Author: Antonio Paolucci
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 184
Book Description
Instructive exposition and illustration of all three sets of doors at the baptistery, which were seminal in the development of Renaissance art. With excellent colour plates.
Origins of Renaissance Art
Author: Antonio Paolucci
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 184
Book Description
Instructive exposition and illustration of all three sets of doors at the baptistery, which were seminal in the development of Renaissance art. With excellent colour plates.
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 184
Book Description
Instructive exposition and illustration of all three sets of doors at the baptistery, which were seminal in the development of Renaissance art. With excellent colour plates.
The Gates of Paradise
Author: Gary M. Radke
Publisher: Yale University Press
ISBN: 0300126158
Category : Art
Languages : en
Pages : 196
Book Description
A rich account of the giant bronze doors created by Florentine sculptor Lorenzo Ghiberti--so exquisite that Michelangelo proclaimed them suitable to serve as the Gates of Paradise.
Publisher: Yale University Press
ISBN: 0300126158
Category : Art
Languages : en
Pages : 196
Book Description
A rich account of the giant bronze doors created by Florentine sculptor Lorenzo Ghiberti--so exquisite that Michelangelo proclaimed them suitable to serve as the Gates of Paradise.
The Baptistery of San Giovanni in Florence
Author: Anna Maria Giusti
Publisher:
ISBN:
Category : Travel
Languages : en
Pages : 132
Book Description
Publisher:
ISBN:
Category : Travel
Languages : en
Pages : 132
Book Description
Archaeological Campaigns Below the Florence Duomo and Baptistery, 1895-1980
Author: Franklin Toker
Publisher: Harvey Miller
ISBN: 9781905375523
Category : Church architecture
Languages : en
Pages : 0
Book Description
"Based on the excavations of 1965-1980, this second volume in the series provides an overview of the medieval art and architecture that was found below the Florence Duomo and Baptistery. Archaeological Campaigns below the Florence Duomo and Baptistery, 1895-1980 presents the results of one of the major archaeological campaigns of our times: the decade-long excavation below Florence's cathedral of S. Maria del Fiore. The book presents a cutaway vision of a great city that would be hard to match anywhere, exploring a site that was in use for 1500 years, from the founding of the Roman settlement of Florence to the burial there of Giotto and Brunelleschi. In terms of structures, the excavation uncovered a Roman house, an Early Christian basilica, a Carolingian crypt, and further rebuildings from the eleventh century and later. For artifacts, the findings constitute a virtual encyclopedia of ancient and medieval art in mosaics, frescoes, the grave of Florence's earliest documented saint, the first elaborate tomb of the Medici, and outstanding examples of Roman and medieval glass, metalwork, and ceramics. Forty-one specialists in material culture and archaeological science report on those finds in the book, and hundreds more illustrations are carried on the author's website, www.franklintoker.com.
Publisher: Harvey Miller
ISBN: 9781905375523
Category : Church architecture
Languages : en
Pages : 0
Book Description
"Based on the excavations of 1965-1980, this second volume in the series provides an overview of the medieval art and architecture that was found below the Florence Duomo and Baptistery. Archaeological Campaigns below the Florence Duomo and Baptistery, 1895-1980 presents the results of one of the major archaeological campaigns of our times: the decade-long excavation below Florence's cathedral of S. Maria del Fiore. The book presents a cutaway vision of a great city that would be hard to match anywhere, exploring a site that was in use for 1500 years, from the founding of the Roman settlement of Florence to the burial there of Giotto and Brunelleschi. In terms of structures, the excavation uncovered a Roman house, an Early Christian basilica, a Carolingian crypt, and further rebuildings from the eleventh century and later. For artifacts, the findings constitute a virtual encyclopedia of ancient and medieval art in mosaics, frescoes, the grave of Florence's earliest documented saint, the first elaborate tomb of the Medici, and outstanding examples of Roman and medieval glass, metalwork, and ceramics. Forty-one specialists in material culture and archaeological science report on those finds in the book, and hundreds more illustrations are carried on the author's website, www.franklintoker.com.
Lorenzo Ghiberti's Gates of Paradise
Author: Amy R. Bloch
Publisher: Cambridge University Press
ISBN: 131640465X
Category : History
Languages : en
Pages : 874
Book Description
This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425–52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues.
Publisher: Cambridge University Press
ISBN: 131640465X
Category : History
Languages : en
Pages : 874
Book Description
This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425–52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues.
The Book of the Art of Cennino Cennini
Proof!
Author: Amir Alexander
Publisher: Macmillan + ORM
ISBN: 0374714126
Category : Mathematics
Languages : en
Pages : 209
Book Description
A “lucid and convincingly argued” narrative of how ancient geometric principles continue to shape the contemporary world (Publishers Weekly). On a cloudy day in 1413, a balding young man stood at the entrance to the Cathedral of Florence, facing the ancient Baptistery across the piazza. As puzzled passers-by looked on, he raised a small painting to his face, then held a mirror in front of the painting. Few at the time understood what he was up to; even he barely had an inkling of what was at stake. But on that day, the master craftsman and engineer Filippo Brunelleschi would prove that the world and everything within it was governed by the ancient science of geometry. In Proof!, the award-winning historian Amir Alexander traces the path of the geometrical vision of the world as it coursed its way from the Renaissance to the present, shaping our societies, our politics, and our ideals. Geometry came to stand for a fixed and unchallengeable universal order, and kings, empire-builders, and even republican revolutionaries would rush to cast their rule as the apex of the geometrical universe. For who could doubt the right of a ruler or the legitimacy of a government that drew its power from the immutable principles of Euclidean geometry? From the elegant terraces of Versailles to the broad avenues of Washington, DC, and on to the boulevards of New Delhi and Manila, the geometrical vision was carved into the landscape of modernity. Euclid, Alexander shows, made the world as we know it possible.
Publisher: Macmillan + ORM
ISBN: 0374714126
Category : Mathematics
Languages : en
Pages : 209
Book Description
A “lucid and convincingly argued” narrative of how ancient geometric principles continue to shape the contemporary world (Publishers Weekly). On a cloudy day in 1413, a balding young man stood at the entrance to the Cathedral of Florence, facing the ancient Baptistery across the piazza. As puzzled passers-by looked on, he raised a small painting to his face, then held a mirror in front of the painting. Few at the time understood what he was up to; even he barely had an inkling of what was at stake. But on that day, the master craftsman and engineer Filippo Brunelleschi would prove that the world and everything within it was governed by the ancient science of geometry. In Proof!, the award-winning historian Amir Alexander traces the path of the geometrical vision of the world as it coursed its way from the Renaissance to the present, shaping our societies, our politics, and our ideals. Geometry came to stand for a fixed and unchallengeable universal order, and kings, empire-builders, and even republican revolutionaries would rush to cast their rule as the apex of the geometrical universe. For who could doubt the right of a ruler or the legitimacy of a government that drew its power from the immutable principles of Euclidean geometry? From the elegant terraces of Versailles to the broad avenues of Washington, DC, and on to the boulevards of New Delhi and Manila, the geometrical vision was carved into the landscape of modernity. Euclid, Alexander shows, made the world as we know it possible.
The Art, History and Architecture of Florentine Churches
Author: Susan Bracken
Publisher: Cambridge Scholars Publishing
ISBN: 1443857637
Category : History
Languages : en
Pages : 490
Book Description
Churches and palaces in Florence have been the subject matter of book-length, often multi-volume studies over the centuries. This book is a compendium of the main churches in Florence and has been written with two distinct audiences in mind: English-speaking students of Renaissance art, architecture, literature and history and the well-read traveller to Florence who wishes to place the works of art and architecture into the wider context of Italian culture. The choice of churches discussed here was influenced by the author’s experience as teacher for several university programmes on site in Florence. The buildings described and analysed are those which students will most likely encounter in the course of their study-abroad stay in Florence, whether they wish to specialise in art, architecture or the history of the Florentine Renaissance. This book represents a textbook that offers concise information on the history, art, and architecture of 25 of the main Florentine churches, provides plans and photos of the façades, and introduces the student to some of the most important vocabulary and the main textual sources of the thirteenth to the seventeenth centuries.
Publisher: Cambridge Scholars Publishing
ISBN: 1443857637
Category : History
Languages : en
Pages : 490
Book Description
Churches and palaces in Florence have been the subject matter of book-length, often multi-volume studies over the centuries. This book is a compendium of the main churches in Florence and has been written with two distinct audiences in mind: English-speaking students of Renaissance art, architecture, literature and history and the well-read traveller to Florence who wishes to place the works of art and architecture into the wider context of Italian culture. The choice of churches discussed here was influenced by the author’s experience as teacher for several university programmes on site in Florence. The buildings described and analysed are those which students will most likely encounter in the course of their study-abroad stay in Florence, whether they wish to specialise in art, architecture or the history of the Florentine Renaissance. This book represents a textbook that offers concise information on the history, art, and architecture of 25 of the main Florentine churches, provides plans and photos of the façades, and introduces the student to some of the most important vocabulary and the main textual sources of the thirteenth to the seventeenth centuries.
The Sculpture of Andrea and Nino Pisano
Author: Anita Fiderer Moskowitz
Publisher:
ISBN: 9780521307543
Category : Art
Languages : en
Pages : 241
Book Description
The first comprehensive study in English of the Pisanos' origins, stylistic development and artistic context. Andrea Pisano, the creator of the first set of bronze doors on the Baptistry of Florence, is universally acknowledged as the most important Italian sculptor of the fourteenth century. Andrea's son, Nino, was a significant sculptor in his own right. Dr Anita Moscowitz brings the artistic personality of the artists, who have hitherto been neglected figures in the history of art, clearly into focus. She shows that together the work of the artists reflects two major currents in the European areni: late manifestation of the Parisian court style, and the beginnings of the Italian renaissance style in sculpture. The book includes many high-quality illustrations.
Publisher:
ISBN: 9780521307543
Category : Art
Languages : en
Pages : 241
Book Description
The first comprehensive study in English of the Pisanos' origins, stylistic development and artistic context. Andrea Pisano, the creator of the first set of bronze doors on the Baptistry of Florence, is universally acknowledged as the most important Italian sculptor of the fourteenth century. Andrea's son, Nino, was a significant sculptor in his own right. Dr Anita Moscowitz brings the artistic personality of the artists, who have hitherto been neglected figures in the history of art, clearly into focus. She shows that together the work of the artists reflects two major currents in the European areni: late manifestation of the Parisian court style, and the beginnings of the Italian renaissance style in sculpture. The book includes many high-quality illustrations.
The Cambridge History of Fifteenth-Century Music
Author: Anna Maria Busse Berger
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058
Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Publisher: Cambridge University Press
ISBN: 1316298299
Category : Music
Languages : en
Pages : 1058
Book Description
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.