Author: Various
Publisher: Litres
ISBN: 5041628882
Category : Education
Languages : en
Pages : 344
Book Description
The Atlantic Monthly, Volume 13, No. 75, January, 1864
Author: Various
Publisher: Litres
ISBN: 5041628882
Category : Education
Languages : en
Pages : 344
Book Description
Publisher: Litres
ISBN: 5041628882
Category : Education
Languages : en
Pages : 344
Book Description
The Age of Charisma
Author: Jeremy C. Young
Publisher: Cambridge University Press
ISBN: 1107114624
Category : Business & Economics
Languages : en
Pages : 357
Book Description
This book demonstrates how the modern relationship between leaders and followers in America grew out of late-nineteenth and early-twentieth century charismatic social movements.
Publisher: Cambridge University Press
ISBN: 1107114624
Category : Business & Economics
Languages : en
Pages : 357
Book Description
This book demonstrates how the modern relationship between leaders and followers in America grew out of late-nineteenth and early-twentieth century charismatic social movements.
Bayard Taylor
Author: Liam Corley
Publisher: Bucknell University Press
ISBN: 161148572X
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Bayard Taylor (1825–1878) was a nineteenth-century American who combined in his writings and career a catalog of accomplishments and creations that made him one of the most celebrated literary men of his time. The range and significance of Taylor’s oeuvre explains his growing importance today to scholars working in the fields of American studies, gender and queer theory, and the aesthetics of racial and class identities. In less than 35 years, he wrote seventeen volumes of poetry, four novels, eight critical works and translations of German classics, nineteen travel narratives, innumerable magazine essays, stories, and reviews, and thousands of letters to friends, admirers, hostile reviewers, business acquaintances, and intimate male companions. His extraordinary success on the public lecture circuit made him one of the best-known men of his day. Taylor's diplomatic career enhanced his reputation and influence as a travel writer and included service as a writer for the Perry Expedition to Japan, as a charge d’affaires to Russia during the Civil War, and ambassador to Germany in 1878. This analysis of Taylor’s life and works helps to explain three important shifts in American culture: the contradictory development of American ethnocentrism and cosmopolitanism in the nineteenth century; the impact of homophobia and homophilia upon American literary production, criticism, and culture; and the inspirational role played by poetry within a religious and economically-driven society. The introduction describes Taylor's changing fortunes within literary history and presents a methodological approach to the Genteel tradition that recovers its distinctive aesthetic and social values and explains how Taylor is its most winning and significant representative. Taylor was a key figure in the genealogy of American interactions with the Islamic world, and his travel writing demonstrates how individual advancement in an egalitarian society can be linked with aggressive imperialism abroad. Taylor’s novels display a subtle pattern of transgressive sexuality and demonstrate how Taylor's manipulation of reputation and genteel aesthetics created a space for individual expression and freedom. Taylor’s 1870 novel, Joseph and His Friend, is frequently cited as America's first gay novel. This book's analysis of Taylor’s poetry draws the strands of egalitarian racialization and male-male intimacy together with his abiding concern with regional American identities and the mixed influences of religious subcultures.
Publisher: Bucknell University Press
ISBN: 161148572X
Category : Literary Criticism
Languages : en
Pages : 229
Book Description
Bayard Taylor (1825–1878) was a nineteenth-century American who combined in his writings and career a catalog of accomplishments and creations that made him one of the most celebrated literary men of his time. The range and significance of Taylor’s oeuvre explains his growing importance today to scholars working in the fields of American studies, gender and queer theory, and the aesthetics of racial and class identities. In less than 35 years, he wrote seventeen volumes of poetry, four novels, eight critical works and translations of German classics, nineteen travel narratives, innumerable magazine essays, stories, and reviews, and thousands of letters to friends, admirers, hostile reviewers, business acquaintances, and intimate male companions. His extraordinary success on the public lecture circuit made him one of the best-known men of his day. Taylor's diplomatic career enhanced his reputation and influence as a travel writer and included service as a writer for the Perry Expedition to Japan, as a charge d’affaires to Russia during the Civil War, and ambassador to Germany in 1878. This analysis of Taylor’s life and works helps to explain three important shifts in American culture: the contradictory development of American ethnocentrism and cosmopolitanism in the nineteenth century; the impact of homophobia and homophilia upon American literary production, criticism, and culture; and the inspirational role played by poetry within a religious and economically-driven society. The introduction describes Taylor's changing fortunes within literary history and presents a methodological approach to the Genteel tradition that recovers its distinctive aesthetic and social values and explains how Taylor is its most winning and significant representative. Taylor was a key figure in the genealogy of American interactions with the Islamic world, and his travel writing demonstrates how individual advancement in an egalitarian society can be linked with aggressive imperialism abroad. Taylor’s novels display a subtle pattern of transgressive sexuality and demonstrate how Taylor's manipulation of reputation and genteel aesthetics created a space for individual expression and freedom. Taylor’s 1870 novel, Joseph and His Friend, is frequently cited as America's first gay novel. This book's analysis of Taylor’s poetry draws the strands of egalitarian racialization and male-male intimacy together with his abiding concern with regional American identities and the mixed influences of religious subcultures.
The Shaw Memorial
Author: Augustus Saint-Gaudens
Publisher: Eastern Acorn Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 106
Book Description
Celebrates the monument in the Boston Gardens that is dedicated to the African American soldiers who served in the Civil War.
Publisher: Eastern Acorn Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 106
Book Description
Celebrates the monument in the Boston Gardens that is dedicated to the African American soldiers who served in the Civil War.
Uncommon Valor
Author: Melvin Claxton
Publisher: Wiley
ISBN:
Category : History
Languages : en
Pages : 248
Book Description
The gripping saga of the band of black soldiers who helped turn the tide of war After much agonizing, Christian Fleetwood, a free 23-year-old black man living in Baltimore during the Civil War, made a momentous and difficult decision: he enlisted. Uncommon Valor tells the dramatic story of Fleetwood and the other black farmers, laborers, and tradesmen who bravely risked their lives to end slavery and win respect for their race at a time when much of America shunned them. When the country that oppressed and despised them called them to serve, they became heroes of the highest order. Many of the events in this powerful tale of war, heroism, and liberation are seen through the eyes of those who lived through them, thanks to the detailed letters and diaries they left behind. Melvin Claxton (Detroit, MI), a Pulitzer Prize-winning investigative journalist, and Mark Puls (Detroit, MI) are both investigative reporters with the Detroit News. -- Publishers description.
Publisher: Wiley
ISBN:
Category : History
Languages : en
Pages : 248
Book Description
The gripping saga of the band of black soldiers who helped turn the tide of war After much agonizing, Christian Fleetwood, a free 23-year-old black man living in Baltimore during the Civil War, made a momentous and difficult decision: he enlisted. Uncommon Valor tells the dramatic story of Fleetwood and the other black farmers, laborers, and tradesmen who bravely risked their lives to end slavery and win respect for their race at a time when much of America shunned them. When the country that oppressed and despised them called them to serve, they became heroes of the highest order. Many of the events in this powerful tale of war, heroism, and liberation are seen through the eyes of those who lived through them, thanks to the detailed letters and diaries they left behind. Melvin Claxton (Detroit, MI), a Pulitzer Prize-winning investigative journalist, and Mark Puls (Detroit, MI) are both investigative reporters with the Detroit News. -- Publishers description.
Round Table
The Bookseller and the Stationery Trades' Journal
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1636
Book Description
Official organ of the book trade of the United Kingdom.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1636
Book Description
Official organ of the book trade of the United Kingdom.
Publisher and Bookseller
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1328
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1328
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
The Bookseller
Who Killed American Poetry?
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.