The Autobiography of An Ex-Colored Man PDF Download

Author: James Weldon Johnson
Publisher: Prabhat Prakashan
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 135

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Book Description
First published in the year 1912, 'The Autobiography of an Ex-Colored Man' by James Weldon Johnson is the fictional account of a young biracial man, referred to as the "Ex-Colored Man", living in post-Reconstruction era America in the late nineteenth and early twentieth centuries.

Author: Noelle Morrissette
Publisher: University of Georgia Press
ISBN: 0820350966
Category : Social Science
Languages : en
Pages : 261

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Book Description
James Weldon Johnson (1871–1938) exemplified the ideal of the American public intellectual as a writer, educator, songwriter, diplomat, key figure of the Harlem Renaissance, and first African American executive of the NAACP. Originally published anonymously in 1912, Johnson’s novel The Autobiography of an Ex-Colored Man is considered one of the foundational works of twentieth-century African American literature, and its themes and forms have been taken up by other writers, from Ralph Ellison to Teju Cole. Johnson’s novel provocatively engages with political and cultural strains still prevalent in American discourse today, and it remains in print over a century after its initial publication. New Perspectives contains fresh essays that analyze the book’s reverberations, the contexts within which it was created and received, the aesthetic and intellectual developments of its author, and its continuing influence on American literature and global culture. Contributors: Bruce Barnhart, Lori Brooks, Ben Glaser, Jeff Karem, Daphne Lamothe, Noelle Morrissette, Michael Nowlin, Lawrence J. Oliver, Diana Paulin, Amritjit Singh, Robert B. Stepto

Author: James Weldon Johnson
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 161

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Book Description
The protagonist of this fictional autobiography wrestles with race in America from the perspective of someone who learns that he is considered black but also that he can pass as white if he wants to. His personal ambitiousness and racial ambivalence makes him a sort of American Hamlet: undone by indecision. Will he be “a credit to his race” by advancing an African-American heritage he loves and appreciates in the face of a hostile culture, or will he retreat into the mediocrity of a safe, white, middle-class family life? Along the way, he shares his penetrating observations about race relations in the American north and south, about the “freemasonry” of subterranean black American culture, about the emerging bohemian jazz subculture in New York City, and about traditions of African American religious music and oratory. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Author: James Weldon Johnson
Publisher: ReadHowYouWant.com
ISBN: 1442929057
Category : African American men
Languages : en
Pages : 198

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Book Description

Author: James Weldon Johnson
Publisher: ReadHowYouWant.com
ISBN: 144292909X
Category : African Americans
Languages : en
Pages : 210

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Books for All Kinds of Readers. ReadHowYouWant offers the widest selection of on-demand, accessible format editions on the market today. Our 7 different sizes of EasyRead are optimized by increasing the font size and spacing between the words and the letters. We partner with leading publishers around the globe. Our goal is to have accessible editions simultaneously released with publishers' new books so that all readers can have access to the books they want to read.

Author: James Weldon Johnson
Publisher: Createspace Independent Publishing Platform
ISBN: 9781727789546
Category :
Languages : en
Pages : 114

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Book Description
The Autobiography of an Ex-Colored Man: Large Print By James Weldon Johnson This vivid and startlingly new picture of conditions brought about by the race question in the United States makes no special plea for the Negro, but shows in a dispassionate, though sympathetic, manner conditions as they actually exist between the whites and blacks to-day.

Author:
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 100

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Book Description
The Autobiography of an Ex-Colored Man by James W Johnson pdf free download. This vivid and startlingly new picture of conditions brought about by the race question in the United States makes no special plea for the Negro, but shows in a dispassionate, though sympathetic, manner conditions as they actually exist between the whites and blacks to-day. Special pleas have already been made for and against the Negro in hundreds of books, but in these books either his virtues or his vices have been exaggerated.

Author: Siobhan B. Somerville
Publisher: Duke University Press
ISBN: 9780822324430
Category : Culture in motion pictures
Languages : en
Pages : 276

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Book Description
The interconnected constructions of race and sexuality at the turn of the century.

Author: James Weldon Johnson
Publisher: W. W. Norton & Company
ISBN: 0393614638
Category : Literary Criticism
Languages : en
Pages : 363

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Book Description
The Norton Critical Edition of this influential Harlem Renaissance novel includes related materials available in no other edition. Known only as the “Ex-Colored Man,” the protagonist in Johnson’s novel is forced to choose between celebrating his African American heritage or “passing” as an average white man in a post-Reconstruction America that is rapidly changing. This Norton Critical Edition is based on the 1912 text. It is accompanied by a detailed introduction, explanatory footnotes, and a note on the text. The appendices that follow the novel include materials available in no other edition: manuscript drafts of the final chapters, including the original lynching scene (chapter 10, ca. 1910) and the original ending (chapter 11, ca. 1908). An unusually rich selection of “Backgrounds and Sources” focuses on Johnson’s life; the autobiographical inspirations for The Autobiography of an Ex-Colored Man; the cultural history of the era in which Johnson lived and wrote; the noteworthy reception history for the 1912, 1927, and 1948 editions; and related writings by Johnson. In addition to Johnson, contributors include Eugene Levy, W. E. B. Du Bois, Carl Van Vechten, Blanche W. Knopf, and Victor Weybright among others. The four critical essays and interpretations in this volume speak to The Autobiography of an Ex-Colored Man’s major themes, among them irony, authorship, passing, and parody. Assessments are provided by Robert B. Stepto, M. Giulia Fabi, Siobhan B. Somerville, and Christina L. Ruotolo. A chronology of Johnson’s life and work and a selected bibliography are also included, as well as six images.

Author: James Weldon Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 293

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Book Description
Annotations. James Weldon Johnson Biography About The Autobiography of an Ex-Colored Man The Autobiography of an Ex-Colored Man Summary Character List Glossary Themes Quotes and Analysis Summary And Analysis Chapters I-II Chapters III-IV Chapters V-VI Chapters VII-IX Chapters X-XI Ragtime Related Links Essay Questions James Weldon Johnson's The Autobiography of an Ex-Colored Man is one of the most significant works of fiction by an African American author and one of the preeminent works of the Harlem Renaissance (although it was published first in 1912 and reissued in 1927). As it was published anonymously, many readers assumed it was a true story. Autobiography has been a mainstay in courses on African American literature because of its layered description of racial tensions and the conflicting nature of identity in the early 20th century. Johnson was an avid reader and a student at Columbia University when he started working on the novel. He showed it to his professor, Bernard Matthews, in 1906, and the older man encouraged him to keep working on it. Johnson finished Autobiography in 1912 when he was working as a diplomat in Corinto, Nicaragua. The Boston firm of Sherman, French, and Company published Autobiography in 1912, but Johnson requested that his name remain anonymous. There were few novels published by African- American writers during this time. Soon after iAutobiography] came out, Charles W. Chestnutt's The House Behind the Cedars (1900), Paul Laurence Dunbar's The Sport of the Gods (1902), and W.E.B. DuBois's collection of essays The Souls of Black Folk (1903) were published. In his own autobiography, Along This Way (1933), Johnson wrote about debating whether or not to publish Autobiography anonymously in addition to using the word "Autobiography" in the title. He wrote, "When I chose the title, it was without the slightest doubt that its meaning would be perfectly clear to anyone; there were people, however, to whom it proved confusing." He also commented that he was pleased that readers thought Autobiography was a true story, for he "had done the book with the intention of its being so taken." Some critics also speculated that he chose the title and format for economic reasons, as the aforementioned novels by African Americans were not particularly financially successful in comparison to more traditional non-fictional slave narratives. Regardless, Johnson's novel received favorable reviews but it did not sell well when it was released. In 1927, Alfred Knopf reissued The Autobiography of an Ex-Colored Man but changed the spelling of "colored" to "coloured" and identified Johnson as the author. Unlike the first printing, the sales were very strong this time around. The novel's popularity was no doubt due to Johnson's respected standing as a man of letters and as the leader of the NAACP during the Harlem Renaissance. An introduction by Carl Van Vechten, another Renaissance luminary, addressed the intersection of the real author and the fictional narrator: "The Autobiography, of course, in the matter of specific incident, has little enough to do with Mr. Johnson's own life, but it is imbued with his personality and feelings, his views of the subjects discussed, so that to a person who has no previous knowledge of the author's own history, it reads like a real autobiography." Contemporary criticism of the novel focuses on whether or not the narrator is self-loathing and racist, the complicated nature of racial identity and "passing"at the turn of the century, and the relationship between the author and the narrator.