Author: August Endell
Publisher:
ISBN: 9783947325061
Category : Art, Municipal
Languages : en
Pages : 0
Book Description
Literary Nonfiction. Translated from the German by James J. Conway. Where do we feel at home? What do our cities look like? How do we see? In 1908, architect and theorist August Endell set out to answer these deceptively simple questions. In THE BEAUTY OF THE METROPOLIS he views the oft-maligned urban environment, acknowledging its shortcomings while also finding in it an aesthetic enrichment to rival any romanticised landscape. This forward-thinking essay raises the workaday city to rapturous heights, with flights of prose aspiring to the quality of music. Endell advocates a complete engagement with the here and now, drawing numerous examples from his own home, Berlin. From the clamour of Potsdamer Platz to quiet outlying districts, the author discovers visual pleasure in the rapidly expanding German capital where detractors found little more than squalor. Along the way Endell reconsiders the peculiarly German concept of heimat, incompletely translated as "homeland." THE BEAUTY OF THE METROPOLIS is joined here by articles Endell wrote for a progressive journal in 1905 covering subjects as diverse as modern art and the passing of the seasons. Endnotes and an afterword provide further insight into Endell's visionary texts.
The Beauty of the Metropolis
Author: August Endell
Publisher:
ISBN: 9783947325061
Category : Art, Municipal
Languages : en
Pages : 0
Book Description
Literary Nonfiction. Translated from the German by James J. Conway. Where do we feel at home? What do our cities look like? How do we see? In 1908, architect and theorist August Endell set out to answer these deceptively simple questions. In THE BEAUTY OF THE METROPOLIS he views the oft-maligned urban environment, acknowledging its shortcomings while also finding in it an aesthetic enrichment to rival any romanticised landscape. This forward-thinking essay raises the workaday city to rapturous heights, with flights of prose aspiring to the quality of music. Endell advocates a complete engagement with the here and now, drawing numerous examples from his own home, Berlin. From the clamour of Potsdamer Platz to quiet outlying districts, the author discovers visual pleasure in the rapidly expanding German capital where detractors found little more than squalor. Along the way Endell reconsiders the peculiarly German concept of heimat, incompletely translated as "homeland." THE BEAUTY OF THE METROPOLIS is joined here by articles Endell wrote for a progressive journal in 1905 covering subjects as diverse as modern art and the passing of the seasons. Endnotes and an afterword provide further insight into Endell's visionary texts.
Publisher:
ISBN: 9783947325061
Category : Art, Municipal
Languages : en
Pages : 0
Book Description
Literary Nonfiction. Translated from the German by James J. Conway. Where do we feel at home? What do our cities look like? How do we see? In 1908, architect and theorist August Endell set out to answer these deceptively simple questions. In THE BEAUTY OF THE METROPOLIS he views the oft-maligned urban environment, acknowledging its shortcomings while also finding in it an aesthetic enrichment to rival any romanticised landscape. This forward-thinking essay raises the workaday city to rapturous heights, with flights of prose aspiring to the quality of music. Endell advocates a complete engagement with the here and now, drawing numerous examples from his own home, Berlin. From the clamour of Potsdamer Platz to quiet outlying districts, the author discovers visual pleasure in the rapidly expanding German capital where detractors found little more than squalor. Along the way Endell reconsiders the peculiarly German concept of heimat, incompletely translated as "homeland." THE BEAUTY OF THE METROPOLIS is joined here by articles Endell wrote for a progressive journal in 1905 covering subjects as diverse as modern art and the passing of the seasons. Endnotes and an afterword provide further insight into Endell's visionary texts.
Beauty in the City
Author: Robert A. Slayton
Publisher: SUNY Press
ISBN: 1438466412
Category : Art
Languages : en
Pages : 218
Book Description
Presents a major new interpretation of the Ashcan School of Art, arguing that these artists made the working-class city at the turn of the century a subject for beautiful art. At the beginning of the twentieth century the Ashcan School of Art blazed onto the art scene, introducing a revolutionary vision of New York City. In contrast to the elite artists who painted the upper class bedecked in finery, in front of magnificent structures, or the progressive reformers who photographed the city as a slum, hopeless and full of despair, the Ashcan School held the unique belief that the industrial working-class city was a fit subject for great art. In Beauty in the City, Robert A. Slayton illustrates how these artists portrayed the working classes with respect and gloried in the drama of the subways and excavation sites, the office towers, and immigrant housing. Their art captured the emerging metropolis in all its facets, with its potent machinery and its class, ethnic, and gender issues. By exposing the realities of this new, modern America through their artexpressed in what they chose to draw, not in how they drew itthey created one of the great American art forms. A delight for the eyes, a treat for city lovers, and a fine example of how historians can use art, Beauty in the City will enrich such fields as urban history, art history, the history of New York City, and America in the twentieth century. Robert Slayton has identified a group of artists who saw in the gritty details of city life real beauty and social meaning. Hasia R. Diner, author of Roads Taken: The Great Jewish Migrations to the New World and the Peddlers Who Forged the Way A century ago, the Ashcan painters created an art that was of, by, and for urban Americansin all their exhilarating pluralism. Robert Slayton analyzes and celebrates their accomplishment in a work that combines brilliant scholarship and a profound passion for his subject. To his great credit, he reveals the beauty already there. Michael Kazin, author of War Against War: The American Fight for Peace, 19141918 With great narrative skill and finely drawn characters, Robert Slayton paints a vivid picture of New York and the art world in the early twentieth century. He reminds us that these artists and the city they inhabited continue to influence our perspectiveabout class, about gender, about racea century later. This book is a wonderful, vibrant look at a forgotten part of our history. Terry Golway, author of Machine Made: Tammany Hall and the Creation of Modern American Politics
Publisher: SUNY Press
ISBN: 1438466412
Category : Art
Languages : en
Pages : 218
Book Description
Presents a major new interpretation of the Ashcan School of Art, arguing that these artists made the working-class city at the turn of the century a subject for beautiful art. At the beginning of the twentieth century the Ashcan School of Art blazed onto the art scene, introducing a revolutionary vision of New York City. In contrast to the elite artists who painted the upper class bedecked in finery, in front of magnificent structures, or the progressive reformers who photographed the city as a slum, hopeless and full of despair, the Ashcan School held the unique belief that the industrial working-class city was a fit subject for great art. In Beauty in the City, Robert A. Slayton illustrates how these artists portrayed the working classes with respect and gloried in the drama of the subways and excavation sites, the office towers, and immigrant housing. Their art captured the emerging metropolis in all its facets, with its potent machinery and its class, ethnic, and gender issues. By exposing the realities of this new, modern America through their artexpressed in what they chose to draw, not in how they drew itthey created one of the great American art forms. A delight for the eyes, a treat for city lovers, and a fine example of how historians can use art, Beauty in the City will enrich such fields as urban history, art history, the history of New York City, and America in the twentieth century. Robert Slayton has identified a group of artists who saw in the gritty details of city life real beauty and social meaning. Hasia R. Diner, author of Roads Taken: The Great Jewish Migrations to the New World and the Peddlers Who Forged the Way A century ago, the Ashcan painters created an art that was of, by, and for urban Americansin all their exhilarating pluralism. Robert Slayton analyzes and celebrates their accomplishment in a work that combines brilliant scholarship and a profound passion for his subject. To his great credit, he reveals the beauty already there. Michael Kazin, author of War Against War: The American Fight for Peace, 19141918 With great narrative skill and finely drawn characters, Robert Slayton paints a vivid picture of New York and the art world in the early twentieth century. He reminds us that these artists and the city they inhabited continue to influence our perspectiveabout class, about gender, about racea century later. This book is a wonderful, vibrant look at a forgotten part of our history. Terry Golway, author of Machine Made: Tammany Hall and the Creation of Modern American Politics
Landscapes of the Metropolis of Death
Author: Otto Dov Kulka
Publisher: Penguin UK
ISBN: 0718197011
Category : History
Languages : en
Pages : 144
Book Description
Otto Dov Kulka's memoir of a childhood spent in Auschwitz is a literary feat of astounding emotional power, exploring the permanent and indelible marks left by the Holocaust Winner of the JEWISH QUARTERLY-WINGATE PRIZE 2014 As a child, the distinguished historian Otto Dov Kulka was sent first to the ghetto of Theresienstadt and then to Auschwitz. As one of the few survivors he has spent much of his life studying Nazism and the Holocaust, but always as a discipline requiring the greatest coldness and objectivity, with his personal story set to one side. But he has remained haunted by specific memories and images, thoughts he has been unable to shake off. Translated by Ralph Mandel. 'The greatest book on Auschwitz since Primo Levi ... Kulka has achieved the impossible' - the panel of Judges, Jewish Quarterly-Wingate Prize
Publisher: Penguin UK
ISBN: 0718197011
Category : History
Languages : en
Pages : 144
Book Description
Otto Dov Kulka's memoir of a childhood spent in Auschwitz is a literary feat of astounding emotional power, exploring the permanent and indelible marks left by the Holocaust Winner of the JEWISH QUARTERLY-WINGATE PRIZE 2014 As a child, the distinguished historian Otto Dov Kulka was sent first to the ghetto of Theresienstadt and then to Auschwitz. As one of the few survivors he has spent much of his life studying Nazism and the Holocaust, but always as a discipline requiring the greatest coldness and objectivity, with his personal story set to one side. But he has remained haunted by specific memories and images, thoughts he has been unable to shake off. Translated by Ralph Mandel. 'The greatest book on Auschwitz since Primo Levi ... Kulka has achieved the impossible' - the panel of Judges, Jewish Quarterly-Wingate Prize
Brutal Beauty
Author: Jisha Menon
Publisher: Northwestern University Press
ISBN: 0810144077
Category : Performing Arts
Languages : en
Pages : 318
Book Description
Brutal Beauty: Aesthetics and Aspiration in Urban India follows a postcolonial city as it transforms into a bustling global metropolis after the liberalization of the Indian economy. Taking the once idyllic “garden city” of Bangalore in southern India as its point of departure, the book explores how artists across India and beyond foreground neoliberalism as a “structure of feeling” permeating aesthetics, selfhood, and everyday life. Jisha Menon conveys the affective life of the city through multiple aesthetic projects that express a range of urban feelings, including aspiration, panic, and obsolescence. As developers and policymakers remodel the city through tumultuous construction projects, urban beautification, privatization, and other templated features of “world‐class cities,” urban citizens are also changing—transformed by nostalgia, narcissism, shame, and the spaces where they dwell and work. Sketching out scenes of urban aspiration and its dark underbelly, Menon delineates the creative and destructive potential of India’s lurch into contemporary capitalism, uncovering the interconnectedness of local and global power structures as well as art’s capacity to absorb and critique liberalization’s discontents. She argues that neoliberalism isn’t just an economic, social, and political phenomenon; neoliberalism is also a profoundly aesthetic project.
Publisher: Northwestern University Press
ISBN: 0810144077
Category : Performing Arts
Languages : en
Pages : 318
Book Description
Brutal Beauty: Aesthetics and Aspiration in Urban India follows a postcolonial city as it transforms into a bustling global metropolis after the liberalization of the Indian economy. Taking the once idyllic “garden city” of Bangalore in southern India as its point of departure, the book explores how artists across India and beyond foreground neoliberalism as a “structure of feeling” permeating aesthetics, selfhood, and everyday life. Jisha Menon conveys the affective life of the city through multiple aesthetic projects that express a range of urban feelings, including aspiration, panic, and obsolescence. As developers and policymakers remodel the city through tumultuous construction projects, urban beautification, privatization, and other templated features of “world‐class cities,” urban citizens are also changing—transformed by nostalgia, narcissism, shame, and the spaces where they dwell and work. Sketching out scenes of urban aspiration and its dark underbelly, Menon delineates the creative and destructive potential of India’s lurch into contemporary capitalism, uncovering the interconnectedness of local and global power structures as well as art’s capacity to absorb and critique liberalization’s discontents. She argues that neoliberalism isn’t just an economic, social, and political phenomenon; neoliberalism is also a profoundly aesthetic project.
Repairing the American Metropolis
Author: Douglas S. Kelbaugh
Publisher: University of Washington Press
ISBN: 0295997516
Category : Architecture
Languages : en
Pages : 240
Book Description
Repairing the American Metropolis is based on Douglas Kelbaugh’s Common Place: Toward Neighborhood and Regional Design, first published in 1997. It is more timely and significant than ever, with new text, charts, and images on architecture, sprawl, and New Urbanism, a movement that he helped pioneer. Theory and policies have been revised, refined, updated, and developed as compelling ways to plan and design the built environment. This is an indispensable book for architects, urban designers and planners, landscape architects, architecture and urban planning students and scholars, government officials, developers, environmentalists, and citizens interested in understanding and shaping the American metropolis.
Publisher: University of Washington Press
ISBN: 0295997516
Category : Architecture
Languages : en
Pages : 240
Book Description
Repairing the American Metropolis is based on Douglas Kelbaugh’s Common Place: Toward Neighborhood and Regional Design, first published in 1997. It is more timely and significant than ever, with new text, charts, and images on architecture, sprawl, and New Urbanism, a movement that he helped pioneer. Theory and policies have been revised, refined, updated, and developed as compelling ways to plan and design the built environment. This is an indispensable book for architects, urban designers and planners, landscape architects, architecture and urban planning students and scholars, government officials, developers, environmentalists, and citizens interested in understanding and shaping the American metropolis.
Metropolis Berlin
Author: Iain Boyd Whyte
Publisher: Univ of California Press
ISBN: 0520270371
Category : Architecture
Languages : en
Pages : 658
Book Description
“Metropolis Berlin evokes a kaleidoscopic panorama of impressions, opinions, and utopian hopes that constituted Berlin from the end of Imperial Germany to the rise of National Socialism. Iain Boyd Whyte and the late David Frisby invite the reader to be a flâneur in a truly great city, to marvel at the vitality of its urban spaces, and to listen to the cacophony of its voices and sounds. This extraordinary anthology of hundreds of documents tells the story of metropolitan Berlin by letting its inhabitants, visitors, and critics speak. A must have for every personal bookshelf and library.”—Volker M. Welter, Professor for Architectural History, University of California at Santa Barbara "Metropolis Berlinis not merely a magnificent compendium of sources, but is also an exciting work of scholarship in its own right. It presents this global city, in all its architectural, urbanistic, and discursive richness and complexity, like no other volume before it."—Frederic J. Schwartz, author of Blind Spots: Critical Theory and the History of Art in Twentieth-Century Germany.
Publisher: Univ of California Press
ISBN: 0520270371
Category : Architecture
Languages : en
Pages : 658
Book Description
“Metropolis Berlin evokes a kaleidoscopic panorama of impressions, opinions, and utopian hopes that constituted Berlin from the end of Imperial Germany to the rise of National Socialism. Iain Boyd Whyte and the late David Frisby invite the reader to be a flâneur in a truly great city, to marvel at the vitality of its urban spaces, and to listen to the cacophony of its voices and sounds. This extraordinary anthology of hundreds of documents tells the story of metropolitan Berlin by letting its inhabitants, visitors, and critics speak. A must have for every personal bookshelf and library.”—Volker M. Welter, Professor for Architectural History, University of California at Santa Barbara "Metropolis Berlinis not merely a magnificent compendium of sources, but is also an exciting work of scholarship in its own right. It presents this global city, in all its architectural, urbanistic, and discursive richness and complexity, like no other volume before it."—Frederic J. Schwartz, author of Blind Spots: Critical Theory and the History of Art in Twentieth-Century Germany.
The Good Metropolis
Author: Alexander Eisenschmidt
Publisher: Birkhäuser
ISBN: 3035616353
Category : Architecture
Languages : en
Pages : 240
Book Description
The publication presents the first historical analysis of the tension between the city and architectural form. It introduces 20th century theories to construct a historical context from which a new architecture-city relationship emerged. The book provides a conceptual framework to understand this relationship and comes to the conclusion that urbanization may be filled with potential, i.e. be a Good Metropolis.
Publisher: Birkhäuser
ISBN: 3035616353
Category : Architecture
Languages : en
Pages : 240
Book Description
The publication presents the first historical analysis of the tension between the city and architectural form. It introduces 20th century theories to construct a historical context from which a new architecture-city relationship emerged. The book provides a conceptual framework to understand this relationship and comes to the conclusion that urbanization may be filled with potential, i.e. be a Good Metropolis.
Metropolis
Author: Benoit Tardif
Publisher:
ISBN: 9781787418547
Category :
Languages : en
Pages : 69
Book Description
Publisher:
ISBN: 9781787418547
Category :
Languages : en
Pages : 69
Book Description
Metropolis Berlin
Author: Iain Boyd Whyte
Publisher: Univ of California Press
ISBN: 0520951492
Category : History
Languages : en
Pages : 658
Book Description
Metropolis Berlin: 1880-1940 reconstitutes the built environment of Berlin during the period of its classical modernity using over two hundred contemporary texts, virtually all of which are published in English translation for the first time. They are from the pens of those who created Berlin as one of the world’s great cities and those who observed this process: architects, city planners, sociologists, political theorists, historians, cultural critics, novelists, essayists, and journalists. Divided into nineteen sections, each prefaced by an introductory essay, the account unfolds chronologically, with the particular structural concerns of the moment addressed in sequence—be they department stores in 1900, housing in the 1920s, or parade grounds in 1940. Metropolis Berlin: 1880-1940 not only details the construction of Berlin, but explores homes and workplaces, public spaces, circulation, commerce, and leisure in the German metropolis as seen through the eyes of all social classes, from the humblest inhabitants of the city slums, to the great visionaries of the modern city, and the demented dictator resolved to remodel Berlin as Germania.
Publisher: Univ of California Press
ISBN: 0520951492
Category : History
Languages : en
Pages : 658
Book Description
Metropolis Berlin: 1880-1940 reconstitutes the built environment of Berlin during the period of its classical modernity using over two hundred contemporary texts, virtually all of which are published in English translation for the first time. They are from the pens of those who created Berlin as one of the world’s great cities and those who observed this process: architects, city planners, sociologists, political theorists, historians, cultural critics, novelists, essayists, and journalists. Divided into nineteen sections, each prefaced by an introductory essay, the account unfolds chronologically, with the particular structural concerns of the moment addressed in sequence—be they department stores in 1900, housing in the 1920s, or parade grounds in 1940. Metropolis Berlin: 1880-1940 not only details the construction of Berlin, but explores homes and workplaces, public spaces, circulation, commerce, and leisure in the German metropolis as seen through the eyes of all social classes, from the humblest inhabitants of the city slums, to the great visionaries of the modern city, and the demented dictator resolved to remodel Berlin as Germania.
Berlin Metropolis, 1918-1933
Author: Leonhard Helten
Publisher: Prestel Publishing
ISBN: 9783791354903
Category : Architecture
Languages : en
Pages : 0
Book Description
Between 1871 and 1919, the population of Berlin quadrupled and the city became the political center of Germany, as well as the turbulent crossroads of the modern age. This was reflected in the work of artists, directors, writers and critics of the time. As an imperial capital, Berlin was the site of violent political revolution and radical aesthetic innovation. After the German defeat in World War I, artists employed collage to challenge traditional concepts of art. Berlin Dadaists reflected upon the horrors of war and the terrors of revolution and civil war. Between 1924 and 1929, jazz, posters, magazines, advertisements and cinema played a central role in the development of Berlin's urban experience as the spirit of modernity took hold. The concept of the Neue Frau -the modern, emancipated woman-helped move the city in a new direction. Finally, Berlin became a stage for political confrontation between the left and the right and was deeply affected by the economic crisis and mass unemployment at the end of the 1920s. This book explores in numerous essays and illustrations the artistic, cultural and social upheavals in Berlin between 1918 and 1933 and places them in a broader historical framework.
Publisher: Prestel Publishing
ISBN: 9783791354903
Category : Architecture
Languages : en
Pages : 0
Book Description
Between 1871 and 1919, the population of Berlin quadrupled and the city became the political center of Germany, as well as the turbulent crossroads of the modern age. This was reflected in the work of artists, directors, writers and critics of the time. As an imperial capital, Berlin was the site of violent political revolution and radical aesthetic innovation. After the German defeat in World War I, artists employed collage to challenge traditional concepts of art. Berlin Dadaists reflected upon the horrors of war and the terrors of revolution and civil war. Between 1924 and 1929, jazz, posters, magazines, advertisements and cinema played a central role in the development of Berlin's urban experience as the spirit of modernity took hold. The concept of the Neue Frau -the modern, emancipated woman-helped move the city in a new direction. Finally, Berlin became a stage for political confrontation between the left and the right and was deeply affected by the economic crisis and mass unemployment at the end of the 1920s. This book explores in numerous essays and illustrations the artistic, cultural and social upheavals in Berlin between 1918 and 1933 and places them in a broader historical framework.