The Arts in Ptolemaic Egypt PDF Download

Author: Gianluca Miniaci
Publisher:
ISBN: 9789088905230
Category : Artisans
Languages : en
Pages : 0

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Book Description
This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.

Author: William Stevenson Smith
Publisher: Yale University Press
ISBN: 9780300077476
Category : Art
Languages : en
Pages : 326

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Book Description
A survey of Egyptian art and architecture is enhanced by revised text, an updated bibliography, and over four hundred illustrations.

Author: Ibrahim Noshy
Publisher:
ISBN:
Category : Architecture, Egyptian
Languages : en
Pages : 194

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Author: William Matthew Flinders Petrie
Publisher:
ISBN:
Category : Art industries and trade, Egyptian
Languages : en
Pages : 268

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Author: Ibrahim Noshy
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Paul Edmund Stanwick
Publisher: University of Texas Press
ISBN: 0292787472
Category : Art
Languages : en
Pages : 276

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Book Description
As archaeologists recover the lost treasures of Alexandria, the modern world is marveling at the latter-day glory of ancient Egypt and the Greeks who ruled it from the ascension of Ptolemy I in 306 B.C. to the death of Cleopatra the Great in 30 B.C. The abundance and magnificence of royal sculptures from this period testify to the power of the Ptolemaic dynasty and its influence on Egyptian artistic traditions that even then were more than two thousand years old. In this book, Paul Edmund Stanwick undertakes the first complete study of Egyptian-style portraits of the Ptolemies. Examining one hundred and fifty sculptures from the vantage points of literary evidence, archaeology, history, religion, and stylistic development, he fully explores how they meld Egyptian and Greek cultural traditions and evoke surrounding social developments and political events. To do this, he develops a "visual vocabulary" for reading royal portraiture and discusses how the portraits helped legitimate the Ptolemies and advance their ideology. Stanwick also sheds new light on the chronology of the sculptures, giving dates to many previously undated ones and showing that others belong outside the Ptolemaic period.

Author: Bill Manley
Publisher: Thames & Hudson
ISBN: 0500774099
Category : Art
Languages : en
Pages : 420

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Book Description
An insightful volume delving into the enduringly compelling art of ancient Egypt, from a new historical perspective The art and architecture of Egypt during the age of the pharaohs continue to capture the imagination of the modern world. Among the great creative achievements of ancient Egypt are a set of constant forms: archetypes in art and architecture in which the origins of concepts such as authority, divinity, beauty, and meaning are readily discernible. Whether adapted to fine, delicate jewelry or colossal statues, these forms maintain a human face—with human ideas and emotions. These artistic templates, and the ideas they articulated, were refined and reinvented through dozens of centuries, until scenes first created for the earliest kings, around 3000 BCE, were eventually used to represent Roman emperors and the last officials of pre-Christian Egypt. Bill Manley’s account of the art of ancient Egypt draws on the finest works through more than 3,000 years and places celebrated masterpieces, from the Narmer palette to Tutankhamun’s gold mask, in their original contexts in the tombs, temples, and palaces of the pharaohs and their citizens.

Author: James P. Allen
Publisher: Metropolitan Museum of Art
ISBN: 1588391701
Category : Art, Egyptian
Languages : en
Pages : 117

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Book Description
Diseases and injuries were major concerns for ancient Egyptians. This book, featuring some sixty-four objects from the Metropolitan Museum, discusses how both practical and magical medicine informed Egyptian art and for the first time reproduces and translates treatments described in the spectacular Edwin Smith Papyrus.

Author: Gay Robins
Publisher: Harvard University Press
ISBN: 9780674030657
Category : Art
Languages : en
Pages : 278

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Book Description
An illustrated history of over 3,000 years of Egyptian artwork arranged chronologically from the early dynastic period to the Ptolemaic period.

Author: Gay Robins
Publisher: University of Texas Press
ISBN: 029278774X
Category : Social Science
Languages : en
Pages : 526

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Book Description
This study of ancient Egyptian art reveals the evolution of aesthetic approaches to proportion and style through the ages. The painted and relief-cut walls of ancient Egyptian tombs and temples record an amazing continuity of customs and beliefs over nearly 3,000 years. Even the artistic style of the scenes seems unchanging, but this appearance is deceptive. In this work, Gay Robins offers convincing evidence, based on a study of Egyptian usage of grid systems and proportions, that innovation and stylistic variation played a significant role in ancient Egyptian art. Robins thoroughly explores the squared grid systems used by the ancient artists to proportion standing, sitting, and kneeling human figures. This investigation yields the first chronological account of proportional variations in male and female figures from the Early Dynastic to the Ptolemaic periods. Robins discusses the proportional changes underlying the revolutionary style instituted during the Amarna Period. She also considers how the grid system influenced the overall composition of scenes. Numerous line drawings with superimposed grids illustrate the text.