Author: Charles R. Sprague
Publisher:
ISBN: 9780866500241
Category : Barbizon school
Languages : en
Pages : 133

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Book Description

Author: David Croal Thomson
Publisher:
ISBN:
Category : Barbizon school
Languages : en
Pages : 472

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Book Description

Author: Brenda D. Rix
Publisher: Art Gallery of Ontario = Musée des beaux-arts de l'Ontario
ISBN:
Category : Barbizon school
Languages : en
Pages : 24

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Book Description

Author: John William Mollett
Publisher:
ISBN:
Category : Barbizon school
Languages : en
Pages : 184

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Book Description

Author: David Croal Thomson
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Steven Adams
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248

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Book Description
The key painters associated with the Barbizon School - Corot, Millet, Rousseau and Courbet - are among the finest landscape artists of the nineteenth century. From their base at the village of Barbizon in the Forest of Fontainebleau, just outside Paris, they painted nature as they saw it, anticipating many of the techniques and effects of Impressionism. In this survey Steven Adams re-evaluates French landscape painting in the half-century before Impressionism, placing this 'return to nature' against the background of the rapid industrialization and political crises of the period.

Author: David Croal Thomson
Publisher: Forgotten Books
ISBN: 9781528564595
Category : Art
Languages : en
Pages : 432

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Book Description
Excerpt from The Barbizon School of Painters: Corot, Rousseau, Diaz, Millet, Daubigny, Etc The pictures painted by the group of French artists who lived around Ban, bizon, have been for many years the admiration of the artistic world. But very little has yet been done to tell their story, and it is the aim of this volume to set forth the biographies of these artists, illustrated with such representa tions of their works as will give an adequate conception of their methods and achievements. Personal knowledge of these artists I have had none, and for this reason it has been possible, perhaps, to take a less partial view than those writers nearly all Frenchmen - who have written articles, pamphlets, or monographs on the artists, which have been chiefly eulogies, and at the best have either been brief or unsatisfactory. To those who have not yet felt the influence of the painters of the Barbizon School, the claim of impartiality may appear, in certain instances, somewhat questionable, but I have carefully avoided ex treme commendation, and the praise accorded is believed in every case to be fully deserved. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Jessica Findley
Publisher: Osmora Incorporated
ISBN: 2765906734
Category : Art
Languages : en
Pages : 136

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Book Description
Camille Corot was a French landscape painter and the leading artist of the Barbizon school. Corot is a key figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. Corot often credited as a precursor of Impressionist practice, but he approached his landscapes more traditionally than is usually believed. Compared to the Impressionists who came later, Corot's palette is restrained, dominated with browns and blacks along with dark and silvery green. Though appearing at times to be rapid and spontaneous, usually his strokes were controlled and careful, and his compositions well-thought out and generally rendered as simply and concisely as possible, heightening the poetic effect of the imagery.His contributions to figure painting are hardly less important; Degas preferred his figures to his landscapes, and the classical figures of Picasso pay overt homage to Corot's influence.

Author: Kimberly A. Jones
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 230

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Book Description
More than 100 works by artists such as Jean-Baptiste-Camille Corot (1796-1875), Théodore Rousseau (1812-1867), Jean-François Millet (1814-1875), Claude Monet (1840-1926), Gustave Le Gray (1820-1884), and Eugène Cuvelier (1837-1900) explore the French phenomenon of plein-air (open-air) painting and photography in the region of Fontainebleau, a pilgrimage site for aspiring landscape artists. The forest also inspired a new school of landscape photography, as figures such as Gustave Le Gray and Eugène Cuvelier, working side by side with painters, explored the camera's potential to reveal nature in a fresh and unadorned manner. The exhibition also includes 19th-century artists' equipment and tourist ephemera.

Author: Scott Allan
Publisher: Getty Publications
ISBN: 1606064770
Category : Art
Languages : en
Pages : 228

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Book Description
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.