Author: Simon Zagorski-Thomas
Publisher: Routledge
ISBN: 1315467631
Category : Music
Languages : en
Pages : 359
Book Description
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
The Art of Record Production
Author: Simon Zagorski-Thomas
Publisher: Routledge
ISBN: 1315467631
Category : Music
Languages : en
Pages : 359
Book Description
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
Publisher: Routledge
ISBN: 1315467631
Category : Music
Languages : en
Pages : 359
Book Description
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
The Art of Record Production
Author: Richard James Burgess
Publisher: Omnibus Press
ISBN:
Category : Music
Languages : en
Pages : 250
Book Description
What kind of producer do you want to be? - How do you get started? - What's the job description? - Will they still love you tomorrow - Producer managers - How do you deal with the artist, the record company and the artist's manager? - Lawyers - Difficulties and pitfalls - Success and money - What are the timeless ingredients in a hit record? - Frequently asked questions - Is classical, jazz and country production any different from rock, pop and R & B? - Technology rules - The final cut.
Publisher: Omnibus Press
ISBN:
Category : Music
Languages : en
Pages : 250
Book Description
What kind of producer do you want to be? - How do you get started? - What's the job description? - Will they still love you tomorrow - Producer managers - How do you deal with the artist, the record company and the artist's manager? - Lawyers - Difficulties and pitfalls - Success and money - What are the timeless ingredients in a hit record? - Frequently asked questions - Is classical, jazz and country production any different from rock, pop and R & B? - Technology rules - The final cut.
The Art of Record Production
Author: Simon Zagorski-Thomas
Publisher: Routledge
ISBN: 1317044444
Category : Music
Languages : en
Pages : 324
Book Description
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
Publisher: Routledge
ISBN: 1317044444
Category : Music
Languages : en
Pages : 324
Book Description
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
The Art of Music Production
Author: Richard James Burgess
Publisher: Oxford University Press, USA
ISBN: 0199921741
Category : Business & Economics
Languages : en
Pages : 344
Book Description
In this book, veteran music producer Richard James Burgess gives readers the tools they need to understand the complex field of music production. He defines the many roles that fall to the music producer by focusing first on the underlying theory of music production, before offering a second section of practical aspects of the job.
Publisher: Oxford University Press, USA
ISBN: 0199921741
Category : Business & Economics
Languages : en
Pages : 344
Book Description
In this book, veteran music producer Richard James Burgess gives readers the tools they need to understand the complex field of music production. He defines the many roles that fall to the music producer by focusing first on the underlying theory of music production, before offering a second section of practical aspects of the job.
Music Production
Author: Hans Weekhout
Publisher: Routledge
ISBN: 0429860900
Category : Technology & Engineering
Languages : en
Pages : 426
Book Description
We’re all able to record music; a smartphone will get you quick results. But for a good sound, a lot more is involved. Acoustics, microphone placement, and effects have a huge influence on the resulting sound. Music Production: Learn How to Record, Mix, and Master Music will teach you how to record, mix, and master music. With accessible language for both beginner and advanced readers, the book contains countless illustrations, includes tips and tricks for all the popular digital audio workstations and provides coverage of common plugins and processors. Also included is a section dedicated to mastering in a home studio. With hundreds of tips and techniques for both the starting and advanced music producer, this is your must-have guide.
Publisher: Routledge
ISBN: 0429860900
Category : Technology & Engineering
Languages : en
Pages : 426
Book Description
We’re all able to record music; a smartphone will get you quick results. But for a good sound, a lot more is involved. Acoustics, microphone placement, and effects have a huge influence on the resulting sound. Music Production: Learn How to Record, Mix, and Master Music will teach you how to record, mix, and master music. With accessible language for both beginner and advanced readers, the book contains countless illustrations, includes tips and tricks for all the popular digital audio workstations and provides coverage of common plugins and processors. Also included is a section dedicated to mastering in a home studio. With hundreds of tips and techniques for both the starting and advanced music producer, this is your must-have guide.
The Art of Mixing
Author: David Gibson
Publisher: Routledge
ISBN: 1351252208
Category : Technology & Engineering
Languages : en
Pages : 531
Book Description
David Gibson uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in a mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix. Gibson’s unique approach explains how to map sounds to visuals in order to create a visual framework that can be used to analyze what is going on in any mix. Once you have the framework down, Gibson then uses it to explain the traditions that have be developed over time by great recording engineers for different styles of music and songs. You will come to understand everything that can be done in a mix to create dynamics that affect people in really deep ways. Once you understand what engineers are doing to create the great mixes they do, you can then use this framework to develop your own values as to what you feel is a good mix. Once you have a perspective on what all can be done, you have the power to be truly creative on your own – to create whole new mixing possibilities. It is all about creating art out of technology. This book goes beyond explaining what the equipment does – it explains what to do with the equipment to make the best possible mixes.
Publisher: Routledge
ISBN: 1351252208
Category : Technology & Engineering
Languages : en
Pages : 531
Book Description
David Gibson uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in a mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix. Gibson’s unique approach explains how to map sounds to visuals in order to create a visual framework that can be used to analyze what is going on in any mix. Once you have the framework down, Gibson then uses it to explain the traditions that have be developed over time by great recording engineers for different styles of music and songs. You will come to understand everything that can be done in a mix to create dynamics that affect people in really deep ways. Once you understand what engineers are doing to create the great mixes they do, you can then use this framework to develop your own values as to what you feel is a good mix. Once you have a perspective on what all can be done, you have the power to be truly creative on your own – to create whole new mixing possibilities. It is all about creating art out of technology. This book goes beyond explaining what the equipment does – it explains what to do with the equipment to make the best possible mixes.
Modern Records, Maverick Methods
Author: Samantha Bennett
Publisher: Bloomsbury Publishing USA
ISBN: 1501344129
Category : Music
Languages : en
Pages : 257
Book Description
From the Fairlight CMI through MIDI to the digital audio workstations at the turn of the millennium, Modern Records, Maverick Methods examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. Drawing on a discography of more than 300 recordings across pop, rock, hip hop, dance and alternative musics from artists such as the Beastie Boys, Madonna, U2 and Fatboy Slim, and extensive and exclusive ethnographic work with many world-renowned recordists, Modern Records presents a fresh and insightful new perspective on one of the most significant eras in commercial music record production. The book traces the development of significant music technologies through the 1980s and 1990s, revealing how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. This meticulously researched and timely book reveals the complexity of recordists' responses to a technological landscape in flux.
Publisher: Bloomsbury Publishing USA
ISBN: 1501344129
Category : Music
Languages : en
Pages : 257
Book Description
From the Fairlight CMI through MIDI to the digital audio workstations at the turn of the millennium, Modern Records, Maverick Methods examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. Drawing on a discography of more than 300 recordings across pop, rock, hip hop, dance and alternative musics from artists such as the Beastie Boys, Madonna, U2 and Fatboy Slim, and extensive and exclusive ethnographic work with many world-renowned recordists, Modern Records presents a fresh and insightful new perspective on one of the most significant eras in commercial music record production. The book traces the development of significant music technologies through the 1980s and 1990s, revealing how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. This meticulously researched and timely book reveals the complexity of recordists' responses to a technological landscape in flux.
The Musicology of Record Production
Author: Simon Zagorski-Thomas
Publisher: Cambridge University Press
ISBN: 1139993518
Category : Music
Languages : en
Pages : 279
Book Description
Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.
Publisher: Cambridge University Press
ISBN: 1139993518
Category : Music
Languages : en
Pages : 279
Book Description
Recorded music is as different to live music as film is to theatre. In this book, Simon Zagorski-Thomas employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. He combines ideas from the ecological approach to perception, embodied cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. A wide range of examples from Zagorski-Thomas's professional experience reveal these ideas in action.
Nashville Cats
Author: Travis D. Stimeling
Publisher:
ISBN: 0197502814
Category : Business & Economics
Languages : en
Pages : 347
Book Description
The "Nashville Cats" were a group of session musicians who bounced from studio to studio along Nashville's "Music Row," providing the instrumental backing tracks for countless recordings in the mid-20th century. Including music industry titans like Chet Atkins, Anita Kerr, and Charlie McCoy, these versatile Cats not only established the city as a well-known hub for recording popular music, but also defined the era of country music known as the "Nashville Sound."Drawing upon a rich array of previously unexplored primary sources and original oral histories, Nashville Cats: Record Production in Music City, 1945-1975 is the first account of the role that these musicians, along with recording engineers and record producers, played in shaping the sounds of country music during one of its most definitive periods. This era produced some of the genre's most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer. The Nashville Sound attracted musicians like Bob Dylan and Leonard Cohen to the city's studios, and marked the establishment of a recording industry that has come to define the city of Nashville in the national and international consciousness. Author Travis D. Stimeling explores how the Nashville system came to be, how musicians functioned within it, and how the desires of an ever-growing and diversifying audience affected record production practices. Through interviews with key players of the period and close analysis of hit songs, Nashville Cats provides an exciting look into this prolific era of music history.
Publisher:
ISBN: 0197502814
Category : Business & Economics
Languages : en
Pages : 347
Book Description
The "Nashville Cats" were a group of session musicians who bounced from studio to studio along Nashville's "Music Row," providing the instrumental backing tracks for countless recordings in the mid-20th century. Including music industry titans like Chet Atkins, Anita Kerr, and Charlie McCoy, these versatile Cats not only established the city as a well-known hub for recording popular music, but also defined the era of country music known as the "Nashville Sound."Drawing upon a rich array of previously unexplored primary sources and original oral histories, Nashville Cats: Record Production in Music City, 1945-1975 is the first account of the role that these musicians, along with recording engineers and record producers, played in shaping the sounds of country music during one of its most definitive periods. This era produced some of the genre's most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer. The Nashville Sound attracted musicians like Bob Dylan and Leonard Cohen to the city's studios, and marked the establishment of a recording industry that has come to define the city of Nashville in the national and international consciousness. Author Travis D. Stimeling explores how the Nashville system came to be, how musicians functioned within it, and how the desires of an ever-growing and diversifying audience affected record production practices. Through interviews with key players of the period and close analysis of hit songs, Nashville Cats provides an exciting look into this prolific era of music history.
Any Sound You Can Imagine
Author: Paul Théberge
Publisher: Wesleyan University Press
ISBN: 9780819563095
Category : Music
Languages : en
Pages : 308
Book Description
Describes digital musical instruments, industries that supply and promote them, and the meanings they have for musicians. Winner of the International Association for the Study of Popular Music (IASPM) Book Award (1997) Recent innovations in musical instrument design are not simply a response to the needs of musicians, writes Paul Théberge; they also have become "a driving force with which musicians must contend." He argues that digital synthesizers, samplers, and sequencers in studio production and in the home have caused musicians to rely increasingly on manufacturers for both the instruments themselves as well as the very sounds and musical patterns that they use to make music. Musical practices have thus become allied with a new type of consumer practice that is altogether different from earlier relationships between musicians and their instruments as a means of production. Théberge places these developments within a broad social and historical perspective that examines the development of the musical instrument industry, particularly the piano industry, the economic and cultural role of musicians' magazines and computer networks, and the fundamental relationships between musical concepts, styles, and technology.
Publisher: Wesleyan University Press
ISBN: 9780819563095
Category : Music
Languages : en
Pages : 308
Book Description
Describes digital musical instruments, industries that supply and promote them, and the meanings they have for musicians. Winner of the International Association for the Study of Popular Music (IASPM) Book Award (1997) Recent innovations in musical instrument design are not simply a response to the needs of musicians, writes Paul Théberge; they also have become "a driving force with which musicians must contend." He argues that digital synthesizers, samplers, and sequencers in studio production and in the home have caused musicians to rely increasingly on manufacturers for both the instruments themselves as well as the very sounds and musical patterns that they use to make music. Musical practices have thus become allied with a new type of consumer practice that is altogether different from earlier relationships between musicians and their instruments as a means of production. Théberge places these developments within a broad social and historical perspective that examines the development of the musical instrument industry, particularly the piano industry, the economic and cultural role of musicians' magazines and computer networks, and the fundamental relationships between musical concepts, styles, and technology.