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Author: Michael Baur Publisher: ISBN: Category : Philosophy Languages : en Pages : 330
Book Description
"A collection of essays explores philosophical aspects of the Beatles' music, lyrics, and political acitivities. Topics addressed include: skepticism and epistemology, the philosophy of love, altered consciousness and drug culture, and Marxism and social philosophy"--Provided by publisher.
Author: Michael Baur Publisher: ISBN: Category : Philosophy Languages : en Pages : 330
Book Description
"A collection of essays explores philosophical aspects of the Beatles' music, lyrics, and political acitivities. Topics addressed include: skepticism and epistemology, the philosophy of love, altered consciousness and drug culture, and Marxism and social philosophy"--Provided by publisher.
Author: William Irwin Publisher: John Wiley & Sons ISBN: 1118397614 Category : Social Science Languages : en Pages : 230
Book Description
A philosophical look at heavy metal's dark masters of reality, Black Sabbath Black Sabbath is one of the world's most influential and enduring rock bands. Dubbed "the Beatles of heavy metal" by Rolling Stone, they helped to define a genre with classic songs like "Paranoid", "Iron Man", and "War Pigs", songs whose lyrics reveal hidden depth and philosophical insight. Their songs confront existential despair, social instability, political corruption, the horrors of war, and the nature of evil. This book explores the wide range of profound ideas in the band's music and lyrics to help you understand Black Sabbath as never before. Discusses and debates essential Black Sabbath topics and themes, such as the problem of evil, "War Pigs" and the nature of just war theory, whether or not Sabbath is still Sabbath without Ozzy, and whether "evil is in the ear of the beholder" Gives you new perspectives on Black Sabbath's music and lyrics Provides a deeper appreciation and understanding of Ozzy Osbourne, Tony Iommi, Geezer Butler, Bill Ward, and Ronnie James Dio Brings some of history's heaviest thinkers to bear on the band's music, from Aristotle and Nietzsche to Schopenhauer and Marx So . . . can you help me, occupy my brain? Yes! Start reading Black Sabbath and Philosophy.
Author: Luke Dick Publisher: Open Court Publishing ISBN: 0812697588 Category : Biography & Autobiography Languages : en Pages : 318
Book Description
From their commanding role in the so-called British Invasion of the early 1960s to their status as the elder statesmen (and British Knight) of rock and roll, the Stones have become more than an evanescent phenomenon in pop culture. They have become a touchstone not only for the history of our times--their performance at the Altamont Raceway marked the "end of the sixties," while their 1990 concert in Prague helped Czechoslovakia and other eastern bloc nations celebrate their newfound freedom (and satisfaction) out from under Moscow's thumb. Because of their longevity, the music and career of the Stones--much more than The Beatles--stand as touchstones in the personal lives of even casual Stones fans. Everyone of a certain age remembers the Stones on Ed Sullivan, the death of founder Brian Jones, their favorite songs, concerts, or videos, and their stance in the classic "Beatles versus Stones" debates. In the wake of Keith Richards's bestselling autobiography, Life (2010), many are now reliving these events and decades from the viewpoint of the band's endearing and seemingly death-defying guitarist. The chapters in The Rolling Stones and Philosophy celebrate the Stones' place in our lives by digging into the controversies, the symbols, and meanings the band and its songs have for so many. What might you mean (and what did Mick mean) by "sympathy for the Devil"? Did the Stones share any of the blame for the deaths at Altamont, as critic Lester Bangs charged they did in Rolling Stone magazine? What theories of ethics and personality lay behind the good-boy image of the Beatles and the bad-boy reputation the Stones acquired? If Keith Richards really had his blood replaced four separate times, does that make him a zombie? How do the Glimmer Twins help us refine our understanding of friendship? Written by a dozen philosophers and scholars who adore the Rolling Stones not only for their music, this book will become required reading for anyone seeking maximum satisfaction from "the world's greatest rock and roll band."
Author: Jim Berti Publisher: Open Court Publishing ISBN: 0812697162 Category : Music Languages : en Pages : 334
Book Description
The progressive/hard rock band Rush has never been as popular as it is now. A documentary film about the band, Rush: Beyond the Lighted Stage, which was released in the summer of 2010 has been universally well received. They had a cameo in the movie I Love You Man. Their seven-part song "2112" was included in a version of "Guitar Hero" released in 2010. The group even appeared on The Colbert Report. And now this, a book about Rush written for a general audience and geared towards issues concerning popular culture and philosophy. There has been a recent explosion of Rush onto the popular culture front, and how ironic for a band that has spent the early days of their career on the outside of mainstream popularity. Even legendary trios such as Led Zeppelin, Cream, and The Police don't enjoy the commitment and devotion that Rush's fans lavish on Alex, Geddy, and Neil. In part, this is because Rush is equally devoted to its fans. Since their first album in 1974, they have released 18 additional albums and toured the world following nearly every release. Today, when other 70s-bands have either broken up or become nostalgia acts, Rush continues to sell out arenas and amphitheatres and sell albums--to date Rush has sold over 40 million albums. They are ranked fourth after The Beatles, The Rolling Stones, and Aerosmith for the most consecutive gold or platinum albums by a rock band. Rush and Philosophy does not set out to sway the public's opinion, nor is it an awkward gushing of how much the authors love Rush. Rush and Philosophy is a fascinating look at the music and lyrics of the band, setting out to address thought-provoking questions. For example, elements of philosophical thinking from the likes of Jean Paul-Sartre, Ayn Rand, and Plato can be found in Peart's lyrics; does this make Peart a disciple of philosophy? In what ways has technology influenced the band through the decades? Can there be too much technology for a power-trio? Can listening to Rush's music and lyrics lead listeners to think more clearly, responsibly, and happily? Is the band's music a "pleasant distraction" from the singing of Geddy Lee? In what ways is Rush Canadian? How can a band that has been referred to as "right-wing" also criticize big government, religion, and imperialism? Rush and Philosophy is written by an assortment of philosophers and scholars with eclectic and diverse backgrounds who love Rush's music and who "get" the meaning and importance of it. They discuss Rush with the enthusiasm of fans and the seriousness of college professors. The book will be a must-read for the many fans who have long known that Rush deserves as much respect as the ideas, concepts, and puzzles about human existence they write and compose music about.
Author: Jacob M. Held Publisher: Rowman & Littlefield Publishers ISBN: 1442203129 Category : Philosophy Languages : en Pages : 284
Book Description
Since Theodor Geisel published his first children's book in 1937 under the pseudonym Dr. Seuss, children and adults alike have been captivated by the charming and laconic tales of whimsical characters and imaginative worlds. But Dr. Seuss' stories are more than just catchy poems; they often wrestle with serious philosophical and moral dilemmas, whether it is Horton discovering the very essence of life or the Lorax teaching us about morality. Dr. Seuss and Philosophy explores philosophical concepts such as the nature of the good life in Oh, the Places You'll Go!, the nature of knowledge in McElligot's Pool, postmodernity in On Beyond Zebra, business and the environment in The Lorax,and moral character in How the Grinch Stole Christmas!, among many others. Anyone who loves Dr. Seuss or is interested in philosophy will find this book to be intriguing and enlightening.
Author: Grant Maxwell Publisher: ISBN: 9780692486269 Category : Languages : en Pages : 296
Book Description
Grant Maxwell examines the recorded music of popular culture with the same subtlety and care as he brings to the literary and philosophical texts of high culture. He seeks not just breadth of knowledge but coherence of insight; not just accumulation of knowledge but depth of understanding. Richard Tarnas, author of The Passion of the Western Mind Grant is a very distinguished cat. James Howard Kunstler, author of The Geography of Nowhere The first three chapters, about each title character and their particular artistic genesis, are good cultural history and excellent pop music analysis (his explication of Dylan's rejection of modernity is one of the better summations available of this complicated figure). . . . The accounts provide fresh, rewarding perspectives on historical moments that have been theorized to death, if not outright mythologized, and Maxwell's historical blow-by-blow does great service as a patient, careful examination of each watershed. . . . Grasping at any threads that might bind high culture with low . . . this very polar tension generates the ultimately subtle magnetism of Maxwell's book. Thomas Conner, H-Net Reviews How Does It Feel? traces the significance of rock and roll through the early careers of Elvis Presley, The Beatles, and Bob Dylan, drawing on some of the most profound philosophical ideas of the last few centuries. Through the artists' own words and intimate accounts, this study suggests that archaic modes of thought, including those associated with mysticism, alchemy, shamanism, and ecstatic spiritual practice, and even with often trivialized phenomena described by words like "magic," "destiny," and "prophecy," are vitally important for understanding how these musicians were able to catalyze the inception of an epochal revolution in human consciousness. From the recording of Presley's first hit at Sun studio to the Beatles' primal Hamburg initiation to Dylan's "transfiguration," this study shows how rock and roll has enacted the return of relational modes repressed since Descartes' equation of thought with human being in the seventeenth century. Although the privileging of rationality, materialism, and science has apparently been in service to the development of humanity's intellectual capacities, this "ascent of man" has come at the expense of intuitive, affective, and embodied ways of knowing. However, nothing can be repressed forever, and rock and roll appears to have been a compensatory reaction to the modern rationalization and disenchantment of culture. Through an engaging retelling of the familiar narratives from a novel philosophical perspective, How Does It Feel? illuminates how the renewed attention to bodily experience performed by these musicians has opened the door to even more deeply repressed premodern modes, mediating what appears to be the emergence of a new world view that integrates modern and premodern premises.
Author: Walter Everett Associate Professor of Music in Music Theory University of Michigan Publisher: Oxford University Press, USA ISBN: 0198029608 Category : Music Languages : en Pages : 486
Book Description
Given the phenomenal fame and commercial success that the Beatles knew for the entire course of their familiar career, their music per se has received surprisingly little detailed attention. Not all of their cultural influence can be traced to long hair and flashy clothing; the Beatles had numerous fresh ideas about melody, harmony, counterpoint, rhythm, form, colors, and textures. Or consider how much new ground was broken by their lyrics alone--both the themes and imagery of the Beatles' poetry are key parts of what made (and still makes) this group so important, so popular, and so imitated. This book is a comprehensive chronological study of every aspect of the Fab Four's musical life--including full examinations of composition, performance practice, recording, and historical context--during their transcendent late period (1966-1970). Rich, authoritative interpretations are interwoven through a documentary study of many thousands of audio, print, and other sources.
Author: Susan Shumsky Publisher: Simon and Schuster ISBN: 1682619788 Category : Music Languages : en Pages : 473
Book Description
The hidden meanings of the Beatles’ most esoteric lyrics and sounds are revealed by a rare insider who spent two decades with the man who made “meditation,” “mantra,” and “yoga” household words: Maharishi Mahesh Yogi. “I absolutely love this book. Between the stories and the pictures, many I’ve not seen before, this is truly a spiritual journey.” —Chris O’Dell, author of Miss O’Dell, My Hard Days and Long Nights with The Beatles, The Stones, Bob Dylan, and the Women They Loved The spiritual journey of the Beatles is the story of an entire generation of visionaries in the sixties who transformed the world. The Beatles turned Western culture upside down and brought Indian philosophy to the West more effectively than any guru. The Inner Light illumines hidden meanings of the Beatles’ India-influenced lyrics and sounds, decoded by Susan Shumsky—a rare insider who spent two decades in the ashrams and six years on the personal staff of the Beatles’ mentor, Maharishi Mahesh Yogi. “With clarity, depth, and impeccable research, an exceptionally comprehensive book filled with engaging tales and fresh insights that even diehard Beatles fans will find illuminating.” —Philip Goldberg, author of American Veda: From Emerson and The Beatles to Yoga and Meditation, How Indian Spirituality Changed the West This eye-opening book draws back the curtain on the Beatles’ experiments with psychedelics, meditation, chanting, and Indian music. Among many shocking revelations never before revealed, we discover who invented "raga rock" (not the Beatles), the real identity of rare Indian instruements and musicians on their tracks, which Beatle was the best meditator (not George), why the Beatles left India in a huff, John and George’s attempts to return, Maharishi’s accurate prediction, and who Sexy Sadie, Jojo, Bungalow Bill, Dear Prudence, Blackbird, My Sweet Lord, Hare Krishna, and the Fool on the Hill really were. “This book reminds us in illuminating fashion why Susan is the premier thinker about India’s key influence upon the direction of the Beatles’ art. In vivid and stirring detail, she traces the Fabs’ spiritual awakening from Bangor to Rishikesh and beyond.” —Kenneth Womack, author of John Lennon 1980: The Last Days in the Life Half a century later, the Beatles have sold more records than any other recording artist. A new generation wants to relive the magic of the flower-power era and is now discovering the message of this iconic band and its four superstars. For people of all nations and ages, the Beatles’ mystique lives on. The Inner Light is Susan Shumsky’s gift to their legacy.
Author: Grant Maxwell Publisher: Createspace Independent Publishing Platform ISBN: 9781723220678 Category : Languages : en Pages : 210
Book Description
"Ethan had a strange sense that there was something important in that cave, something that tickled the back of his mind like a forgotten dream." Ethan Whitehead knows he's supposed to be nervous on his first day of eighth grade, but he's mostly excited to be reunited with his best friend, Nick. Nick's dad is the billionaire inventor of the world's top Virtual Reality system, and he's created a new technology that makes you feel like you're really in the virtual world. The boys meet two girls in philosophy class, and they become the first kids to try the SPECS. They're amazing! But then Ethan starts seeing a mysterious glowing blue cave, and he feels a strong urge to go inside. Beyond the cave lies an adventure they never could have imagined! Perfect for fans of Harry Potter and Percy Jackson!
Author: Michael Baur
Author: Michael Baur
Author: Steve Turner
Author: William Irwin
Author: Luke Dick
Author: Jim Berti
Author: Jacob M. Held
Author: Grant Maxwell
Author: Walter Everett Associate Professor of Music in Music Theory University of Michigan
Author: Susan Shumsky
Author: Grant Maxwell