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Author: Jon Jory Publisher: Stage Partners ISBN: Category : Performing Arts Languages : en Pages : 70
Book Description
Conquer the audition! This truly unique collection of 52 original monologues with accompanying direction is the perfect tool for the aspiring student actor or drama classroom. Master director Jon Jory has crafted these gender-neutral pieces exploring heartache, hilarity, and everything in between. Student actors and theater teachers rejoice! Bonus material includes 10 Shakespeare monologue selections with advice and tips for tackling the Bard. Drama & Comedy Monologues. 1-2 minutes 52 original, gender-neutral pieces, 10 Shakespeare selections
Author: Jon Jory Publisher: Stage Partners ISBN: Category : Performing Arts Languages : en Pages : 70
Book Description
Conquer the audition! This truly unique collection of 52 original monologues with accompanying direction is the perfect tool for the aspiring student actor or drama classroom. Master director Jon Jory has crafted these gender-neutral pieces exploring heartache, hilarity, and everything in between. Student actors and theater teachers rejoice! Bonus material includes 10 Shakespeare monologue selections with advice and tips for tackling the Bard. Drama & Comedy Monologues. 1-2 minutes 52 original, gender-neutral pieces, 10 Shakespeare selections
Author: Titilola Dawudu Publisher: Bloomsbury Publishing ISBN: 1350297399 Category : Drama Languages : en Pages : 312
Book Description
Hear Me Now, Volume Two is a unique collection of over 80 original audition monologues, expressly created by a range of writers including Vera Chok, Josh-Susan Enright and Bea Webster, brought together by producer Titilola Dawudu and Tamasha Theatre Company. They are ideal for actors of colour searching for speeches for auditions or training, writers, teachers, and theatre-makers who are passionate about improving diversity. The volume is introduced by BAFTA-nominated actor Ashley Madekwe, and will also feature a section on Top Tips for auditioning from Tamasha Theatre and a host of actors, including Ted Lasso's Kevin 'KG' Garry and Cherrelle Skeete of Harry Potter and the Cursed Child. Following on from the successful first volume, and featuring a variety of themes, scenes and characters, Hear Me Now, Volume Two is an essential tool for actors of colour to showcase their range, and seeks to inspire, empower, and create a legacy for generations to come.
Author: Stephen Peithman Publisher: Heinemann Drama ISBN: Category : Acting Languages : en Pages : 148
Book Description
This first volume in the new series is different from other audition books in that it addresses the needs of both actors who are auditioning and directors who are conducting the auditions. The STAGE DIRECTIONS Guide to Auditions covers such topics as steps to a successful audition, preparing for auditions, audition procedures, auditions and attitude, audition warning signs, tips for holding auditions, clues for callbacks, making monologues memorable, tips for sight readings, publicizing auditions, and much more!
Author: Don Zolidis Publisher: ISBN: Category : Languages : en Pages : 41
Book Description
A new theater teacher is bringing a production of A Chorus Line to the high school. Though the hopefuls range from shy to outrageous, and from diva-like to determined, everyone has a chance to step into the spotlight. A hilarious and heartbreaking look at the madness of auditioning and the actors who brave the process for that perfect part.
Author: Dave Kilgore Publisher: ISBN: 9781081370770 Category : Languages : en Pages : 148
Book Description
In this book are 100 one-minute, original, contemporary monologues for adult men and women, with a mixture of dramatic, comedic, romantic, and reflective pieces, in no certain order.There are no setups for any of these monologues-no genders, no age ranges, no locations, and no backstories. This leaves them wide open for the actor to develop and move each character and scene in most any direction the actor chooses.Most of these monologues are subtle, not requiring grandiose physical performances, because delivering natural, believable, conversational dialogue in front of a stationary camera is usually all that's required to showcase an actor's true ability. Often, less is more.Q: Why perform original, unfamiliar monologues?Excerpt: Though something from A Few Good Men sounds like a great challenge, you don't want those people behind the camera at your audition comparing you to Jack Nicholson, or for that matter, to anyone else they've heard the same monologue from a hundred times. You don't want them harkening back to another actor's performance, you want them focused on you. Also, choosing monologues you've already seen and heard performed by other actors can easily lead you to mimic them rather than develop your own character and delivery for the piece. Remember, this is all about you and what you can bring to the scene.Q: Will I need to explain the scene to my audience?Excerpt: The monologues in this book are all original pieces, written as standalones, not requiring the observer to have any backstory explained to them in order to understand what the character is trying to convey in the scene.Q: Why are these monologues only one minute?Excerpt: One-minute monologues allow the actor to get in, show what they can do, and get out, making them perfect for auditions and classroom study. Always leave them wanting more.Q: Why do I need so many monologues?Excerpt: You're not always going to be auditioning, but it never hurts to keep your chops up. The best recipe for success is to continue honing your craft. Practice, practice, practice.Dave Kilgore is a longtime actor, pianist, composer, playwright, and author. He has written multiple books of monologues, scenes, flash fiction, and a novel.Published by Scribernaut Press, LLC.
Author: Dave Kilgore Publisher: ISBN: 9781081371524 Category : Languages : en Pages : 148
Book Description
In this book are 100 one-minute, original, contemporary monologues for adult men and women, with a mixture of dramatic, comedic, romantic, and reflective pieces, in no certain order.There are no setups for any of these monologues-no genders, no age ranges, no locations, and no backstories. This leaves them wide open for the actor to develop and move each character and scene in most any direction the actor chooses.Most of these monologues are subtle, not requiring grandiose physical performances, because delivering natural, believable, conversational dialogue in front of a stationary camera is usually all that's required to showcase an actor's true ability. Often, less is more.Q: Why perform original, unfamiliar monologues?Excerpt: Though something from A Few Good Men sounds like a great challenge, you don't want those people behind the camera at your audition comparing you to Jack Nicholson, or for that matter, to anyone else they've heard the same monologue from a hundred times. You don't want them harkening back to another actor's performance, you want them focused on you. Also, choosing monologues you've already seen and heard performed by other actors can easily lead you to mimic them rather than develop your own character and delivery for the piece. Remember, this is all about you and what you can bring to the scene.Q: Will I need to explain the scene to my audience?Excerpt: The monologues in this book are all original pieces, written as standalones, not requiring the observer to have any backstory explained to them in order to understand what the character is trying to convey in the scene.Q: Why are these monologues only one minute?Excerpt: One-minute monologues allow the actor to get in, show what they can do, and get out, making them perfect for auditions and classroom study. Always leave them wanting more.Q: Why do I need so many monologues?Excerpt: You're not always going to be auditioning, but it never hurts to keep your chops up. The best recipe for success is to continue honing your craft. Practice, practice, practice.Dave Kilgore is a longtime actor, pianist, composer, playwright, and author. He has written multiple books of monologues, scenes, flash fiction, and a novel.Published by Scribernaut Press, LLC.
Author: Karen Kohlhaas Publisher: Hal Leonard Corporation ISBN: 9780879102913 Category : Performing Arts Languages : en Pages : 164
Book Description
"All the elements of preparing a monologue audition - script analysis, staging, voice, timing, gesture, movement and self-presentation skills - are thoroughly explored here. The goal of the book, as Ms. Kohlhaas states in her Introduction, is not only to help you prepare for auditions, but to make working on monologues a regular and enjoyable part of your acting life. As you follow the author along the path she charts, you are not only learning to rehearse monologues effectively, you are learning to turn auditions into exciting ways to grow and challenge yourself as an actor."--BOOK JACKET.
Author: Alain D. Pierre-Louis Publisher: CreateSpace ISBN: 9781491072974 Category : Art Languages : en Pages : 32
Book Description
Preface: Offer all and everything; afterwards, give more. These monologues were written for the sole purpose of guaranteeing, an actor's development, wow factor, and success in all auditions. Each monologue beyond these pages is given great care to accomplish this mission. Furthermore, the monologues have vague abstracts; purpose, expand the actor's technique of constructing concrete backstories and stronger personalization. Only stage directions are established to guide you through the 1 to 2 minute monologues. Furthermore, to mimic actual dialogue; fragments and run-on sentences are utilized intentionally. In addition, both sexes are able to showcase their talent, without compromising their sex/gender credibility with each monologue. Dive in and contemplate every word and punctuation. Gather the confidence and trust within yourself, to harness these monologues. The blueprint has been displayed, solely you, can build the skyscraper to stand on. Break a Leg!
Author: Kristen Dabrowski Publisher: Smith & Kraus ISBN: 9781575255729 Category : Acting Languages : en Pages : 0
Book Description
The Ten Commandments of Theater is a ten-chapter, step-by-step handbook to guide theater actors through the acting process from the moment they are first cast in a role until the final curtain comes down. Each chapter is written as a Commandment: a rule of the theater that must be respected in order to achieve success in a particular performance, as well as an overall acting career. These Commandments include points on: "proper warm-up routines" scoring a script, researching and developing a character, formulating a personal acting process, and other guidelines that fall under the umbrella of "Method" acting. Unlike many other acting handbooks, The Ten Commandments of Theater is concise and understandable for even the greenest of actors. It is a must for young and veteran actors alike, providing tried-and-true techniques to help create a more successful acting process. ANNE JOHNSTON-BROWN is a graduate with Highest Honors from Cal State, San Bernardino, with her B.A. in Theatre Arts (Acting Emphasis). Over the past decade, Anne has accumulated a host of performance credits, including: Fanny Brice in Funny Girl, Annie Oakley in Annie Get Your Gun, Maria Rainer in The Sound of Music, Mama Rose in Gypsy, Anna in The King and I, and many more. She most recently appeared on the Kodak Theatre stage as the Narrator in Joseph and the Amazing Technicolor Dreamcoat alongside Eric Martsolf (Passions) and Brad Maul (Days of Our Lives). She was a top-ten finalist at the ACTF Irene Ryan Competition in 1998 and has since won six Inland Empire Theatre League Outstanding Actress Awards. She is currently a proud member of the renowned Moho's, a sketch comedy troupe founded and directed by comedian Fred Willard and his wife, Mary. Anne is a resident of San Bernardino and lives with her husband, Tom, of eighteen years. As its title suggests, Anne Johnston-Brown's revised and updated The Ten Commandments of Theater provides basic rules of the theatre that must be respected for a successful performance, as well in one's acting career. She also provides good insight into the audition process, again breaking it down into 10 sections, dealing with everything from headshots and resumes to dealing with rejection and acceptance. Stage Directions - Off The Shelf, June 2008 In 101 Original One-Minute Monologues for Women Ages 18-25, Author Kristen Dabrowski provides not only the title¿s promised number of short pieces for women (dramatic, comic and seriocomic), but a variety of situations and personality types that particularly suit the 18-25 age group. She also includes some good advice on how to choose the right monologue. Stage Directions - Off The Shelf, May 2008 An equal number of monologs is provided for men and women, and helpful indexes guide the reader to appropriate ages and voices of the speaker. Library Journal, March 2008
Author: Jon Jory
Author: Jon Jory
Author: Titilola Dawudu
Author: Linda Habjan
Author: Stephen Peithman
Author: Don Zolidis
Author: Dave Kilgore
Author: Dave Kilgore
Author: Karen Kohlhaas
Author: Alain D. Pierre-Louis
Author: Kristen Dabrowski