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Author: Donald Drew Egbert Publisher: Princeton, N.J. : Princeton University Press ISBN: 9780691039435 Category : Architecture Languages : en Pages : 217
Book Description
The Description for this book, The Beaux-Arts Tradition in French Architecture: Illustrated by the Grands Prix de Rome, will be forthcoming.
Author: Donald Drew Egbert Publisher: Princeton, N.J. : Princeton University Press ISBN: 9780691039435 Category : Architecture Languages : en Pages : 217
Book Description
The Description for this book, The Beaux-Arts Tradition in French Architecture: Illustrated by the Grands Prix de Rome, will be forthcoming.
Author: Donald Drew Egbert Publisher: Princeton, N.J. : Princeton University Press ISBN: 9780691101064 Category : Architecture Languages : en Pages : 217
Book Description
The description for this book, The Beaux-Arts Tradition in French Architecture: Illustrated by the Grands Prix de Rome, will be forthcoming.
Author: Jeffrey W. Cody Publisher: University of Hawaii Press ISBN: 0824861019 Category : Architecture Languages : en Pages : 410
Book Description
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the École des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the École des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two "met" in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang,Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan,Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen.
Author: Roy Johnston Publisher: Academy Press ISBN: Category : Architecture Languages : en Pages : 224
Book Description
Turn of the century Paris is often referred to as the belle époque, a golden age of affluence and artistic creativity before the turmoil of the First World War. This was the Paris of artists such as Bonnard, Rodin, Seurat and Vuillard, as well as writers and musicians such as Debussy, Zola and Maupassant. The Eiffel Tower had just been built and the Moulin Rouge was in its heyday - Paris was the cosmopolitan capital of pleasure and culture. The architecture of the period, however, has generally been neglected known only for the Art Nouveau designs of Guimard's Metro entrances and restaurants such as Maxim's. This book, based on a thorough survey of Parisian buildings of the era, connects the medievalism of Viollet-le-Duc, the classical tradition of the Ecole des Beaux-Arts and early developments in metal and concrete construction with modern pioneers like Perret, de Baudot and Sauvage. Including the exuberant designs by architects working in the 'Ritz style', as well as the work of a multitude of architects whose names are at present unknown, Parisian Architecture of the Belle Epoque is a truly comprehensive and visually sumptuous study of this under exposed period of architecture.
Author: Donald Drew Egbert
Author: Donald Drew Egbert
Author: Donald Drew Egbert
Author: Donald D. Egbert
Author: Robin Middleton
Author: Jeffrey W. Cody
Author: Robin Middleton
Author: Reginald Blomfield
Author: David Van Zanten
Author: Robin Middleton
Author: Roy Johnston