Author: Rudolf Wittkower
Publisher: Yale University Press
ISBN: 9780300079395
Category : Art
Languages : en
Pages : 144
Book Description
This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition will also include color illustrations for the first time. This is the first book in the three volume survey.
Art and Architecture in Italy, 1600–1750
Author: Rudolf Wittkower
Publisher: Yale University Press
ISBN: 9780300079395
Category : Art
Languages : en
Pages : 144
Book Description
This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition will also include color illustrations for the first time. This is the first book in the three volume survey.
Publisher: Yale University Press
ISBN: 9780300079395
Category : Art
Languages : en
Pages : 144
Book Description
This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition will also include color illustrations for the first time. This is the first book in the three volume survey.
The Baroque Ceiling Paintings in the Churches of Rome
Author: Robert England
Publisher:
ISBN: 9783487069548
Category : Barock
Languages : en
Pages : 142
Book Description
Publisher:
ISBN: 9783487069548
Category : Barock
Languages : en
Pages : 142
Book Description
The Baroque Ceiling Paintings in the Churches of Rome 1600-1750
The First Book of Moses, Called Genesis
Author:
Publisher: Grove/Atlantic, Inc.
ISBN: 9780802136107
Category : Bible
Languages : en
Pages : 146
Book Description
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
Publisher: Grove/Atlantic, Inc.
ISBN: 9780802136107
Category : Bible
Languages : en
Pages : 146
Book Description
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
Rome
Author: Robert Hughes
Publisher: Vintage
ISBN: 0375711686
Category : History
Languages : en
Pages : 546
Book Description
From Robert Hughes, one of the greatest art and cultural critics of our time, comes a sprawling, comprehensive, and deeply personal history of Rome—as a city, as an empire, and as an origin of Western art and civilization. Starting on a personal note, Hughes takes us to the Rome he first encountered as a hungry twenty-one-year-old fresh from Australia in 1959. From there, he goes back more than two thousand years to the city’s foundation, one mired in mythologies and superstitions that would inform Rome’s development for centuries. He explores in rich detail the formation of empire, the rise of early Christianity, the Crusades, the Renaissance, and takes us up to the present, through the rise and fall of Mussolini’s fascism. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.
Publisher: Vintage
ISBN: 0375711686
Category : History
Languages : en
Pages : 546
Book Description
From Robert Hughes, one of the greatest art and cultural critics of our time, comes a sprawling, comprehensive, and deeply personal history of Rome—as a city, as an empire, and as an origin of Western art and civilization. Starting on a personal note, Hughes takes us to the Rome he first encountered as a hungry twenty-one-year-old fresh from Australia in 1959. From there, he goes back more than two thousand years to the city’s foundation, one mired in mythologies and superstitions that would inform Rome’s development for centuries. He explores in rich detail the formation of empire, the rise of early Christianity, the Crusades, the Renaissance, and takes us up to the present, through the rise and fall of Mussolini’s fascism. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.
Caravaggio
Author: Sybille Ebert-Schifferer
Publisher: Getty Publications
ISBN: 1606060953
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
The young Michelangelo Merisi da Caravaggio (1571–1610) created a major stir in late-sixteenth-century Rome with the groundbreaking naturalism and highly charged emotionalism of his paintings. One might think, given the vast number of books that have been written about him, that everything that could possibly be said about the artist has been said. However, the author of this book argues, it is important to take a fresh look at the often repeated and widely accepted narratives about the artist’s life and work. Sybille Ebert-Schifferer subjects the available sources to a critical reevaluation, uncovering evidence that the efforts of Caravaggio’s contemporaries to disparage his character and his artwork often sprang from their own cultural biases or a desire to promote the artistic achievements of his rivals. Contrary to repeated claims in the literature, the painter lacked neither education nor piety, but was an extremely accomplished technician who developed a successful marketing strategy. He enjoyed great respect and earned high fees from his prestigious clients while he also inspired a large circle of imitators. Even his brushes with the law conformed to the behavioral norms of the aristocratic Romans he sought to emulate. The beautiful reproductions of Caravaggio’s paintings in this volume make clear why he captivated the imagination of his contemporaries, a reaction that echoes today in the ongoing popularity of his work and the fierce debate that it continues to provoke among art historians.
Publisher: Getty Publications
ISBN: 1606060953
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
The young Michelangelo Merisi da Caravaggio (1571–1610) created a major stir in late-sixteenth-century Rome with the groundbreaking naturalism and highly charged emotionalism of his paintings. One might think, given the vast number of books that have been written about him, that everything that could possibly be said about the artist has been said. However, the author of this book argues, it is important to take a fresh look at the often repeated and widely accepted narratives about the artist’s life and work. Sybille Ebert-Schifferer subjects the available sources to a critical reevaluation, uncovering evidence that the efforts of Caravaggio’s contemporaries to disparage his character and his artwork often sprang from their own cultural biases or a desire to promote the artistic achievements of his rivals. Contrary to repeated claims in the literature, the painter lacked neither education nor piety, but was an extremely accomplished technician who developed a successful marketing strategy. He enjoyed great respect and earned high fees from his prestigious clients while he also inspired a large circle of imitators. Even his brushes with the law conformed to the behavioral norms of the aristocratic Romans he sought to emulate. The beautiful reproductions of Caravaggio’s paintings in this volume make clear why he captivated the imagination of his contemporaries, a reaction that echoes today in the ongoing popularity of his work and the fierce debate that it continues to provoke among art historians.
Walks of Art series. The Art of Rome: Beyond the Pantheon
Author: Denise M Taylor
Publisher: Palmer Higgs Pty Ltd
ISBN: 1925112802
Category : Art
Languages : en
Pages : 57
Book Description
The ancient temple of the Pantheon is the ‘heart’ of Rome. This self-guided walking tour explores the area just beyond the Pantheon and focusses on art and architecture ranging from antiquity through to the seventeenth century. You will be able to view art in the form of sculpture, painting and architecture by simply looking at a façade, or by engaging with public spaces, or by walking into a church—in situ, intrinsically linked to that place, and therefore adding meaning. A few paces behind the Pantheon is a stone elephant with a distinctive personality, and one of the many works of art by sixteenth-century Baroque artist, Gianlorenzo Bernini, seen throughout this walk. The delightful mix of art works inside S. Maria sopra Minerva belies its austere façade. Close by this Dominican stronghold are two Jesuit churches: both orders were powerful forces in the Roman Catholic Counter-Reformation that began with the Council of Trent (1545-1563) and ended in the mid-seventeenth century. Jesuit artists produced art that aimed to inspire devotion in the faithful and non-believers as a means of fighting against Lutheran ‘heresy’. As such, much of Rome’s religious Baroque art was propaganda, aimed at reviving Catholicism’s dominance. The seventeenth-century illusionistic ceiling paintings that you will encounter in the Jesuit churches, Il Gesu and S. Ignazio, are prime examples. In art historical terms ‘baroque’ has come to signify the dominant artistic style of the seventeenth century which originated in Rome in the early 1600s and endured until the end of the century. Much of Baroque painting and sculpture is characterised by drama, natural realism and emotional expressiveness. The increase in tourism en-masse is gradually destroying the individual traveller’s ability to engage directly (and quietly) with the history and magnificence of works of art in ancient cities such as Rome. In this walk you can avoid the hefty entrance fees to galleries and museums, and the jostling of crowds. So be prepared to inhale the atmosphere and linger along the route as long as you like.
Publisher: Palmer Higgs Pty Ltd
ISBN: 1925112802
Category : Art
Languages : en
Pages : 57
Book Description
The ancient temple of the Pantheon is the ‘heart’ of Rome. This self-guided walking tour explores the area just beyond the Pantheon and focusses on art and architecture ranging from antiquity through to the seventeenth century. You will be able to view art in the form of sculpture, painting and architecture by simply looking at a façade, or by engaging with public spaces, or by walking into a church—in situ, intrinsically linked to that place, and therefore adding meaning. A few paces behind the Pantheon is a stone elephant with a distinctive personality, and one of the many works of art by sixteenth-century Baroque artist, Gianlorenzo Bernini, seen throughout this walk. The delightful mix of art works inside S. Maria sopra Minerva belies its austere façade. Close by this Dominican stronghold are two Jesuit churches: both orders were powerful forces in the Roman Catholic Counter-Reformation that began with the Council of Trent (1545-1563) and ended in the mid-seventeenth century. Jesuit artists produced art that aimed to inspire devotion in the faithful and non-believers as a means of fighting against Lutheran ‘heresy’. As such, much of Rome’s religious Baroque art was propaganda, aimed at reviving Catholicism’s dominance. The seventeenth-century illusionistic ceiling paintings that you will encounter in the Jesuit churches, Il Gesu and S. Ignazio, are prime examples. In art historical terms ‘baroque’ has come to signify the dominant artistic style of the seventeenth century which originated in Rome in the early 1600s and endured until the end of the century. Much of Baroque painting and sculpture is characterised by drama, natural realism and emotional expressiveness. The increase in tourism en-masse is gradually destroying the individual traveller’s ability to engage directly (and quietly) with the history and magnificence of works of art in ancient cities such as Rome. In this walk you can avoid the hefty entrance fees to galleries and museums, and the jostling of crowds. So be prepared to inhale the atmosphere and linger along the route as long as you like.
Rome 1600
Author: Clare Robertson
Publisher:
ISBN: 9780300215298
Category :
Languages : en
Pages : 368
Book Description
In 1600 Rome was the center of the artistic world. This fascinating book offers a new look at the art and architecture of the great Baroque city at this time of major innovation--especially in painting, largely owing to the presence of Annibale Carracci (1560-1609) and Caravaggio (1571-1610). Rome was a magnet for artists and architects from all over Europe; they came to study the remains of antiquity and the works of Michelangelo, Raphael, and Bramante. The sheer variety of artists working in the city ensured a diversity of styles and innovative cross-influences. Moreover, 1600 was a Jubilee year, offering numerous opportunities for artistic patronage, whether in major projects like St. Peter's, or in lesser schemes such as the restoration of older churches. Clare Robertson examines these developments as well as the patronage of the pope and of major Roman families, drawing on a range of contemporary sources and images to reconstruct a snapshot of Rome at this thrilling time.
Publisher:
ISBN: 9780300215298
Category :
Languages : en
Pages : 368
Book Description
In 1600 Rome was the center of the artistic world. This fascinating book offers a new look at the art and architecture of the great Baroque city at this time of major innovation--especially in painting, largely owing to the presence of Annibale Carracci (1560-1609) and Caravaggio (1571-1610). Rome was a magnet for artists and architects from all over Europe; they came to study the remains of antiquity and the works of Michelangelo, Raphael, and Bramante. The sheer variety of artists working in the city ensured a diversity of styles and innovative cross-influences. Moreover, 1600 was a Jubilee year, offering numerous opportunities for artistic patronage, whether in major projects like St. Peter's, or in lesser schemes such as the restoration of older churches. Clare Robertson examines these developments as well as the patronage of the pope and of major Roman families, drawing on a range of contemporary sources and images to reconstruct a snapshot of Rome at this thrilling time.
The World's Master Paintings
Social History of Art, Volume 2
Author:
Publisher: Routledge
ISBN: 1134637535
Category :
Languages : en
Pages : 157
Book Description
Publisher: Routledge
ISBN: 1134637535
Category :
Languages : en
Pages : 157
Book Description