Book Description
Story of the education of a youth whose father is determined that his son shall not suffer any of his own disadvantages.
The Blind Bow-boy
Author: Carl Van Vechten
Publisher:
ISBN:
Category : Autographed editions
Languages : en
Pages : 284
Book Description
Story of the education of a youth whose father is determined that his son shall not suffer any of his own disadvantages.
Publisher:
ISBN:
Category : Autographed editions
Languages : en
Pages : 284
Book Description
Story of the education of a youth whose father is determined that his son shall not suffer any of his own disadvantages.
The Blind Bow-boy
Author: Carl Van Vechten
Publisher: Macmillan Company of Canada
ISBN:
Category : Fiction, American
Languages : en
Pages : 284
Book Description
Story of the education of a youth whose father is determined that his son shall not suffer any of his own disadvantages.
Publisher: Macmillan Company of Canada
ISBN:
Category : Fiction, American
Languages : en
Pages : 284
Book Description
Story of the education of a youth whose father is determined that his son shall not suffer any of his own disadvantages.
The Blind Bow-Boy. A Novel
The Tastemaker
Author: Edward White
Publisher: Macmillan + ORM
ISBN: 0374708819
Category : History
Languages : en
Pages : 393
Book Description
A revealing biography of the influential and controversial cultural titan who embodied an era The Tastemaker explores the many lives of Carl Van Vechten, the most influential cultural impresario of the early twentieth century: a patron and dealmaker of the Harlem Renaissance, a photographer who captured the era's icons, and a novelist who created some of the Jazz Age's most salacious stories. A close confidant of Langston Hughes, Gertrude Stein, George Gershwin, F. Scott Fitzgerald, and the Knopfs, Van Vechten frolicked in the 1920s Manhattan demimonde, finding himself in Harlem's jazz clubs, Hell's Kitchen's speakeasies, and Greenwich Village's underground gay scene. New York City was a hotbed of vice as well as creativity, and Van Vechten was at the center of it all.Edward White's biography—the first comprehensive biography of Carl Van Vechten in nearly half a century, and the first to fully explore Van Vechten's tangled relationship to race and sexuality—depicts a controversial figure who defined an age. Embodying many of the contradictions of modern America, Van Vechten was a devoted husband with a coterie of boys by his side, a supporter of difficult art who also loved lowbrow entertainment, and a promoter of the Harlem Renaissance whose bestselling novel—and especially its title—infuriated many of the same African-American artists he championed. Van Vechten's defense of what many Americans considered bad taste—modernist literature, African-American culture, and sexual self-expression—created a popular appetite for these quintessential elements of American art. The Tastemaker encompasses its subject's private fears and longings, as well as Manhattan's raucous, taboo-busting social scene of which he was such a central part. It is a remarkable portrait of a man whose brave journeys across boundaries of race, sexuality, and taste helped make America fully modern.
Publisher: Macmillan + ORM
ISBN: 0374708819
Category : History
Languages : en
Pages : 393
Book Description
A revealing biography of the influential and controversial cultural titan who embodied an era The Tastemaker explores the many lives of Carl Van Vechten, the most influential cultural impresario of the early twentieth century: a patron and dealmaker of the Harlem Renaissance, a photographer who captured the era's icons, and a novelist who created some of the Jazz Age's most salacious stories. A close confidant of Langston Hughes, Gertrude Stein, George Gershwin, F. Scott Fitzgerald, and the Knopfs, Van Vechten frolicked in the 1920s Manhattan demimonde, finding himself in Harlem's jazz clubs, Hell's Kitchen's speakeasies, and Greenwich Village's underground gay scene. New York City was a hotbed of vice as well as creativity, and Van Vechten was at the center of it all.Edward White's biography—the first comprehensive biography of Carl Van Vechten in nearly half a century, and the first to fully explore Van Vechten's tangled relationship to race and sexuality—depicts a controversial figure who defined an age. Embodying many of the contradictions of modern America, Van Vechten was a devoted husband with a coterie of boys by his side, a supporter of difficult art who also loved lowbrow entertainment, and a promoter of the Harlem Renaissance whose bestselling novel—and especially its title—infuriated many of the same African-American artists he championed. Van Vechten's defense of what many Americans considered bad taste—modernist literature, African-American culture, and sexual self-expression—created a popular appetite for these quintessential elements of American art. The Tastemaker encompasses its subject's private fears and longings, as well as Manhattan's raucous, taboo-busting social scene of which he was such a central part. It is a remarkable portrait of a man whose brave journeys across boundaries of race, sexuality, and taste helped make America fully modern.
The Blind Bow-boy
Blind Justice
Author: Bruce Alexander
Publisher: Putnam Adult
ISBN: 9780399139789
Category : Fiction
Languages : en
Pages : 254
Book Description
The legendary--and blind--eighteenth-century judge, Sir John Fielding, cofounder of London's first police force, debuts in the case of a lord whose apparent suicide is exposed as a fountainhead of deception, greed, and murder.
Publisher: Putnam Adult
ISBN: 9780399139789
Category : Fiction
Languages : en
Pages : 254
Book Description
The legendary--and blind--eighteenth-century judge, Sir John Fielding, cofounder of London's first police force, debuts in the case of a lord whose apparent suicide is exposed as a fountainhead of deception, greed, and murder.
Decadence in the Age of Modernism
Author: Kate Hext
Publisher: JHU Press
ISBN: 1421429438
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
The first holistic reappraisal of the significance of the decadent movement, from the 1900s through the 1930s. Decadence in the Age of Modernism begins where the history of the decadent movement all too often ends: in 1895. It argues that the decadent principles and aesthetics of Oscar Wilde, Walter Pater, Algernon Swinburne, and others continued to exert a compelling legacy on the next generation of writers, from high modernists and late decadents to writers of the Harlem Renaissance. Writers associated with this decadent counterculture were consciously celebrated but more often blushingly denied, even as they exerted a compelling influence on the early twentieth century. Offering a multifaceted critical revision of how modernism evolved out of, and coexisted with, the decadent movement, the essays in this collection reveal how decadent principles infused twentieth-century prose, poetry, drama, and newspapers. In particular, this book demonstrates the potent impact of decadence on the evolution of queer identity and self-fashioning in the early twentieth century. In close readings of an eclectic range of works by Virginia Woolf, James Joyce, and D. H. Lawrence to Ronald Firbank, Bruce Nugent, and Carl Van Vechten, these essays grapple with a range of related issues, including individualism, the end of Empire, the politics of camp, experimentalism, and the critique of modernity. Contributors: Howard J. Booth, Joseph Bristow, Ellen Crowell, Nick Freeman, Ellis Hanson, Kate Hext, Kirsten MacLeod, Kristin Mahoney, Douglas Mao, Michèle Mendelssohn, Alex Murray, Sarah Parker, Vincent Sherry
Publisher: JHU Press
ISBN: 1421429438
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
The first holistic reappraisal of the significance of the decadent movement, from the 1900s through the 1930s. Decadence in the Age of Modernism begins where the history of the decadent movement all too often ends: in 1895. It argues that the decadent principles and aesthetics of Oscar Wilde, Walter Pater, Algernon Swinburne, and others continued to exert a compelling legacy on the next generation of writers, from high modernists and late decadents to writers of the Harlem Renaissance. Writers associated with this decadent counterculture were consciously celebrated but more often blushingly denied, even as they exerted a compelling influence on the early twentieth century. Offering a multifaceted critical revision of how modernism evolved out of, and coexisted with, the decadent movement, the essays in this collection reveal how decadent principles infused twentieth-century prose, poetry, drama, and newspapers. In particular, this book demonstrates the potent impact of decadence on the evolution of queer identity and self-fashioning in the early twentieth century. In close readings of an eclectic range of works by Virginia Woolf, James Joyce, and D. H. Lawrence to Ronald Firbank, Bruce Nugent, and Carl Van Vechten, these essays grapple with a range of related issues, including individualism, the end of Empire, the politics of camp, experimentalism, and the critique of modernity. Contributors: Howard J. Booth, Joseph Bristow, Ellen Crowell, Nick Freeman, Ellis Hanson, Kate Hext, Kirsten MacLeod, Kristin Mahoney, Douglas Mao, Michèle Mendelssohn, Alex Murray, Sarah Parker, Vincent Sherry
Among Our Books
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 800
Book Description
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 800
Book Description
The New Statesman
A Hubert Harrison Reader
Author: Hubert Harrison
Publisher: Wesleyan University Press
ISBN: 0819580228
Category : Literary Collections
Languages : en
Pages : 507
Book Description
This volume “fill[s] a gap in our understanding of black radical and nationalist writings [and] will . . . change the way . . . we tend to look at black thought.” —Ernest Allen, Jr., W.E.B. DuBois Department of Afro-American Studies, University of Massachusetts at Amherst The brilliant writer, orator, educator, critic, and activist Hubert Harrison (1883–1927) is one of the truly important, yet neglected, figures of early twentieth-century America. Known as “the father of Harlem radicalism,” and a leading Socialist party speaker who advocated that socialists champion the cause of the Negro as a revolutionary doctrine, Harrison had an important influence on a generation of race and class radicals, including Marcus Garvey and A. Philip Randolph. Harrison envisioned a socialism that had special appeal to African-Americans, and he affirmed the duty of socialists to oppose race-based oppression. Despite high praise from his contemporaries, Harrison's legacy has largely been neglected. This reader redresses the imbalance; Harrison's essays, editorials, reviews, letters, and diary entries offer a profound, and often unique, analysis of issues, events and individuals of early twentieth-century America. His writings also provide critical insights and counterpoints to the thinking of W. E. B. DuBois, Booker T. Washington and Marcus Garvey. The reader is organized thematically to highlight Harrison's contributions to the debates on race, class, culture, and politics of his time. The writings span Harrison's career and the evolution of his thought, and include extensive political writings, editorials, meditations, reviews of theater and poetry, and deeply evocative social commentary. “Jeff Perry’s new book on Hubert Harrison's writings and speeches is a timely addition to the scholarship on early Black radicals and on the Harlem Renaissance period. . . . [A] must read.” —Portia James, Anacostia Museum
Publisher: Wesleyan University Press
ISBN: 0819580228
Category : Literary Collections
Languages : en
Pages : 507
Book Description
This volume “fill[s] a gap in our understanding of black radical and nationalist writings [and] will . . . change the way . . . we tend to look at black thought.” —Ernest Allen, Jr., W.E.B. DuBois Department of Afro-American Studies, University of Massachusetts at Amherst The brilliant writer, orator, educator, critic, and activist Hubert Harrison (1883–1927) is one of the truly important, yet neglected, figures of early twentieth-century America. Known as “the father of Harlem radicalism,” and a leading Socialist party speaker who advocated that socialists champion the cause of the Negro as a revolutionary doctrine, Harrison had an important influence on a generation of race and class radicals, including Marcus Garvey and A. Philip Randolph. Harrison envisioned a socialism that had special appeal to African-Americans, and he affirmed the duty of socialists to oppose race-based oppression. Despite high praise from his contemporaries, Harrison's legacy has largely been neglected. This reader redresses the imbalance; Harrison's essays, editorials, reviews, letters, and diary entries offer a profound, and often unique, analysis of issues, events and individuals of early twentieth-century America. His writings also provide critical insights and counterpoints to the thinking of W. E. B. DuBois, Booker T. Washington and Marcus Garvey. The reader is organized thematically to highlight Harrison's contributions to the debates on race, class, culture, and politics of his time. The writings span Harrison's career and the evolution of his thought, and include extensive political writings, editorials, meditations, reviews of theater and poetry, and deeply evocative social commentary. “Jeff Perry’s new book on Hubert Harrison's writings and speeches is a timely addition to the scholarship on early Black radicals and on the Harlem Renaissance period. . . . [A] must read.” —Portia James, Anacostia Museum