Author: Johann Wolfgang von Goethe
Publisher: Library of Alexandria
ISBN: 1465513973
Category : Fiction
Languages : en
Pages : 1103
Book Description
It would appear that for inquirers into Foreign Literature, for all men anxious to see and understand the European world as it lies around them, a great problem is presented in this Goethe; a singular, highly significant phenomenon, and now also means more or less complete for ascertaining its significance. A man of wonderful, nay, unexampled reputation and intellectual influence among forty millions of reflective, serious and cultivated men, invites us to study him; and to determine for ourselves, whether and how far such influence has been salutary, such reputation merited. That this call will one day be answered, that Goethe will be seen and judged of in his real character among us, appears certain enough. His name, long familiar everywhere, has now awakened the attention of critics in all European countries to his works: he is studied wherever true study exists: eagerly studied even in France; nay, some considerable knowledge of his nature and spiritual importance seems already to prevail there. [Footnote: Witness Le Tasse, Drame par Duval, and the Criticisms on it. See also the Essays in the Globe, Nos. 55, 64 (1826).] For ourselves, meanwhile, in giving all due weight to so curious an exhibition of opinion, it is doubtless our part, at the same time, to beware that we do not give it too much. This universal sentiment of admiration is wonderful, is interesting enough; but it must not lead us astray. We English stand as yet without the sphere of it; neither will we plunge blindly in, but enter considerately, or, if we see good, keep aloof from it altogether. Fame, we may understand, is no sure test of merit, but only a probability of such; it is an accident, not a property, of a man; like light, it can give little or nothing, but at most may show what is given; often it is but a false glare, dazzling the eyes of the vulgar, lending by casual extrinsic splendour the brightness and manifold glance of the diamond to pebbles of no value. A man is in all cases simply the man, of the same intrinsic worth and weakness, whether his worth and weakness lie hidden in the depths of his own consciousness, or be betrumpeted and beshouted from end to end of the habitable globe. These are plain truths, which no one should lose sight of; though, whether in love or in anger, for praise or for condemnation, most of us are too apt to forget them. But least of all can it become the critic to 'follow a multitude to do evil' even when that evil is excess of admiration; on the contrary, it will behoove him to lift up his voice, how feeble soever, how unheeded soever, against the common delusion; from which, if he can save, or help to save any mortal, his endeavours will have been repaid. With these things in some measure before us, we must remind our readers of another influence at work in this affair, and one acting, as we think, in the contrary direction. That pitiful enough desire for 'originality' which lurks and acts in all minds, will rather, we imagine, lead the critic of Foreign Literature to adopt the negative than the affirmative with regard to Goethe. If a writer indeed feel that he is writing for England alone, invisibly and inaudibly to the rest of the Earth, the temptations may be pretty equally balanced; if he write for some small conclave, which he mistakenly thinks the representative of England, they may sway this way or that, as it chances. But writing in such isolated spirit is no longer possible.
The Autobiography of Goethe: Truth and Poetry From My Own Life
Author: Johann Wolfgang von Goethe
Publisher: Library of Alexandria
ISBN: 1465513973
Category : Fiction
Languages : en
Pages : 1103
Book Description
It would appear that for inquirers into Foreign Literature, for all men anxious to see and understand the European world as it lies around them, a great problem is presented in this Goethe; a singular, highly significant phenomenon, and now also means more or less complete for ascertaining its significance. A man of wonderful, nay, unexampled reputation and intellectual influence among forty millions of reflective, serious and cultivated men, invites us to study him; and to determine for ourselves, whether and how far such influence has been salutary, such reputation merited. That this call will one day be answered, that Goethe will be seen and judged of in his real character among us, appears certain enough. His name, long familiar everywhere, has now awakened the attention of critics in all European countries to his works: he is studied wherever true study exists: eagerly studied even in France; nay, some considerable knowledge of his nature and spiritual importance seems already to prevail there. [Footnote: Witness Le Tasse, Drame par Duval, and the Criticisms on it. See also the Essays in the Globe, Nos. 55, 64 (1826).] For ourselves, meanwhile, in giving all due weight to so curious an exhibition of opinion, it is doubtless our part, at the same time, to beware that we do not give it too much. This universal sentiment of admiration is wonderful, is interesting enough; but it must not lead us astray. We English stand as yet without the sphere of it; neither will we plunge blindly in, but enter considerately, or, if we see good, keep aloof from it altogether. Fame, we may understand, is no sure test of merit, but only a probability of such; it is an accident, not a property, of a man; like light, it can give little or nothing, but at most may show what is given; often it is but a false glare, dazzling the eyes of the vulgar, lending by casual extrinsic splendour the brightness and manifold glance of the diamond to pebbles of no value. A man is in all cases simply the man, of the same intrinsic worth and weakness, whether his worth and weakness lie hidden in the depths of his own consciousness, or be betrumpeted and beshouted from end to end of the habitable globe. These are plain truths, which no one should lose sight of; though, whether in love or in anger, for praise or for condemnation, most of us are too apt to forget them. But least of all can it become the critic to 'follow a multitude to do evil' even when that evil is excess of admiration; on the contrary, it will behoove him to lift up his voice, how feeble soever, how unheeded soever, against the common delusion; from which, if he can save, or help to save any mortal, his endeavours will have been repaid. With these things in some measure before us, we must remind our readers of another influence at work in this affair, and one acting, as we think, in the contrary direction. That pitiful enough desire for 'originality' which lurks and acts in all minds, will rather, we imagine, lead the critic of Foreign Literature to adopt the negative than the affirmative with regard to Goethe. If a writer indeed feel that he is writing for England alone, invisibly and inaudibly to the rest of the Earth, the temptations may be pretty equally balanced; if he write for some small conclave, which he mistakenly thinks the representative of England, they may sway this way or that, as it chances. But writing in such isolated spirit is no longer possible.
Publisher: Library of Alexandria
ISBN: 1465513973
Category : Fiction
Languages : en
Pages : 1103
Book Description
It would appear that for inquirers into Foreign Literature, for all men anxious to see and understand the European world as it lies around them, a great problem is presented in this Goethe; a singular, highly significant phenomenon, and now also means more or less complete for ascertaining its significance. A man of wonderful, nay, unexampled reputation and intellectual influence among forty millions of reflective, serious and cultivated men, invites us to study him; and to determine for ourselves, whether and how far such influence has been salutary, such reputation merited. That this call will one day be answered, that Goethe will be seen and judged of in his real character among us, appears certain enough. His name, long familiar everywhere, has now awakened the attention of critics in all European countries to his works: he is studied wherever true study exists: eagerly studied even in France; nay, some considerable knowledge of his nature and spiritual importance seems already to prevail there. [Footnote: Witness Le Tasse, Drame par Duval, and the Criticisms on it. See also the Essays in the Globe, Nos. 55, 64 (1826).] For ourselves, meanwhile, in giving all due weight to so curious an exhibition of opinion, it is doubtless our part, at the same time, to beware that we do not give it too much. This universal sentiment of admiration is wonderful, is interesting enough; but it must not lead us astray. We English stand as yet without the sphere of it; neither will we plunge blindly in, but enter considerately, or, if we see good, keep aloof from it altogether. Fame, we may understand, is no sure test of merit, but only a probability of such; it is an accident, not a property, of a man; like light, it can give little or nothing, but at most may show what is given; often it is but a false glare, dazzling the eyes of the vulgar, lending by casual extrinsic splendour the brightness and manifold glance of the diamond to pebbles of no value. A man is in all cases simply the man, of the same intrinsic worth and weakness, whether his worth and weakness lie hidden in the depths of his own consciousness, or be betrumpeted and beshouted from end to end of the habitable globe. These are plain truths, which no one should lose sight of; though, whether in love or in anger, for praise or for condemnation, most of us are too apt to forget them. But least of all can it become the critic to 'follow a multitude to do evil' even when that evil is excess of admiration; on the contrary, it will behoove him to lift up his voice, how feeble soever, how unheeded soever, against the common delusion; from which, if he can save, or help to save any mortal, his endeavours will have been repaid. With these things in some measure before us, we must remind our readers of another influence at work in this affair, and one acting, as we think, in the contrary direction. That pitiful enough desire for 'originality' which lurks and acts in all minds, will rather, we imagine, lead the critic of Foreign Literature to adopt the negative than the affirmative with regard to Goethe. If a writer indeed feel that he is writing for England alone, invisibly and inaudibly to the rest of the Earth, the temptations may be pretty equally balanced; if he write for some small conclave, which he mistakenly thinks the representative of England, they may sway this way or that, as it chances. But writing in such isolated spirit is no longer possible.
Truth and Poetry: from My Own Life; Or, The Autobiography of Goethe
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 356
Book Description
Truth and Poetry
Author: Johann Wolfgang von Goethe
Publisher: Philadelphia, C. G. Henderson & Company, New-York, D. Appleton & Company
ISBN:
Category :
Languages : en
Pages : 458
Book Description
Publisher: Philadelphia, C. G. Henderson & Company, New-York, D. Appleton & Company
ISBN:
Category :
Languages : en
Pages : 458
Book Description
The autobiography of Goethe
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category : Authors, German
Languages : en
Pages : 340
Book Description
Publisher:
ISBN:
Category : Authors, German
Languages : en
Pages : 340
Book Description
Goethe: Life as a Work of Art
Author: Rüdiger Safranski
Publisher: Liveright Publishing
ISBN: 0871404915
Category : Biography & Autobiography
Languages : en
Pages : 405
Book Description
A New York Times Book Review Editors’ Choice Selection Named one of the Best Books of the Year by the Economist and Kirkus Reviews This “splendid biography” (Wall Street Journal) of Goethe presents his life and work as an essential touchstone for the modern age. A masterful intellectual portrait, Goethe: Life as a Work of Art is celebrated as the seminal twenty-first-century biography of the writer considered to be the Shakespeare of German literature. Johann Wolfgang von Goethe (1749–1832), a remarkably prolific poet, playwright, novelist, and—as Rüdiger Safranksi emphasizes—a statesman and naturalist, first awakened not only a burgeoning German nation but the European continent with his electrifying novel The Sorrows of Young Werther. Safranski has scoured Goethe’s entire oeuvre, relying exclusively on primary sources, including his correspondence with contemporaries, to produce a “fresh and authentic” (Economist) portrait of the avatar of the Romantic era. Skillfully blending “artistic analysis with swift, sharp renderings” of the great political and intellectual figures Goethe encountered, “[Safranski’s] portrait of the prolific genius leaves the reader with lasting awe, even envy” of a monumental legacy (The New Yorker). As Safranski ultimately shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.
Publisher: Liveright Publishing
ISBN: 0871404915
Category : Biography & Autobiography
Languages : en
Pages : 405
Book Description
A New York Times Book Review Editors’ Choice Selection Named one of the Best Books of the Year by the Economist and Kirkus Reviews This “splendid biography” (Wall Street Journal) of Goethe presents his life and work as an essential touchstone for the modern age. A masterful intellectual portrait, Goethe: Life as a Work of Art is celebrated as the seminal twenty-first-century biography of the writer considered to be the Shakespeare of German literature. Johann Wolfgang von Goethe (1749–1832), a remarkably prolific poet, playwright, novelist, and—as Rüdiger Safranksi emphasizes—a statesman and naturalist, first awakened not only a burgeoning German nation but the European continent with his electrifying novel The Sorrows of Young Werther. Safranski has scoured Goethe’s entire oeuvre, relying exclusively on primary sources, including his correspondence with contemporaries, to produce a “fresh and authentic” (Economist) portrait of the avatar of the Romantic era. Skillfully blending “artistic analysis with swift, sharp renderings” of the great political and intellectual figures Goethe encountered, “[Safranski’s] portrait of the prolific genius leaves the reader with lasting awe, even envy” of a monumental legacy (The New Yorker). As Safranski ultimately shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.
The auto-biography of Goethe; Truth and poetry: From my own life, tr. by J. Oxenford (A.J.W. Morrison) also Letters from Switzerland, and Travels in Italy
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : en
Pages : 556
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 556
Book Description
The Auto-biography of Goethe Truth and Poetry: from My Own Life
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category : Authors, German
Languages : en
Pages : 542
Book Description
Publisher:
ISBN:
Category : Authors, German
Languages : en
Pages : 542
Book Description
The Autobiography of Goethe
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category : Authors, German
Languages : en
Pages : 540
Book Description
Publisher:
ISBN:
Category : Authors, German
Languages : en
Pages : 540
Book Description
Goethe's Works: Autobiography. [v. 5] Wilhelm Meister's apprenticeship. [v. 6] Conversations with Eckermann & Soret. [v. 9] Wilhelm Meister's travels. [v. 10] Tour in Italy. [v. 11] Miscellaneous travels. [v. 12] Early & miscellaneous letters. [v. 13-14] Correspondence between Schiller and Goethe. [v. 15] Goethe's letters to Zelter
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
Book Description
A Room of One's Own
Author: Virginia Woolf
Publisher: Modernista
ISBN: 9180949509
Category : Literary Collections
Languages : en
Pages : 111
Book Description
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
Publisher: Modernista
ISBN: 9180949509
Category : Literary Collections
Languages : en
Pages : 111
Book Description
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.