Author: Sarah Greenough
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 312
Book Description
'The Art of the American Snapshot' examines the evolution of this most common form of photography. The book shows that among the countless snapshots taken by American amateurs, some works, through intention or accident, continue to resonate long after their intimate context and original meaning have been lost.
The Art of the American Snapshot, 1888-1978
Author: Sarah Greenough
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 312
Book Description
'The Art of the American Snapshot' examines the evolution of this most common form of photography. The book shows that among the countless snapshots taken by American amateurs, some works, through intention or accident, continue to resonate long after their intimate context and original meaning have been lost.
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 312
Book Description
'The Art of the American Snapshot' examines the evolution of this most common form of photography. The book shows that among the countless snapshots taken by American amateurs, some works, through intention or accident, continue to resonate long after their intimate context and original meaning have been lost.
American Snapshots
Author: Ken Graves
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 128
Book Description
"Collection of pictures gathered by the authors during a two-year search in which they canvassed neighborhoods and knocked on people's doors, asking to see people's dusty albums and yellowing scrapbooks."--From jacket flap
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 128
Book Description
"Collection of pictures gathered by the authors during a two-year search in which they canvassed neighborhoods and knocked on people's doors, asking to see people's dusty albums and yellowing scrapbooks."--From jacket flap
Snapshot Photography
Author: Catherine Zuromskis
Publisher: MIT Press
ISBN: 0262544113
Category : Photography
Languages : en
Pages : 369
Book Description
An examination of the contradictions within a form of expression that is both public and private, specific and abstract, conventional and countercultural. Snapshots capture everyday occasions. Taken by amateur photographers with simple point-and-shoot cameras, snapshots often commemorate something that is private and personal; yet they also reflect widely held cultural conventions. The poses may be formulaic, but a photograph of loved ones can evoke a deep affective response. In Snapshot Photography, Catherine Zuromskis examines the development of a form of visual expression that is both public and private. Scholars of art and culture tend to discount snapshot photography; it is too ubiquitous, too unremarkable, too personal. Zuromskis argues for its significance. Snapshot photographers, she contends, are not so much creating spontaneous records of their lives as they are participating in a prescriptive cultural ritual. A snapshot is not only a record of interpersonal intimacy but also a means of linking private symbols of domestic harmony to public ideas of social conformity. Through a series of case studies, Zuromskis explores the social life of snapshot photography in the United States in the latter half of the twentieth century. She examines the treatment of snapshot photography in the 2002 film One Hour Photo and in the television crime drama Law and Order: Special Victims Unit; the growing interest of collectors and museum curators in “vintage” snapshots; and the “snapshot aesthetic” of Andy Warhol and Nan Goldin. She finds that Warhol’s photographs of the Factory community and Goldin’s intense and intimate photographs of friends and family use the conventions of the snapshot to celebrate an alternate version of “family values.” In today’s digital age, snapshot photography has become even more ubiquitous and ephemeral—and, significantly, more public. But buried within snapshot photography’s mythic construction, Zuromskis argues, is a site of democratic possibility.
Publisher: MIT Press
ISBN: 0262544113
Category : Photography
Languages : en
Pages : 369
Book Description
An examination of the contradictions within a form of expression that is both public and private, specific and abstract, conventional and countercultural. Snapshots capture everyday occasions. Taken by amateur photographers with simple point-and-shoot cameras, snapshots often commemorate something that is private and personal; yet they also reflect widely held cultural conventions. The poses may be formulaic, but a photograph of loved ones can evoke a deep affective response. In Snapshot Photography, Catherine Zuromskis examines the development of a form of visual expression that is both public and private. Scholars of art and culture tend to discount snapshot photography; it is too ubiquitous, too unremarkable, too personal. Zuromskis argues for its significance. Snapshot photographers, she contends, are not so much creating spontaneous records of their lives as they are participating in a prescriptive cultural ritual. A snapshot is not only a record of interpersonal intimacy but also a means of linking private symbols of domestic harmony to public ideas of social conformity. Through a series of case studies, Zuromskis explores the social life of snapshot photography in the United States in the latter half of the twentieth century. She examines the treatment of snapshot photography in the 2002 film One Hour Photo and in the television crime drama Law and Order: Special Victims Unit; the growing interest of collectors and museum curators in “vintage” snapshots; and the “snapshot aesthetic” of Andy Warhol and Nan Goldin. She finds that Warhol’s photographs of the Factory community and Goldin’s intense and intimate photographs of friends and family use the conventions of the snapshot to celebrate an alternate version of “family values.” In today’s digital age, snapshot photography has become even more ubiquitous and ephemeral—and, significantly, more public. But buried within snapshot photography’s mythic construction, Zuromskis argues, is a site of democratic possibility.
Miss Peregrine's Peculiar Children Boxed Set
Author: Ransom Riggs
Publisher: Quirk Books
ISBN: 159474839X
Category : Young Adult Fiction
Languages : en
Pages : 1234
Book Description
The New York Times #1 best-selling series. Includes 3 novels by Ransom Riggs and 12 peculiar photographs. Together for the first time, here is the #1 New York Times best seller Miss Peregrine's Home for Peculiar Children and its two sequels, Hollow City and Library of Souls. All three hardcovers are packaged in a beautifully designed slipcase. Also included: a special collector's envelope of twelve peculiar photographs, highlighting the most memorable moments of this extraordinary three-volume fantasy. MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN: A mysterious island. An abandoned orphanage. A strange collection of very curious photographs. It all waits to be discovered in this groundbreaking novel, which mixes fiction and photography in a thrilling new kind of reading experience. As our story opens, a horrific family tragedy sets sixteen-year-old Jacob Portman journeying to a remote island off the coast of Wales, where he discovers the crumbling ruins of Miss Peregrine's Home for Peculiar Children. HOLLOW CITY: September 3, 1940. Ten peculiar children flee an army of deadly monsters. And only one person can help them—but she's trapped in the body of a bird. The extraordinary adventure continues as Jacob Portman and his newfound friends journey to London, the peculiar capital of the world. There, they hope to find a cure for their beloved headmistress, Miss Peregrine. But in this war-torn city, hideous surprises lurk around every corner. LIBRARY OF SOULS: A boy, a girl, and a talking dog. They're all that stands between the sinister wights and the future of peculiar children everywhere. Jacob Portman ventures through history one last time to rescue the peculiar children from a heavily guarded fortress. He's joined by girlfriend and firestarter Emma Bloom, canine companion Addison MacHenry, and some very unexpected allies.
Publisher: Quirk Books
ISBN: 159474839X
Category : Young Adult Fiction
Languages : en
Pages : 1234
Book Description
The New York Times #1 best-selling series. Includes 3 novels by Ransom Riggs and 12 peculiar photographs. Together for the first time, here is the #1 New York Times best seller Miss Peregrine's Home for Peculiar Children and its two sequels, Hollow City and Library of Souls. All three hardcovers are packaged in a beautifully designed slipcase. Also included: a special collector's envelope of twelve peculiar photographs, highlighting the most memorable moments of this extraordinary three-volume fantasy. MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN: A mysterious island. An abandoned orphanage. A strange collection of very curious photographs. It all waits to be discovered in this groundbreaking novel, which mixes fiction and photography in a thrilling new kind of reading experience. As our story opens, a horrific family tragedy sets sixteen-year-old Jacob Portman journeying to a remote island off the coast of Wales, where he discovers the crumbling ruins of Miss Peregrine's Home for Peculiar Children. HOLLOW CITY: September 3, 1940. Ten peculiar children flee an army of deadly monsters. And only one person can help them—but she's trapped in the body of a bird. The extraordinary adventure continues as Jacob Portman and his newfound friends journey to London, the peculiar capital of the world. There, they hope to find a cure for their beloved headmistress, Miss Peregrine. But in this war-torn city, hideous surprises lurk around every corner. LIBRARY OF SOULS: A boy, a girl, and a talking dog. They're all that stands between the sinister wights and the future of peculiar children everywhere. Jacob Portman ventures through history one last time to rescue the peculiar children from a heavily guarded fortress. He's joined by girlfriend and firestarter Emma Bloom, canine companion Addison MacHenry, and some very unexpected allies.
Snapshots of a Century in African American Lives
Author: Jennifer Cain Bohrnstedt
Publisher: AuthorHouse
ISBN: 1438969562
Category : Social Science
Languages : en
Pages : 125
Book Description
Snapshots of a Century in African American Lives heralds the artistry and historical importance of amateur snapshots taken during the twentieth century. Noted scholar Professor Emeritus Edmund W. Gordon wrote (Foreword): "This is also a book about the universal celebration of the beauty and dignity of the human condition as it is and can be captured by amateur camera persons. . ." A book that captures visual history and visual culture is an ambitious project. Snapshots of a Century in African American Lives contains more than 100 images never before in publication. Images were culled from a private collection. Photojournalism professor D. Michael Cheers wrote (Introduction): "These creative expressions, which showcase posed, candid and ordinary, yet unique, images, hand us a lens that drops in on strangers and allows all of us to reconnect with 'our African heritage.'" Photography curator Carol McCusker described their impact in the Afterword: "Through their details, we are moved back in time or to somewhere in ourselves. They engage us in history in ways other media does not. In this capacity, Snapshots of a Century in African-American Lives makes us aware of what we know, what we think we know, and what we collectively aspire toward or want to forget, and, throughout, is undeniably American in our optimism." Educators, historical societies, and museums will identify the important relevance of this book and the collection represented. This 120 page book is available in 8.5 x 11 soft cover format. A limited edition of 100 copies (11 x 11 hard cover) will be available through the editor. The creator of this work, author and editor Jennifer Cain Bohrnstedt, is available for talks and book-signing events. Contact her at: [email protected]
Publisher: AuthorHouse
ISBN: 1438969562
Category : Social Science
Languages : en
Pages : 125
Book Description
Snapshots of a Century in African American Lives heralds the artistry and historical importance of amateur snapshots taken during the twentieth century. Noted scholar Professor Emeritus Edmund W. Gordon wrote (Foreword): "This is also a book about the universal celebration of the beauty and dignity of the human condition as it is and can be captured by amateur camera persons. . ." A book that captures visual history and visual culture is an ambitious project. Snapshots of a Century in African American Lives contains more than 100 images never before in publication. Images were culled from a private collection. Photojournalism professor D. Michael Cheers wrote (Introduction): "These creative expressions, which showcase posed, candid and ordinary, yet unique, images, hand us a lens that drops in on strangers and allows all of us to reconnect with 'our African heritage.'" Photography curator Carol McCusker described their impact in the Afterword: "Through their details, we are moved back in time or to somewhere in ourselves. They engage us in history in ways other media does not. In this capacity, Snapshots of a Century in African-American Lives makes us aware of what we know, what we think we know, and what we collectively aspire toward or want to forget, and, throughout, is undeniably American in our optimism." Educators, historical societies, and museums will identify the important relevance of this book and the collection represented. This 120 page book is available in 8.5 x 11 soft cover format. A limited edition of 100 copies (11 x 11 hard cover) will be available through the editor. The creator of this work, author and editor Jennifer Cain Bohrnstedt, is available for talks and book-signing events. Contact her at: [email protected]
Reading Marie al-Khazen’s Photographs
Author: Yasmine Nachabe Taan
Publisher: Bloomsbury Publishing
ISBN: 1350111589
Category : Photography
Languages : en
Pages : 279
Book Description
The Lebanese photographer Marie al-Khazen seized every opportunity to use her camera during the years that she was active between 1920 and 1940. She not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her camera by staging scenes, manipulating shadows, and superimposing negatives to produce different effects in her prints. Within her photographs, bedouins and European friends, peasants and landlords, men and women comfortably share the same space. Her photographs include an intriguing collection portraying her family and friends living their everyday lives in 1920s and '30s Zgharta, a village in the north of Lebanon. Yasmine Nachabe Taan explores these photographs, emphasizing the ways in which notions of gender and class are inscribed within them and revealing how they are charged with symbols of women's emancipation to today's viewers, through women's presence as individuals, separate from family restrictions of that time. Images in which women are depicted smoking cigarettes, driving cars, riding horses, and accompanying men on hunting trips counteract the common ways in which women were portrayed in contemporary Lebanon.
Publisher: Bloomsbury Publishing
ISBN: 1350111589
Category : Photography
Languages : en
Pages : 279
Book Description
The Lebanese photographer Marie al-Khazen seized every opportunity to use her camera during the years that she was active between 1920 and 1940. She not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her camera by staging scenes, manipulating shadows, and superimposing negatives to produce different effects in her prints. Within her photographs, bedouins and European friends, peasants and landlords, men and women comfortably share the same space. Her photographs include an intriguing collection portraying her family and friends living their everyday lives in 1920s and '30s Zgharta, a village in the north of Lebanon. Yasmine Nachabe Taan explores these photographs, emphasizing the ways in which notions of gender and class are inscribed within them and revealing how they are charged with symbols of women's emancipation to today's viewers, through women's presence as individuals, separate from family restrictions of that time. Images in which women are depicted smoking cigarettes, driving cars, riding horses, and accompanying men on hunting trips counteract the common ways in which women were portrayed in contemporary Lebanon.
Unsuspecting Souls
Author: Barry Sanders
Publisher: Catapult
ISBN: 1582436657
Category : Political Science
Languages : en
Pages : 282
Book Description
During the nineteeth century, something vital went missing: the human being. In Unsuspecting Souls, Barry Sanders examines modern society's indifference to the individual. From the Industrial Revolution, where the disappearance of care for human beings begins slowly, to our own age, where societal events require less person–to–person interaction, Sanders laments that what makes us most human is slowly dying. Our days are filled with little but a continuous bombardment of "information," demands on our attention, that brings us out of our world and into one of inhumanity and abstraction. We are losing entirely any palpable attachment to our physical reality. And we've also lost the original sense of a collective consciousness. This loss has been fomenting for two centuries now, dating back to the rise of European powers and worldwide colonization. This has led to the notion that we need to define what is torture, an idea that not long ago would have seemed absurd, and need to pick our poisons among several forms of radical fundamentalisms, each one not only a threat to the other but a threat to humanity itself. From Edgar Allen Poe to Abu Ghraib, this is a fascinating and worrisome story, impeccably researched and compellingly written.
Publisher: Catapult
ISBN: 1582436657
Category : Political Science
Languages : en
Pages : 282
Book Description
During the nineteeth century, something vital went missing: the human being. In Unsuspecting Souls, Barry Sanders examines modern society's indifference to the individual. From the Industrial Revolution, where the disappearance of care for human beings begins slowly, to our own age, where societal events require less person–to–person interaction, Sanders laments that what makes us most human is slowly dying. Our days are filled with little but a continuous bombardment of "information," demands on our attention, that brings us out of our world and into one of inhumanity and abstraction. We are losing entirely any palpable attachment to our physical reality. And we've also lost the original sense of a collective consciousness. This loss has been fomenting for two centuries now, dating back to the rise of European powers and worldwide colonization. This has led to the notion that we need to define what is torture, an idea that not long ago would have seemed absurd, and need to pick our poisons among several forms of radical fundamentalisms, each one not only a threat to the other but a threat to humanity itself. From Edgar Allen Poe to Abu Ghraib, this is a fascinating and worrisome story, impeccably researched and compellingly written.
Picturing Dogs, Seeing Ourselves
Author: Ann-Janine Morey
Publisher: Penn State Press
ISBN: 0271065702
Category : Photography
Languages : en
Pages : 248
Book Description
Dogs are as ubiquitous in American culture as white picket fences and apple pie, embracing all the meanings of wholesome domestic life—family, fidelity, comfort, protection, nurturance, and love—as well as symbolizing some of the less palatable connotations of home and family, including domination, subservience, and violence. In Picturing Dogs, Seeing Ourselves, Ann-Janine Morey presents a collection of antique photographs of dogs and their owners in order to investigate the meanings associated with the canine body. Included are reproductions of 115 postcards, cabinet cards, and cartes de visite that feature dogs in family and childhood snapshots, images of hunting, posed studio portraits, and many other settings between 1860 and 1950. These photographs offer poignant testimony to the American romance with dogs and show how the dog has become part of cultural expressions of race, class, and gender. Animal studies scholars have long argued that our representation of animals in print and in the visual arts has a profound connection to our lived cultural identity. Other books have documented the depiction of dogs in art and photography, but few have reached beyond the subject’s obvious appeal. Picturing Dogs, Seeing Ourselves draws on animal, visual, and literary studies to present an original and richly contextualized visual history of the relationship between Americans and their dogs. Though the personal stories behind these everyday photographs may be lost to us, their cultural significance is not.
Publisher: Penn State Press
ISBN: 0271065702
Category : Photography
Languages : en
Pages : 248
Book Description
Dogs are as ubiquitous in American culture as white picket fences and apple pie, embracing all the meanings of wholesome domestic life—family, fidelity, comfort, protection, nurturance, and love—as well as symbolizing some of the less palatable connotations of home and family, including domination, subservience, and violence. In Picturing Dogs, Seeing Ourselves, Ann-Janine Morey presents a collection of antique photographs of dogs and their owners in order to investigate the meanings associated with the canine body. Included are reproductions of 115 postcards, cabinet cards, and cartes de visite that feature dogs in family and childhood snapshots, images of hunting, posed studio portraits, and many other settings between 1860 and 1950. These photographs offer poignant testimony to the American romance with dogs and show how the dog has become part of cultural expressions of race, class, and gender. Animal studies scholars have long argued that our representation of animals in print and in the visual arts has a profound connection to our lived cultural identity. Other books have documented the depiction of dogs in art and photography, but few have reached beyond the subject’s obvious appeal. Picturing Dogs, Seeing Ourselves draws on animal, visual, and literary studies to present an original and richly contextualized visual history of the relationship between Americans and their dogs. Though the personal stories behind these everyday photographs may be lost to us, their cultural significance is not.
Image Matters
Author: Tina Campt
Publisher: Duke University Press
ISBN: 0822350742
Category : History
Languages : en
Pages : 256
Book Description
Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.
Publisher: Duke University Press
ISBN: 0822350742
Category : History
Languages : en
Pages : 256
Book Description
Campt explores the affective resonances of two archives of Black European photographs for those pictured, their families, and the community. Image Matters looks at photograph collections of four Black German families taken between 1900 and the end of World War II and a set of portraits of Afro-Caribbean migrants to Britain taken at a photographic studio in Birmingham between 1948 and 1960.
Religion, Media, and Marginality in Modern Africa
Author: Felicitas Becker
Publisher: Ohio University Press
ISBN: 082144624X
Category : Social Science
Languages : en
Pages : 406
Book Description
In recent years, anthropologists, historians, and others have been drawn to study the profuse and creative usages of digital media by religious movements. At the same time, scholars of Christian Africa have long been concerned with the history of textual culture, the politics of Bible translation, and the status of the vernacular in Christianity. Students of Islam in Africa have similarly examined politics of knowledge, the transmission of learning in written form, and the influence of new media. Until now, however, these arenas—Christianity and Islam, digital media and “old” media—have been studied separately. Religion, Media, and Marginality in Modern Africa is one of the first volumes to put new media and old media into significant conversation with one another, and also offers a rare comparison between Christianity and Islam in Africa. The contributors find many previously unacknowledged correspondences among different media and between the two faiths. In the process they challenge the technological determinism—the notion that certain types of media generate particular forms of religious expression—that haunts many studies. In evaluating how media usage and religious commitment intersect in the social, cultural, and political landscapes of modern Africa, this collection will contribute to the development of new paradigms for media and religious studies. Contributors: Heike Behrend, Andre Chappatte, Maria Frahm-Arp, David Gordon, Liz Gunner, Bruce S. Hall, Sean Hanretta, Jorg Haustein, Katrien Pype, and Asonzeh Ukah.
Publisher: Ohio University Press
ISBN: 082144624X
Category : Social Science
Languages : en
Pages : 406
Book Description
In recent years, anthropologists, historians, and others have been drawn to study the profuse and creative usages of digital media by religious movements. At the same time, scholars of Christian Africa have long been concerned with the history of textual culture, the politics of Bible translation, and the status of the vernacular in Christianity. Students of Islam in Africa have similarly examined politics of knowledge, the transmission of learning in written form, and the influence of new media. Until now, however, these arenas—Christianity and Islam, digital media and “old” media—have been studied separately. Religion, Media, and Marginality in Modern Africa is one of the first volumes to put new media and old media into significant conversation with one another, and also offers a rare comparison between Christianity and Islam in Africa. The contributors find many previously unacknowledged correspondences among different media and between the two faiths. In the process they challenge the technological determinism—the notion that certain types of media generate particular forms of religious expression—that haunts many studies. In evaluating how media usage and religious commitment intersect in the social, cultural, and political landscapes of modern Africa, this collection will contribute to the development of new paradigms for media and religious studies. Contributors: Heike Behrend, Andre Chappatte, Maria Frahm-Arp, David Gordon, Liz Gunner, Bruce S. Hall, Sean Hanretta, Jorg Haustein, Katrien Pype, and Asonzeh Ukah.