The Art of the Critic: Later romantics PDF Download

Author: Harold Bloom
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 640

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Author: I. Armstrong
Publisher: Springer
ISBN: 1349270210
Category : Literary Criticism
Languages : en
Pages : 419

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The first collection to make a comprehensive study of nineteenth-century women's poetry from late Romantic to late Victorian 'new woman' writers. Eighteen essays consider the gendered codes and genres developed by sophisticated poets. The feminine subject and marketing, a woman's tradition, lesbian desire, war, race, colonial experience, religion and science are themes of the collection, featuring, as well as the familiar Christina Rossetti and Elizabeth Barrett Browning, other poets such as 'L.E.L.', Felicia Hemans, Amy Levy and Augusta Webster.

Author: Michael Bryson
Publisher: Open Book Publishers
ISBN: 1783743514
Category : Literary Criticism
Languages : en
Pages : 380

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This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.

Author: Walter E. Sutton
Publisher: Ardent Media
ISBN:
Category : Criticism
Languages : en
Pages : 658

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Author: René Wellek
Publisher: CUP Archive
ISBN: 9780521282963
Category : Literary Criticism
Languages : en
Pages : 472

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Author: Julia Prewitt Brown
Publisher: University of Virginia Press
ISBN: 9780813918884
Category : Art
Languages : en
Pages : 164

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Brown (English, Boston U.) places Wilde in the continuum of continental philosophy from Kant and Schiller through Kierkegaard and Nietzsche to Benjamin and Adorno, discussing his conception of art, its meaning, and the contradictory relations between art and the sphere of the ethical everyday. Annotation copyrighted by Book News, Inc., Portland, OR

Author: George Alexander Kennedy
Publisher: Cambridge University Press
ISBN: 9780521300100
Category : Literary Criticism
Languages : en
Pages : 532

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The history of the most hotly debated areas of literary theory, including structuralism and deconstruction.

Author: Frank Lentricchia
Publisher: University of Chicago Press
ISBN: 022622905X
Category : Literary Criticism
Languages : en
Pages : 399

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This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our critical thought of Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Lévi-Strauss, Derrida, and Foucault, among other, less central figures. In a second part, Lentricchia turns to four exemplary theorists on the American scene—Murray Krieger, E. D. Hirsch, Jr., Paul de Man, and Harold Bloom—and an analysis of their careers within the lineage established in part one. Lentricchia's critical intention is in evidence in his sustained attack on the more or less hidden formalist premises inherited from the New Critical fathers. Even in the name of historical consciousness, he contends, contemporary theorists have often cut literature off from social and temporal processes. By so doing he believes that they have deprived literature of its relevant values and turned the teaching of both literature and theory into a rarefied activity. All along the way, with the help of such diverse thinkers as Saussure, Barthes, Foucault, Derrida, and Bloom, Lentricchia indicates a strategy by which future critical theorists may resist the mandarin attitudes of their fathers.

Author: Iain McCalman
Publisher: OUP Oxford
ISBN: 0191518212
Category : Literary Criticism
Languages : en
Pages : 794

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For the first time in this innovative reference book the Romantic Age is surveyed across all aspects of British culture, rather than in literary or artistic terms alone. The Companion's two-part structure presents forty-two essays on major topics, by leading international experts, cross-referenced to an extensive alphabetical section covering all the principal figures, events, and movements in the broad culture of the period. Aimed at students and general readers as well as scholars, the essays constitute an accessible, pluralistic, and modern social history of the epoch; the alphabetical entries can either be used alongside them, for deeper information on specific subjects, or as a free-standing reference tool. The volume as a whole embraces both high and low culture, and explores its subject across the whole breadth of England, Scotland, Wales, and Ireland. The book's multi-disciplinary approach treats Romanticism both in aesthetic terms-its meaning for painting, music, design, architecture, and above all literature-and as a historical epoch of 'revolutionary' transformations which ushered in modern democratic and industrialized society. In this period Wedgwood turned taste into a commercial enterprise, Pierce Egan took Britain by storm with his sensational accounts of low-life in the capital, and Mary Shelley created, in Frankenstein, one of the enduring myths of scientific advance. The Companion revitalizes canonical Romantic figures in the context of the historical events, political and linguistic debates, commercial pressures, and plebeian subcultures of their day, as well as bringing back into historical focus individuals and events whose impact has often been muffled or forgotten. With over 100 integrated illustrations, bibliographies accompanying all the major essays, and an index to Part 1, this is the most comprehensive volume of its kind, offering a unique breadth of information to scholars and students of eighteenth- and nineteenth-century British culture, literature, and history. EDITORIAL BOARD: John Brewer (University of California) Marilyn Butler (Exeter College, University of Oxford) James Chandler (University of Chicago) Jerome J. McGann ( University of Virginia, Charlottesville) Mark Philp (Oriel College, Oxford) Robert Webb (University of Maryland)

Author: Morris Eaves
Publisher: Cornell University Press
ISBN: 1501734164
Category : Literary Criticism
Languages : en
Pages : 252

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Book Description
The core of this book is made up of five essays, by distinguished scholars of international reputation, that treat the relation between current literary theory and Romanticism. The book originated in a series of lectures presented at the University of New Mexico in 1983. All but one of the essays are published here for the first time. The contributors are Northrop Frye, W. J. T. Mitchell, J. Hillis Miller, M. H. Abrams, and Stanley Cavell. Frye's essay is a major statement on the backgrounds of Romanticism. W. J. T. Mitchell's contribution takes up, through the composite arts of William Blake, the relation of poetry and painting, writing and printing, criticism and politics. The controversy over deconstruction is the occasion for a matched pair of essays by J. Hillis Miller and M. H. Abrams, advocate and antagonist respectively. In his essay, Abrams makes a definitive statement on his view of deconstruction and its intellectual heritage. The fifth piece, by Stanley Cavell, is the first extended discussion of English and American Romanticism by this major contemporary philosopher. Following each essay is an edited transcript of a question-and-answer session in which the contributor-critic ranges widely and freely over today's critical scene. The sessions make fascinating reading. This book should be of compelJing interest to students of Romanticism as well as to students and scholars interested in the uses and implications of poststructuralist theory.