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Author: Cyril W. Beaumont Publisher: Dance Books Limited ISBN: 9781852731533 Category : Music Languages : en Pages : 176
Book Description
This classic book, first published in 1952, is the definitive work on one of ballet's greatest and most popular works, Swan Lake. The book is in two parts. The first describes the evolution of Swan Lake from its initial conception to its first realisation by the Austrian choreographer Julius Wenzel Reisinger, which was a comparative failure, followed by the story of the ballet's resuscitation and eventual triumph by Marius Petipa and Lev Ivanov. Included are the original synopses of both the original Reisinger production and the Petipa-Ivanov version. There is an account of Tchaikovsky and his score, together with details of the original settings and costumes, and many of those designed for later productions. The second part of the book is concerned with the actual presentation of the ballet. The choreography of all four acts of the Petipa-Ivanov version is set out in full, with explanations of not only the stage action, but also of how the dancers move, the kind of steps they do, the gestures they make and what they are intended to express. The various roles are also analysed from the dancers' points of view, and some of the problems that may confront both dancer and producer are considered and resolved. Finally, there is a survey of some of the great dancers who over the years have achieved distinction in the roles of Odette-Odile and Prince Siegfried.
Author: Marian Smith Publisher: Princeton University Press ISBN: 0691146497 Category : Music Languages : en Pages : 329
Book Description
Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle. ?
Author: Cyril W (Cyril William) 1 Beaumont Publisher: Hassell Street Press ISBN: 9781013454035 Category : Languages : en Pages : 200
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Megan Atwood Publisher: Darby Creek ™ ISBN: 1467733229 Category : Young Adult Fiction Languages : en Pages : 67
Book Description
Every time the Dario Quincy Academy has performed Giselle, the ballet's lead dancer has died. That's what the rumors say, anyway. But Ophelia doesn't believe in all that. She's determined to win the lead and beat the so-called curse. As Ophelia begins sneaking out at night to practice Giselle's moves, she meets a mysterious boy hiding in the shadows. He's got great moves, and his looks aren't bad either. After a series of secret meetings, Ophelia starts to feel drained of her strength. She even blacks out during dance class. Is she just pushing herself too hard? Or are the boy and the curse connected?
Author: Publisher: Tundra Books ISBN: 0887769233 Category : Juvenile Fiction Languages : en Pages : 42
Book Description
Possibly the best-loved of all ballets are “Giselle,” “La Bayadère,” and “Swan Lake.” Known as the White Ballets, they each tell stories of ethereal maidens costumed in floating white, who seem to be lovely creatures suspended somewhere between heaven and earth. It is every ballerina’s dream to dance “Giselle.” Despite being frail, the simple peasant girl, Giselle, can’t give up dancing. She is afraid that if she dies before she weds, she will become a Wili, a spirit maiden who haunts the forests seeking revenge on young men. Though she can’t change her own fate, she finds a way to save the one she loves. Nikiya is a beautiful temple dancer, a bayadère. She fights tradition when she falls in love with the warrior Solor. Solor has already been promised to a well-born girl, but he risks everything for Nikiya. “Swan Lake” is also about recognizing true love and risking everything for it. Prince Siegfried meets Odile by the shores of a mysterious lake and he vows to marry her. But Odile is under a curse: she must spend every day in the form of a swan and is only human for a few hours during the night. If they are to spend eternity together, Siegfried has to find a way to lift the curse. Rajka Kupesic, herself a dancer, has retold the stories and set them against her breathtaking art to create a book to cherish. Notes about the ballets are included.
Author: Nadine Meisner Publisher: Oxford University Press, USA ISBN: 0190659297 Category : Biography & Autobiography Languages : en Pages : 553
Book Description
One of the most important ballet choreographers of all time, Marius Petipa (1818 - 1910) created works that are now mainstays of the ballet repertoire. Every day, in cities around the world, performances of Swan Lake and The Sleeping Beauty draw large audiences to theatres and inspire new generations of dancers, as does The Nutcracker during the winter holidays. These are his best-known works, but others - Don Quixote, La Bayadère - have also become popular, even canonical components of the classical repertoire, and together they have shaped the defining style of twentieth-century ballet. The first biography in English of this monumental figure of ballet history, Marius Petipa: The Emperor's Ballet Master covers the choreographer's life and work in full within the context of remarkable historical and political surroundings. Over the course of ten well-researched chapters, Nadine Meisner explores Marius Petipa's life and legacy: the artist's arrival in Russia from his native France, the socio-political tensions and revolution he experienced, his popularity on the Russian imperial stage, his collaborations with other choreographers and composers (most famously Tchaikovsky), and the conditions under which he worked, in close proximity to the imperial court. Meisner presents a thrilling and exhaustive narrative not only of Petipa's life but of the cultural development of ballet across the 19th and early 20th centuries. The book also extends beyond Petipa's narrative with insightful analyses of the evolution of ballet technique, theatre genres, and the rise of male dancers. Richly illustrated with archival photographs, this book unearths original material from Petipa's 63 years in Russia, much of it never published in English before. As Meisner demonstrates, the choreographer laid the foundations for Soviet ballet and for Diaghilev's Ballets Russes, the expatriate company which exercised such an enormous influence on ballet in the West, including the Royal Ballet and Balanchine's New York City Ballet. After Petipa, Western ballet would never be the same.
Author: Jennifer Homans Publisher: Random House ISBN: 0679603905 Category : Performing Arts Languages : en Pages : 640
Book Description
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”
Author: John Haskell Publisher: Graywolf Press ISBN: 1555979793 Category : Fiction Languages : en Pages : 171
Book Description
A dark-hued, hybrid novel by a writer who “delivers our culture back to us, made entirely new” (A. M. Homes) In The Complete Ballet, John Haskell choreographs an intricate and irresistible pas de deux in which fiction and criticism come together to create a new kind of story. Fueled by the dramatic retelling of five romantic ballets, and interwoven with a contemporary story about a man whose daunting gambling debt pushes him to the edge of his own abyss, it is both a pulpy entertainment and a meditation on the physicality—and psychology—of dance. The unnamed narrator finds himself inexorably drawn back to the pre–cell phone world of Technicolor Los Angeles, to a time when the tragedies of his life were about to collide. Working as a part-time masseur in Hollywood, he attends an underground poker game with his friend Cosmo, a strip-club entrepreneur. What happens there hurtles the narrator down the road and into the room where the novel’s violent and surreal showdown leaves him a different person. As the narrator revisits his past, he simultaneously inhabits and reconstructs the mythic stories of ballet, assessing along the way the lives and obsessions of Nijinsky and Balanchine, Pavlova and Fonteyn, Joseph Cornell and the story’s presiding spirit, the film director John Cassavetes. This compulsively readable fiction is ultimately a profound and haunting consideration of the nature of art and identity.
Author: Robert Greskovic Publisher: Hal Leonard Corporation ISBN: 9780879103255 Category : Performing Arts Languages : en Pages : 660
Book Description
Presents a look at the world of dance; an analysis of ballet movement, music, and history; a close-up look at popular ballets; and a host of performance tips.