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Author: Fedor Lopukhov Publisher: Univ of Wisconsin Press ISBN: 9780299182748 Category : Music Languages : en Pages : 248
Book Description
Although little-known in the West, Fedor Lopukhov was a leading figure in Russia's dance world for more than sixty years and an influence on many who became major figures in Western dance, such as George Balanchine. As a choreographer, he staged the first post-revolutionary productions of traditional ballets like Swan Lake and The Sleeping Beauty as well as avant-garde and experimental works, including Dance Symphony, Bolt, and a highly controversial version of The Nutcracker. This first publication in English of Lopukhov's theoretical writings will give readers a clear understanding of his seminal importance in dance history and illuminate his role in the development of dance as a nonnarrative, musically based form. These writings present the rationale behind Lopukhov's attempt to develop a "symphonic" ballet that would integrate the formal and expressive elements of dance and music. They also show his finely detailed knowledge of the classical heritage and his creative efforts to transmit major works to future generations. This edition explains not only the making of his own controversial Dance Symphony but also the issues he saw at stake in productions of Giselle, The Sleeping Beauty, and other key works by Petipa and Fokine. Lopukhov's writings argue the details of choreographic devices with an unusual degree of precision, and his comments on composers and the musical repertoire used by his predecessors and contemporaries are equally revealing. Stephanie Jordan's introduction deftly situates these writings within the context of Lopukhov's life and career and in relation to the theories, aesthetics, and practices of dance in the twentieth century.
Author: Fedor Lopukhov Publisher: Univ of Wisconsin Press ISBN: 9780299182748 Category : Music Languages : en Pages : 248
Book Description
Although little-known in the West, Fedor Lopukhov was a leading figure in Russia's dance world for more than sixty years and an influence on many who became major figures in Western dance, such as George Balanchine. As a choreographer, he staged the first post-revolutionary productions of traditional ballets like Swan Lake and The Sleeping Beauty as well as avant-garde and experimental works, including Dance Symphony, Bolt, and a highly controversial version of The Nutcracker. This first publication in English of Lopukhov's theoretical writings will give readers a clear understanding of his seminal importance in dance history and illuminate his role in the development of dance as a nonnarrative, musically based form. These writings present the rationale behind Lopukhov's attempt to develop a "symphonic" ballet that would integrate the formal and expressive elements of dance and music. They also show his finely detailed knowledge of the classical heritage and his creative efforts to transmit major works to future generations. This edition explains not only the making of his own controversial Dance Symphony but also the issues he saw at stake in productions of Giselle, The Sleeping Beauty, and other key works by Petipa and Fokine. Lopukhov's writings argue the details of choreographic devices with an unusual degree of precision, and his comments on composers and the musical repertoire used by his predecessors and contemporaries are equally revealing. Stephanie Jordan's introduction deftly situates these writings within the context of Lopukhov's life and career and in relation to the theories, aesthetics, and practices of dance in the twentieth century.
Author: Robert Greskovic Publisher: Hal Leonard Corporation ISBN: 9780879103255 Category : Performing Arts Languages : en Pages : 660
Book Description
Presents a look at the world of dance; an analysis of ballet movement, music, and history; a close-up look at popular ballets; and a host of performance tips.
Author: Sally Banes Publisher: Wesleyan University Press ISBN: 0819571814 Category : Performing Arts Languages : en Pages : 435
Book Description
Drawing of the postmodern perspective and concerns that informed her groundbreaking Terpsichore in Sneakers, Sally Banes’s Writing Dancing documents the background and developments of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream. Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions, and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers’ Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the “drunk dancing” of Fred Astaire. Ebook Edition Note: Ebook edition note: All images have been redacted.
Author: Mary M. Doi Publisher: Bloomsbury Publishing USA ISBN: 031307402X Category : Social Science Languages : en Pages : 168
Book Description
The national dancers of Uzbekistan are almost always female. In a society that has been Muslim for nearly seven hundred years, why and how did unveiled female dancers become a beloved national icon during the Soviet period? Also, why has their popularity continued after the Uzbek republic became independent? The author argues that dancers, as symbolic girls or unmarried females in the Uzbek kinship system, are effective mediators between extended kin groups, and the Uzbek nation-state. The female dancing body became a tabula rasa upon which the state inscribed, and reinscribed, constructions of Uzbek nationalism. Doi describes the politics of gender in households as well as the dominant kinship idioms in Uzbek society. She traces the rise of national dance as a profession for women during the Soviet period, prior to which women wore veils and kept purdah. The final chapter examines emerging notions of Uzbek, as regional and national groups contest the notion through debates about what constitutes authentic Uzbek dance. Doi concludes with a comparative discussion of the power of marginality, which enabled Uzbeks to maintain a domain where Uzbek culture and history could be honored, within the Russocentric hegemony of the Soviet state.
Author: Murray Steib Publisher: Routledge ISBN: 1135942692 Category : Music Languages : en Pages : 2624
Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Author: Fred R. Forbes Publisher: New York : Garland Pub. ISBN: Category : Performing Arts Languages : en Pages : 280
Book Description
Bibliografi over engelsksprogede bøger, artikler og afhandlinger om ballet og dansens æstetik, antropologi, historie, fysiologi, psykologi, sociologi m.m.
Author: Jennifer Homans Publisher: Random House ISBN: 0679603905 Category : Performing Arts Languages : en Pages : 640
Book Description
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”
Author: Mary Clarke Publisher: Universe Publishing(NY) ISBN: Category : Performing Arts Languages : en Pages : 254
Book Description
"Renaissance Italy was its birthplace; Elizabeth of England and the Sun King encouraged and developed it. First Camargo, then Taglioni, Elssler, and Grisi inspired generations of ballerina-worshippers and respect for the new profession of theatrical dancer. Champagne was drunk from toe-slippers as Paris of the Second Empire unveiled spectacles whose popularity is unimpaired to this day, while French choreographers, engaged in St. Petersburg, linked the dance heritage of Europe to Imperial Russia, where the Tsar's court proved a fertile climate for a new magnificence in stage production and technical advance. In the 20th century, the quixotic Diaghilev--who did not dance, choreograph, paint, or compose, but merely managed and inspired--almost singlehandedly brought the Russian masterpieces to the West, and two fellow émigrés, Pavlova and Nijinsky, captured imaginations and helped to spread the Imperial style around the globe. On this base--from France, from Russia, and distantly from Italy--Fokine, Massine, Nijinska, Balanchine, Rambert, Ashton, Tudor, Cranko, Robbins, and many others have diversely created an art form that is one of the most popular--and forward-looking--of our time. Mary Clarke and Clement Crisp recount the story in rich detail, aided by a wonderfully fresh selection of illustrations, covering not only dancers and dance design but attendant concerns of costume, scenery, technique, criticism, and theatrical taste. They pursue this enterprise 'with a smile,' and the reader, too, will be amused at the image of 19th-century ballerinas en travesti, forced to assume male roles because the classical danseur was held in such low repute; the overweight Louis XIV monopolizing leading parts; Renaissance dancing masters struggling to walk, let alone dance, while wearing some 40 pounds of magnificence. There are tales to inspire sympathy, too: Taglioni danced until she fainted; Pavlova continued on bloody toes; Balanchine fled Russia without a ruble or an advance booking. The lively treatment here accorded a splendid art, complemented by an extensive bibliography, will be an invaluable guide to those who are discovering the pleasures of ballet and want to know more of its background, as well as a useful companion for afficionados, all of whom will find something they did not know before."--Dust jacket.
Author: Mary Clarke Publisher: Hamish Hamilton ISBN: Category : Music Languages : en Pages : 328
Book Description
This definitive history of ballet charts the emergence of the dance in the Renaissance courts and follows its complex development to the remarkable explosion of ballet and modern dance in our time in Europe and America. First published 20 years ago, it has been fully updated for this new edition. Photos.
Author: Fedor Lopukhov
Author: Fedor Lopukhov
Author: Robert Greskovic
Author: Sally Banes
Author: Mary M. Doi
Author: Murray Steib
Author: Fred R. Forbes
Author: Jennifer Homans
Author: Shelley C. Berg
Author: Mary Clarke
Author: Mary Clarke