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Author: Jonathan Goldberg Publisher: Fordham Univ Press ISBN: 0823282090 Category : Art Languages : en Pages : 188
Book Description
Saint Marks invokes and pluralizes the figure of Mark in order to explore relations between painting and writing. Emphasizing that the saint is not a singular biographical individual in the various biblical and hagiographic texts that involve someone so named, the book takes as its ultimate concern the kinds of material life that outlive the human subject. From the incommensurate, anachronic instances in which Saint Mark can be located—among them, as Evangelist or as patron saint of Venice—the book traces Mark’s afterlives within art, sacred texts, and literature in conversation with such art historians and philosophers as Aby Warburg, Giorgio Agamben, Georges Didi-Huberman, T. J. Clark, Adrian Stokes, and Jean-Luc Nancy. Goldberg begins in sixteenth-century Venice, with a series of paintings by Gentile and Giovanni Bellini, Tintoretto, and others, that have virtually nothing to do with biblical texts. He turns then to the legacy of John Ruskin’s Stones of Venice and through it to questions about what painting does as painting. A final chapter turns to ancient texts, considering the Gospel of St. Mark together with its double, the so-called Secret Gospel that has occasioned controversy for its homoerotic implications. The posthumous persistence of a life is what the gospel named Mark calls the Kingdom of God. Saints have posthumous lives; but so too do paintings and texts. This major interdisciplinary study by one of our most astute cultural critics extends what might have been a purely theological subject to embrace questions central to cultural practice from the ancient world to the present.
Author: Jonathan Goldberg Publisher: Fordham Univ Press ISBN: 0823282090 Category : Art Languages : en Pages : 188
Book Description
Saint Marks invokes and pluralizes the figure of Mark in order to explore relations between painting and writing. Emphasizing that the saint is not a singular biographical individual in the various biblical and hagiographic texts that involve someone so named, the book takes as its ultimate concern the kinds of material life that outlive the human subject. From the incommensurate, anachronic instances in which Saint Mark can be located—among them, as Evangelist or as patron saint of Venice—the book traces Mark’s afterlives within art, sacred texts, and literature in conversation with such art historians and philosophers as Aby Warburg, Giorgio Agamben, Georges Didi-Huberman, T. J. Clark, Adrian Stokes, and Jean-Luc Nancy. Goldberg begins in sixteenth-century Venice, with a series of paintings by Gentile and Giovanni Bellini, Tintoretto, and others, that have virtually nothing to do with biblical texts. He turns then to the legacy of John Ruskin’s Stones of Venice and through it to questions about what painting does as painting. A final chapter turns to ancient texts, considering the Gospel of St. Mark together with its double, the so-called Secret Gospel that has occasioned controversy for its homoerotic implications. The posthumous persistence of a life is what the gospel named Mark calls the Kingdom of God. Saints have posthumous lives; but so too do paintings and texts. This major interdisciplinary study by one of our most astute cultural critics extends what might have been a purely theological subject to embrace questions central to cultural practice from the ancient world to the present.
Author: Peter Humfrey Publisher: Yale University Press ISBN: 9780300067156 Category : Art Languages : en Pages : 338
Book Description
The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.
Author: Clayton J. Drees Publisher: Bloomsbury Publishing USA ISBN: 1567507492 Category : History Languages : en Pages : 563
Book Description
As part of a unique series covering the grand sweep of Western civilization from ancient to present times, this biographical dictionary provides introductory information on 315 leading cultural figures of late medieval and early modern Europe. Taking a cultural approach not typically found in general biographical dictionaries, the work includes literary, philosophical, artistic, military, religious, humanistic, musical, economic, and exploratory figures. Political figures are included only if they patronized the arts, and coverage focuses on their cultural impact. Figures from western European countries, such as Italy, France, England, Iberia, the Low Countries, and the Holy Roman Empire predominate, but outlying areas such as Scotland, Scandinavia, and Eastern Europe are also represented. Late medieval Europe was an age of crisis. With the Papacy removed to Avignon, the schism in the Catholic Church shook the very core of medieval belief. The Hundred Years' War devastated France. The Black Death decimated the population. Yet out of this crisis grew an age of renewal, leading to the Renaissance. The great Italian city-states developed. Humanism reawakened interest in the cultures of ancient Greece and Rome. Dante and Boccaccio began writing in their Tuscan vernacular. Italian artists became humanists and flourished. As the genius of Italy began spreading to northern and western Europe at the end of the 15th century, the age of renewal was completed. This book provides thorough basic information on the major cultural figures of this tumultuous era of crisis and renewal.
Author: AndaleebBadiee Banta Publisher: Routledge ISBN: 135154490X Category : Art Languages : en Pages : 245
Book Description
Venetian artistic giants of the sixteenth century, such as Giorgione, Vittore Carpaccio, Titian, Jacopo Sansovino, Jacopo Tintoretto, Paolo Veronese, and their contemporaries, continued to shape artistic development, tastes in collecting, and modes of display long after their own practices ended. The robust reverberation of the Venetian Renaissance spread far beyond the borders of the lagoon to inform and influence artists, authors, and collectors who spent very little or even no time in Venice proper. The Enduring Legacy of Venetian Renaissance Art investigates the historical resonance of Venetian sixteenth-century art and explores its afterlife and its reinvention by artists working in its shadow. Despite being a frequently acknowledged truism, the pervasive legacy of Venetian sixteenth-century art has not received comprehensive treatment in recent publication history. The broad scope of the topics covered in these essays, from Titian's profound influence on the development of landscape painting to the effects of Carpaccio's historical paintings on early twentieth-century fashion, illustrates the persistence and adaptability of the Venetian Renaissance's legacy. In addition to analyzing the effects of individual artists on each other, this volume offers insight into the shifting characterizations and reception of Venice as a center for artistic innovation and inspiration throughout the early modern period, providing a nuanced and multifaceted view of the singular lagoon city and its indelible imprint on the history of art.
Author: Richard MacKenney Publisher: University of Toronto Press ISBN: 1442621222 Category : History Languages : en Pages : 455
Book Description
This study re-examines Venice’s political economy from the viewpoint of its ordinary people or popolani who, despite the commonly held view that they were excluded from political life by the nobility or nobili, actually organized and ran for themselves hundreds of corporations within the city-state. Mercy was central to this popolani’s Christian values and those who offered mercy to their fellow men and women in temporary hardship were investing in the expectation of reciprocity in their own time of need. Beginning by tracing a formative linking of religion, economy, and polity from the thirteenth to the fifteenth centuries, Venice as the Polity of Mercy then chronicles the collapse of this triad during the struggles between church and state in the mid-sixteenth and seventeenth centuries, followed by a revitalizing reconnection of economy and polity within a different religious climate after the plague of 1630. As such, Richard Mackenney’s book offers up a revitalized image of Renaissance Venetian society as dynamic rather than static, as well as a new understanding of the city’s significance through a reconfiguration of its history and artwork.
Author: David Rosand Publisher: Univ of North Carolina Press ISBN: 0807872792 Category : Art Languages : en Pages : 232
Book Description
Over the course of several centuries, Venice fashioned and refined a portrait of itself that responded to and exploited historical circumstance. Never conquered and taking its enduring independence as a sign of divine favor, free of civil strife and proud of its internal stability, Venice broadcast the image of itself as the Most Serene Republic, an ideal state whose ruling patriciate were selflessly devoted to the commonweal. All this has come to be known as the "myth of Venice." Exploring the imagery developed in Venice to represent the legends of its origins and legitimacy, David Rosand reveals how artists such as Gentile and Giovanni Bellini, Carpaccio, Titian, Jacopo Sansovino, Tintoretto, and Veronese gave enduring visual form to the myths of Venice. He argues that Venice, more than any other political entity of the early modern period, shaped the visual imagination of political thought. This visualization of political ideals, and its reciprocal effect on the civic imagination, is the larger theme of the book.
Author: Tom Nichols Publisher: Reaktion Books ISBN: 1780234813 Category : Art Languages : en Pages : 410
Book Description
Jacopo Tintoretto (1518–94) is an ambiguous figure in the history of art. His radically unorthodox paintings are not readily classifiable, and although he was a Venetian by birth, his standing as a member of the Venetian school is constantly contested. But he was also a formidable maverick, abandoning the humanist narratives and sensuous color palette typical of the great Venetian master, Titian, in favor of a renewed concentration on core Christian subjects painted in a rough and abbreviated chiaroscuro style. This generously illustrated book offers an extensive analysis of Tintoretto’s greatest paintings, charting his life and work in the context of Venetian art and the culture of the Cinquecento. Tom Nichols shows that Tintoretto was an extraordinarily innovative artist who created a new manner of painting, which, for all of its originality and sophistication, was still able to appeal to the shared emotions of the widest possible audience. This compact, pocket edition features sixteen additional illustrations and a new afterword by the author, and it will continue to be one of the definitive treatments of this once grossly overlooked master.
Author: Marco Faini Publisher: BRILL ISBN: 9004465197 Category : Literary Criticism Languages : en Pages : 622
Book Description
An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.
Author: Jonathan Goldberg
Author: Jonathan Goldberg
Author: Peter Humfrey
Author: Clayton J. Drees![Giovanni Bellini. [Illustr.]-New Haven [usw.]: Yale Univ. Press (1989). IX, 347 S. 4° PDF](https://books.google.com/books/content/images/frontcover/w-vAqe6CjOsC?fife=w80-h100)
Author: Rona Goffen
Author: AndaleebBadiee Banta
Author: Richard MacKenney
Author: David Rosand
Author: Tom Nichols
Author: Marco Faini
Author: Richard Charteris