Author: Evelyn Walters
Publisher: Dundurn
ISBN: 1459739221
Category : Art
Languages : en
Pages : 517
Book Description
From the vanguard of Modernism in Montreal, the Beaver Hall Group included painters who are now ranked among Canada's most distinguished artists. Evelyn Walters brings her extensive knowledge of the group to paint a picture of the artists' lives and their works in this two-book bundle. More than 130 reproductions bring to light paintings that have lain hidden for more than fifty years. Includes: The Beaver Hall Group and Its Legacy The Women of Beaver Hall
The Beaver Hall Group 2-Book Bundle
Author: Evelyn Walters
Publisher: Dundurn
ISBN: 1459739221
Category : Art
Languages : en
Pages : 517
Book Description
From the vanguard of Modernism in Montreal, the Beaver Hall Group included painters who are now ranked among Canada's most distinguished artists. Evelyn Walters brings her extensive knowledge of the group to paint a picture of the artists' lives and their works in this two-book bundle. More than 130 reproductions bring to light paintings that have lain hidden for more than fifty years. Includes: The Beaver Hall Group and Its Legacy The Women of Beaver Hall
Publisher: Dundurn
ISBN: 1459739221
Category : Art
Languages : en
Pages : 517
Book Description
From the vanguard of Modernism in Montreal, the Beaver Hall Group included painters who are now ranked among Canada's most distinguished artists. Evelyn Walters brings her extensive knowledge of the group to paint a picture of the artists' lives and their works in this two-book bundle. More than 130 reproductions bring to light paintings that have lain hidden for more than fifty years. Includes: The Beaver Hall Group and Its Legacy The Women of Beaver Hall
The Women of Beaver Hall
Author: Evelyn Walters
Publisher: Dundurn
ISBN: 1550025880
Category : Art
Languages : en
Pages : 195
Book Description
Ten women artists, counterparts of the Group of Seven, are finally being given their due. Long overlooked by critics and historians, they are today amongst the most sought after Canadian painters. The Beaver Hall women ventured into a male-dominated art world, lived remarkable lives, and produced exceptional work. The Women of Beaver Hall portrays the lives and works of Nora Collyer, Emily Coonan, Prudence Heward, Mabel Lockerby, Henrietta Mabel May, Kathleen Moir Morris, Lilias Torrance Newton, Sarah Robertson, Anne Savage, and Ethel Seath. Long-lost catalogues, old newspaper reviews, and personal papers document their story, and more than 65 colour plates bring to light their paintings, some of which have lain hidden for more than fifty years. With a clear and concise style directed to the aficionado and scholar alike, this book is the ultimate reference on the Beaver Hall women.
Publisher: Dundurn
ISBN: 1550025880
Category : Art
Languages : en
Pages : 195
Book Description
Ten women artists, counterparts of the Group of Seven, are finally being given their due. Long overlooked by critics and historians, they are today amongst the most sought after Canadian painters. The Beaver Hall women ventured into a male-dominated art world, lived remarkable lives, and produced exceptional work. The Women of Beaver Hall portrays the lives and works of Nora Collyer, Emily Coonan, Prudence Heward, Mabel Lockerby, Henrietta Mabel May, Kathleen Moir Morris, Lilias Torrance Newton, Sarah Robertson, Anne Savage, and Ethel Seath. Long-lost catalogues, old newspaper reviews, and personal papers document their story, and more than 65 colour plates bring to light their paintings, some of which have lain hidden for more than fifty years. With a clear and concise style directed to the aficionado and scholar alike, this book is the ultimate reference on the Beaver Hall women.
Rethinking Professionalism
Author: Kristina Huneault
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773586830
Category : Art
Languages : en
Pages : 472
Book Description
The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their class, their ethnicity, or the very nature of the artworks they produced. The richly illustrated essays in this collection depict the changing nature of the professional paradigm as it was experienced by women painters, photographers, craftspeople, architects, curators, gallery directors, and art teachers. In so doing, they demonstrate the ongoing power of feminist art history to disrupt patterns of thought that have become naturalized and, accordingly, invisible. Going beyond the narratives of recovery or exclusion that the category of professionalism has traditionally encouraged, Rethinking Professionalism explores the very consequences of telling the history of women's art in Canada through that lens. Contributors include Annmarie Adams (McGill University), Alena Buis (Queen's University), Sherry Farrell Racette (University of Manitoba), Cynthia Hammond (Concordia University), Kristina Huneault (Concordia University), Loren Lerner (Concordia University), Lianne McTavish (University of Alberta), Kirk Niergarth (Mount Royal University), Mary O'Connor (McMaster University), Sandra Paikowsky (Concordia University), Ruth B. Phillips (Carleton University), Jennifer Salahub (Alberta College of Art & Design), and Anne Whitelaw (Concordia University).
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773586830
Category : Art
Languages : en
Pages : 472
Book Description
The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their class, their ethnicity, or the very nature of the artworks they produced. The richly illustrated essays in this collection depict the changing nature of the professional paradigm as it was experienced by women painters, photographers, craftspeople, architects, curators, gallery directors, and art teachers. In so doing, they demonstrate the ongoing power of feminist art history to disrupt patterns of thought that have become naturalized and, accordingly, invisible. Going beyond the narratives of recovery or exclusion that the category of professionalism has traditionally encouraged, Rethinking Professionalism explores the very consequences of telling the history of women's art in Canada through that lens. Contributors include Annmarie Adams (McGill University), Alena Buis (Queen's University), Sherry Farrell Racette (University of Manitoba), Cynthia Hammond (Concordia University), Kristina Huneault (Concordia University), Loren Lerner (Concordia University), Lianne McTavish (University of Alberta), Kirk Niergarth (Mount Royal University), Mary O'Connor (McMaster University), Sandra Paikowsky (Concordia University), Ruth B. Phillips (Carleton University), Jennifer Salahub (Alberta College of Art & Design), and Anne Whitelaw (Concordia University).
On the Other Side(s) of 150
Author: Linda M. Morra
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771125152
Category : Social Science
Languages : en
Pages : 336
Book Description
On the Other Side(s) of 150 explores the different literary, historical and cultural legacies of Canada’s sesquicentennial celebrations. It asks vital questions about the ways that histories and stories have been suppressed and invites consideration about what happens once a commemorative moment has passed. Like a Cubist painting, this modality offers a critical strategy by which also to approach the volume as dismantling, reassembling, and re-enacting existing commemorative tropes; as offering multiple, conditional, and contingent viewpoints that unfold over time; and as generating a broader (although far from being comprehensive) range of counter-memorial performances. The chapters in this volume are thus provisional, interconnected, and adaptive: they offer critical assemblages by which to approach commemorative narratives or showcase lacunae therein; by which to return to and intervene in ongoing readings of the past from the present moment; and by which not necessarily to resolve, but rather to understand the troubled and troubling narratives of the present moment. Contributors propose that these preoccupations are not a means of turning away from present concerns, but rather a means of grappling with how the past informs or is shaped to inform them; and how such concerns are defined by immediate social contexts and networks.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771125152
Category : Social Science
Languages : en
Pages : 336
Book Description
On the Other Side(s) of 150 explores the different literary, historical and cultural legacies of Canada’s sesquicentennial celebrations. It asks vital questions about the ways that histories and stories have been suppressed and invites consideration about what happens once a commemorative moment has passed. Like a Cubist painting, this modality offers a critical strategy by which also to approach the volume as dismantling, reassembling, and re-enacting existing commemorative tropes; as offering multiple, conditional, and contingent viewpoints that unfold over time; and as generating a broader (although far from being comprehensive) range of counter-memorial performances. The chapters in this volume are thus provisional, interconnected, and adaptive: they offer critical assemblages by which to approach commemorative narratives or showcase lacunae therein; by which to return to and intervene in ongoing readings of the past from the present moment; and by which not necessarily to resolve, but rather to understand the troubled and troubling narratives of the present moment. Contributors propose that these preoccupations are not a means of turning away from present concerns, but rather a means of grappling with how the past informs or is shaped to inform them; and how such concerns are defined by immediate social contexts and networks.
Jewish Painters of Montreal
Author: Esther Trépanier
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300
Book Description
Canadian Art and Architecture
Author: Diane E. Peters
Publisher: Lanham, Md. : Scarecrow Press
ISBN:
Category : Architecture
Languages : en
Pages : 670
Book Description
Access to dissertations and theses is becoming increasingly easier as a result of digitalization projects such as UMI's Current Research, which at the present time provides full-text access to dissertations published after 1996. However, access to retrospective titles continues to prove difficult. This bibliography addresses some of the limitations of Dissertation Abstracts, especially in uncovering works below the doctoral level and those produced in Canada's French-language universities. While Canadian research is accessible by title and keyword through the National Library of Canada's checklists, covering the period from 1821 onwards, there are few existing publications that provide abstracts. Existing annotated bibliographies in the field of fine arts in Canada merely cover dissertations written prior to 1981. This book identifies 1765 theses or dissertations dealing with Canadian art or built architecture in Canada, excluding studio projects and works on landscape architecture. Chronologically, these works cover a time span from 1924 to 1999. The bibliography is divided into 25 sections, 13 dealing with art and 12 dealing with architecture. Works are listed in the category considered most descriptive of content, with cross-references to other relevant sections. Author, institution, and detailed subject indexes are provided, along with order numbers where available. All abstracts are in English, although approximately 40 percent of the works included were written in French, with a few in other languages. A specialized but needed resource reference work for librarians, art and architecture historians, and students of Canadian art and architecture.
Publisher: Lanham, Md. : Scarecrow Press
ISBN:
Category : Architecture
Languages : en
Pages : 670
Book Description
Access to dissertations and theses is becoming increasingly easier as a result of digitalization projects such as UMI's Current Research, which at the present time provides full-text access to dissertations published after 1996. However, access to retrospective titles continues to prove difficult. This bibliography addresses some of the limitations of Dissertation Abstracts, especially in uncovering works below the doctoral level and those produced in Canada's French-language universities. While Canadian research is accessible by title and keyword through the National Library of Canada's checklists, covering the period from 1821 onwards, there are few existing publications that provide abstracts. Existing annotated bibliographies in the field of fine arts in Canada merely cover dissertations written prior to 1981. This book identifies 1765 theses or dissertations dealing with Canadian art or built architecture in Canada, excluding studio projects and works on landscape architecture. Chronologically, these works cover a time span from 1924 to 1999. The bibliography is divided into 25 sections, 13 dealing with art and 12 dealing with architecture. Works are listed in the category considered most descriptive of content, with cross-references to other relevant sections. Author, institution, and detailed subject indexes are provided, along with order numbers where available. All abstracts are in English, although approximately 40 percent of the works included were written in French, with a few in other languages. A specialized but needed resource reference work for librarians, art and architecture historians, and students of Canadian art and architecture.
Masters Abstracts International
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1000
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1000
Book Description
Independent Spirit
Author: A. K. Prakash
Publisher:
ISBN:
Category : Art, Canadian
Languages : en
Pages : 418
Book Description
Presents an introduction to a variety of Canadian women artists, from the 1800s to the present day.
Publisher:
ISBN:
Category : Art, Canadian
Languages : en
Pages : 418
Book Description
Presents an introduction to a variety of Canadian women artists, from the 1800s to the present day.
Marian Dale Scott
Author: Esther Trépanier
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 304
Book Description
Images Inoubliables
Author: Art Gallery of Hamilton (Ont.)
Publisher: Hamilton, Ont. : Art Gallery of Hamilton
ISBN:
Category : Art
Languages : en
Pages : 326
Book Description
Publisher: Hamilton, Ont. : Art Gallery of Hamilton
ISBN:
Category : Art
Languages : en
Pages : 326
Book Description