Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
The Art of Watching Films
Author: Joseph M. Boggs
Publisher: McGraw-Hill College
ISBN: 9780073535074
Category : Performing Arts
Languages : en
Pages : 553
Book Description
Accompanying CD-ROM provides short film clips that reinforce the key concepts and topics in each chapter.
Publisher: McGraw-Hill College
ISBN: 9780073535074
Category : Performing Arts
Languages : en
Pages : 553
Book Description
Accompanying CD-ROM provides short film clips that reinforce the key concepts and topics in each chapter.
Artists' Magazines
Author: Gwen Allen
Publisher: MIT Press
ISBN: 0262015196
Category : Art
Languages : en
Pages : 377
Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system.
Publisher: MIT Press
ISBN: 0262015196
Category : Art
Languages : en
Pages : 377
Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system.
Designs on the Past
Author: Lloyd Llewellyn-Jones
Publisher: Edinburgh University Press
ISBN: 0748675655
Category : Performing Arts
Languages : en
Pages : 440
Book Description
Publisher: Edinburgh University Press
ISBN: 0748675655
Category : Performing Arts
Languages : en
Pages : 440
Book Description
Unruly Media
Author: Carol Vernallis
Publisher: Oxford University Press, USA
ISBN: 0199767009
Category : Business & Economics
Languages : en
Pages : 366
Book Description
Unruly Media is the first book to account for the current audiovisual landscape across media and platform. It includes new theoretical models and close readings of current media as well as the oeuvre of popular and influential directors.
Publisher: Oxford University Press, USA
ISBN: 0199767009
Category : Business & Economics
Languages : en
Pages : 366
Book Description
Unruly Media is the first book to account for the current audiovisual landscape across media and platform. It includes new theoretical models and close readings of current media as well as the oeuvre of popular and influential directors.
Against Expression
Author: Craig Dworkin
Publisher: Northwestern University Press
ISBN: 0810127113
Category : Art
Languages : en
Pages : 657
Book Description
Charles Bernstein has described conceptual "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Editors Craig Dworkin and Kenneth Goldsmith chart the trajectory of the conceptual aesthetic from early precursors such as Samuel Beckett and Marcel Duchamp through major avant-garde groups of the past century, including Dada, Oulipo, Fluxus, and language poetry, to name just a few. The works of more than a hundred writers from Aasprong to Zykov demonstrate a remarkable variety of new ways of thinking about the nature of texts, information, and art, using found, appropriated, and randomly generated texts to explore the possibilities of non-expressive language. --Book Jacket.
Publisher: Northwestern University Press
ISBN: 0810127113
Category : Art
Languages : en
Pages : 657
Book Description
Charles Bernstein has described conceptual "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Editors Craig Dworkin and Kenneth Goldsmith chart the trajectory of the conceptual aesthetic from early precursors such as Samuel Beckett and Marcel Duchamp through major avant-garde groups of the past century, including Dada, Oulipo, Fluxus, and language poetry, to name just a few. The works of more than a hundred writers from Aasprong to Zykov demonstrate a remarkable variety of new ways of thinking about the nature of texts, information, and art, using found, appropriated, and randomly generated texts to explore the possibilities of non-expressive language. --Book Jacket.
All the Things: How to Draw Books for Kids with Cars, Unicorns, Dragons, Cupcakes, and More (Mini)
Author: Alli Koch
Publisher: Blue Star Press
ISBN: 1958803421
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
Fun 5-minute drawing lessons for kids ages 6-12—now in a mini size that's perfect for travel and coloring on the go! Perfect for budding artists and kids who have never drawn before, this beginner drawing book will teach your kid how to draw cool things in no time! Author and professional artist Alli Koch's kid-friendly mini drawing lessons will help your child practice their basic art skills and teach them how to draw with confidence. This book is perfect for kids 8-12, but kids as young as 5 will be able to easily follow along as well. From cupcakes, to unicorns, to cars, and cats, your kid will be drawing all sorts of things that they'll want to show off to their friends, or color afterward and hang on their room! No experience required! Easy-to-Follow Instructions: Simple steps and diagrams from start to finish 42 Cool Projects: Learn how to draw an ice cream cone, fruit, castle, spaceship, cactus, airplane, animals, and so many more cute and cool things! Layflat Binding: Making it easier for kids to keep the book open as they follow along Perforated Pages and Premium Paper: Easily removable pages that are thick and sturdy
Publisher: Blue Star Press
ISBN: 1958803421
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
Fun 5-minute drawing lessons for kids ages 6-12—now in a mini size that's perfect for travel and coloring on the go! Perfect for budding artists and kids who have never drawn before, this beginner drawing book will teach your kid how to draw cool things in no time! Author and professional artist Alli Koch's kid-friendly mini drawing lessons will help your child practice their basic art skills and teach them how to draw with confidence. This book is perfect for kids 8-12, but kids as young as 5 will be able to easily follow along as well. From cupcakes, to unicorns, to cars, and cats, your kid will be drawing all sorts of things that they'll want to show off to their friends, or color afterward and hang on their room! No experience required! Easy-to-Follow Instructions: Simple steps and diagrams from start to finish 42 Cool Projects: Learn how to draw an ice cream cone, fruit, castle, spaceship, cactus, airplane, animals, and so many more cute and cool things! Layflat Binding: Making it easier for kids to keep the book open as they follow along Perforated Pages and Premium Paper: Easily removable pages that are thick and sturdy
List of Available Publications
Author: United States. Farm Security Administration
Publisher:
ISBN:
Category : Agriculture and state
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category : Agriculture and state
Languages : en
Pages : 26
Book Description
Seed
Author: Joanna Walsh
Publisher:
ISBN: 9781838108106
Category :
Languages : en
Pages : 220
Book Description
Publisher:
ISBN: 9781838108106
Category :
Languages : en
Pages : 220
Book Description
Relive
Author: Sean Cubitt
Publisher: MIT Press
ISBN: 0262318334
Category : Art
Languages : en
Pages : 395
Book Description
Leading historians of the media arts define a new materialist media art history, discussing temporality, geography, ephemerality, and the future. In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of “new media” and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history—the materials through which the past is mediated. Drawing on the tools of media archaeology and the history and philosophy of media, they propose a new materialist media art history. The contributors consider the idea of history and the artwork's moment in time; the intersection of geography and history in regional practice, illustrated by examples from eastern Europe, Australia, and New Zealand; the contradictory scales of evolution, life cycles, and bodily rhythms in bio art; and the history of the future—how the future has been imagined, planned for, and established as a vector throughout the history of new media arts. These essays, written from widely diverse critical perspectives, capture a dynamic field at a moment of productive ferment. Contributors Susan Ballard, Brogan Bunt, Andrés Burbano, Jon Cates, John Conomos, Martin Constable, Sean Cubitt, Francesca Franco, Darko Fritz, Zhang Ga, Monika Gorska-Olesinska, Ross Harley, Jens Hauser, Stephen Jones, Douglas Kahn, Ryszard W. Kluszczynski, Caroline Seck Langill, Leon Marvell, Rudy Rucker, Edward A. Shanken, Stelarc, Adele Tan, Paul Thomas, Darren Tofts, Joanna Walewska
Publisher: MIT Press
ISBN: 0262318334
Category : Art
Languages : en
Pages : 395
Book Description
Leading historians of the media arts define a new materialist media art history, discussing temporality, geography, ephemerality, and the future. In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of “new media” and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history—the materials through which the past is mediated. Drawing on the tools of media archaeology and the history and philosophy of media, they propose a new materialist media art history. The contributors consider the idea of history and the artwork's moment in time; the intersection of geography and history in regional practice, illustrated by examples from eastern Europe, Australia, and New Zealand; the contradictory scales of evolution, life cycles, and bodily rhythms in bio art; and the history of the future—how the future has been imagined, planned for, and established as a vector throughout the history of new media arts. These essays, written from widely diverse critical perspectives, capture a dynamic field at a moment of productive ferment. Contributors Susan Ballard, Brogan Bunt, Andrés Burbano, Jon Cates, John Conomos, Martin Constable, Sean Cubitt, Francesca Franco, Darko Fritz, Zhang Ga, Monika Gorska-Olesinska, Ross Harley, Jens Hauser, Stephen Jones, Douglas Kahn, Ryszard W. Kluszczynski, Caroline Seck Langill, Leon Marvell, Rudy Rucker, Edward A. Shanken, Stelarc, Adele Tan, Paul Thomas, Darren Tofts, Joanna Walewska