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Author: Andrew Sinclair Publisher: Random House (UK) ISBN: 9781856193429 Category : Arts Languages : en Pages : 501
Book Description
This text looks at the history of the Arts Council of Great Britain. It follows its fortunes from its creation by John Maynard Keynes and its first triumph at the Festival of Britain in 1951, to its recent struggles with the government over its budget of 200 million pounds.
Author: Andrew Sinclair Publisher: Random House (UK) ISBN: 9781856193429 Category : Arts Languages : en Pages : 501
Book Description
This text looks at the history of the Arts Council of Great Britain. It follows its fortunes from its creation by John Maynard Keynes and its first triumph at the Festival of Britain in 1951, to its recent struggles with the government over its budget of 200 million pounds.
Author: David Curtis Publisher: John Libbey Publishing ISBN: 0861969804 Category : Art Languages : en Pages : 177
Book Description
This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967–69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko / John Latham / Takis / Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show / Freehold / Jane Arden's Vagina Rex and the Gas Oven / Will Spoor Mime Theatre). The Robert Street 'New Arts Lab' (1969–71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher / Malcolm Le Grice / Sally Potter / Carolee Schneemann / Peter Gidal). It staged J G Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response – in the context of a popular press already hostile to youth culture, experimental art and the 'underground'. With a Foreword by Andrew Wilson, Curator Modern & Contemporary British Art and Archives, Tate Gallery.
Author: Ruth-Balandina M. Quinn Publisher: Routledge ISBN: 0429823304 Category : Social Science Languages : en Pages : 302
Book Description
First published in 1998, this volume considers the subject of arts policy as a subject of public policy making proper in UK and Ireland, with a particular focus on theatre as a profession rather than a mere hobby. Previous studies have placed the burden of policy improvements on the arts themselves, looking at what ‘the arts’ can do to be worthy of government funding and favourable policy, and have seen government actions as if they have a uniform effect. This study takes ‘the arts’ out of the abstract and discusses specific ways that diverse activities with even more diverse needs can be best approached with government policy, assessing the strengths and weaknesses of government initiatives. It is aimed at both political scientists and anyone with an interest in arts and cultural policy.
Author: Publisher: ISBN: 9781853323676 Category : Art Languages : en Pages : 112
Book Description
The first contemporary survey of postwar British women sculptors from modernism to the YBA's This publication focuses on postwar British women sculptors, including Tracey Emin, Mona Hatoum, Barbara Hepworth, Kim Lim, Sarah Lucas, Cornelia Parker and Rachel Whiteread.
Author: Brandon Taylor Publisher: Manchester University Press ISBN: 9780719054532 Category : Art Languages : en Pages : 346
Book Description
Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre.
Author: Andrew Sinclair
Author: Andrew Sinclair
Author: Arts Council of England
Author: David Curtis
Author: Ruth-Balandina M. Quinn
Author: Nicholas Pearson
Author: 
Author: Grayson Perry
Author: Brandon Taylor
Author: Arts Council of Great Britain
Author: Arts Council of Great Britain