The Bass Trombone in the Twentieth-century Orchestra PDF Download

Author: Donald Jay Hildebrandt
Publisher:
ISBN:
Category : Bass trombone
Languages : en
Pages : 406

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Author: Donald Scott Moore
Publisher:
ISBN:
Category :
Languages : en
Pages : 95

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Book Description
This paper examines the literature for bass trombone of the late 1950s and early 1960s in order to establish Thom Ritter George's Concerto for Bass Trombone as a pivotal work that signaled an abrupt change not only in how composers regarded the instrument, but also what technical demands were expected of players. In the first portion of this paper, music of the past is examined to show that the mechanical developments of the past had a direct influence on the music written for the instrument. Due to the lack of solo material for the instrument before the 1950s, orchestral music is examined to identify perceptions commonly held by composers. Details pertaining to the development of the bass trombone traditions popular in Europe before 1900 is described in detail, as is relevant information drawn from primary sources. There follows a detailed discussion of the rapid changes made to the instrument in the twentieth century, making use of interviews with performers and instrument collectors along with standard reference works. An overview of Dr. George's career is provided with a biography. Unfortunately, the whereabouts of Robert Braun, the bass trombonist for whom the piece was written, is unknown. The author has used a variety of sources to reconstruct the events leading to the creation of the Concerto and to determine the type of instrument used by Braun for the initial performance. There has been disagreement concerning when the double-valve bass trombone was created. This research examines various sources to show who was responsible for the creation of the instrument and determine that the instrument could not have been used for the initial performance of the George Concerto. A performance assessment is included to show how the modern enhancements to the instrument inspired the techniques used in the Concerto. In order to demonstrate the radical change of technique in the Concerto, performance assessments are included of other works composed during the late 1950s and early 1960s. This data clearly shows how the double-valve bass trombone, and especially the "independent" double-valve bass trombone, makes the Concerto far easier to perform.

Author: Raymond Buniak
Publisher:
ISBN:
Category : Trombone
Languages : en
Pages : 406

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Book Description

Author: Douglas Yeo
Publisher: Rowman & Littlefield
ISBN: 1538159678
Category : Music
Languages : en
Pages : 207

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Book Description
Modern low brass instruments—trombone, tuba, and euphonium—have legions of ancestors, cousins, and descendants in over five-hundred years of history. Prominent scholar and performer Douglas Yeo provides a unique, accessible reference guide that addresses a broad range of relevant topics and brings these instruments to life with clear explanations and the most up-to-date research. Brief biographies of many path-changing individuals highlight their influence on instrument development and use. The book’s inclusive scope also recognizes the work of diverse, influential artists whose important contributions to trombone and tuba history and development have not previously been acknowledged in other literature. Extensive illustrations by Lennie Peterson provide insight into many of the entries.

Author: David M. Guion
Publisher: Scarecrow Press
ISBN: 1461655900
Category : Music
Languages : en
Pages : 269

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Book Description
A History of the Trombone, the first title in the new series American Wind Band, is a comprehensive account of the development of the trombone from its initial form as a 14th-century Medieval trumpet to its alterations in the 15th century; from its marginalized use in a particular Renaissance ensemble to its acceptance in various kinds of artistic and popular music in the 19th and 20th centuries. David M. Guion accesses new and important primary source materials to present the full sweep of the instrument's history, placing particular emphasis on the people who played the instrument, the music they performed, and the relevant cultural contexts. After a general overview, the material is presented in two main sections: the first traces the development of the trombone itself and examines the literature written about it, and the second investigates the history of performance on the instrument—the ensembles it participated in, the occasions in which it took part, the people who played it, and the social, intellectual, political, economic, and technological forces that impinged on that history. Guion analyzes the trombone's place in countries all over the world and in many styles of music, such as art, opera, popular, and world music. An appendix of transcriptions of selected primary source documents, including translations, and a comprehensive bibliography round out this important reference. Fully illustrated with more than 80 images, A History of the Trombone appeals not just to trombonists but to students, scholars, and fans of all musical instruments.

Author: Hannes Vereecke
Publisher: Brepols Publishers
ISBN: 9782503566399
Category : Trombone
Languages : en
Pages : 0

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Book Description
The growing interest in the performance of music of the sixteenth-century has created an increasing demand for accurate reproductions of period trombones. The reconstruction of such instruments has raised many questions concerning geometrical design, materials used, and processing techniques. There are few primary sources at our disposal that offer information on the manufacturing process of sixteenth-century trombones, thus one is forced to rely on information that can be derived from scientific analysis of surviving instruments. This book provides a comprehensive picture of the physical characteristics of the sixteenth-century trombone by means of an in-depth acoustical, geometrical and metallurgical analysis of all surviving trombones made in the sixteenth-century Nuremberg.

Author: Douglas Yeo
Publisher:
ISBN: 9781532331459
Category :
Languages : en
Pages :

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Author:
Publisher:
ISBN:
Category : Trombone
Languages : en
Pages : 104

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Book Description

Author: Trevor Herbert
Publisher: Yale University Press
ISBN: 9780300100952
Category : Music
Languages : en
Pages : 426

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Book Description
This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries. The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone's development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.

Author: Edward Kleinhammer
Publisher: Alfred Music
ISBN: 9781457400278
Category : Music
Languages : en
Pages : 118

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Book Description
Edward Kleinhammer, author of The Art of Trombone Playing, joined the Civic Orchestra, the training orchestra for the Chicago Symphony, in 1940. After two years he was accepted by the Chicago Symphony Orchestra, where he remained for his entire career until he retired in 1985. He has played under every Chicago Symphony Orchestra conductor, covering from Frederick Stock to Sir Georg Solti. In 1986 he received the Distinguished Service Award from the International Trombone Association. While Kleinhammer states that his book "is written for the student who has no teacher available or for the teacher seeking more fundamental knowledge of the field of trombone playing," he emphasizes that it is also "for the trombonist (in any stage of proficiency) who is always a student."