Author: Walter Benjamin
Publisher: Random House Digital, Inc.
ISBN: 0805202412
Category : Biography & Autobiography
Languages : en
Pages : 290
Book Description
Walter Benjamin was one of the most original cultural critics of the twentieth century. Illuminations includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and on Brecht's Epic Theater. Also included are his penetrating study "The Work of Art in the Age of Mechanical Reproduction," an enlightening discussion of translation as a literary mode, and Benjamin's theses on the philosophy of history. Hannah Arendt selected the essays for this volume and introduces them with a classic essay about Benjamin's life in dark times. Also included is a new preface by Leon Wieseltier that explores Benjamin's continued relevance for our times.
Illuminations
Author: Walter Benjamin
Publisher: Random House Digital, Inc.
ISBN: 0805202412
Category : Biography & Autobiography
Languages : en
Pages : 290
Book Description
Walter Benjamin was one of the most original cultural critics of the twentieth century. Illuminations includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and on Brecht's Epic Theater. Also included are his penetrating study "The Work of Art in the Age of Mechanical Reproduction," an enlightening discussion of translation as a literary mode, and Benjamin's theses on the philosophy of history. Hannah Arendt selected the essays for this volume and introduces them with a classic essay about Benjamin's life in dark times. Also included is a new preface by Leon Wieseltier that explores Benjamin's continued relevance for our times.
Publisher: Random House Digital, Inc.
ISBN: 0805202412
Category : Biography & Autobiography
Languages : en
Pages : 290
Book Description
Walter Benjamin was one of the most original cultural critics of the twentieth century. Illuminations includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and on Brecht's Epic Theater. Also included are his penetrating study "The Work of Art in the Age of Mechanical Reproduction," an enlightening discussion of translation as a literary mode, and Benjamin's theses on the philosophy of history. Hannah Arendt selected the essays for this volume and introduces them with a classic essay about Benjamin's life in dark times. Also included is a new preface by Leon Wieseltier that explores Benjamin's continued relevance for our times.
The Work of Art in the Age of Mechanical Reproduction
Author: Walter Benjamin
Publisher:
ISBN: 9781774640074
Category : Art
Languages : en
Pages : 0
Book Description
Walter Benjamin discusses whether art is diminished by the modern culture of mass replication, arriving at the conclusion that the aura or soul of an artwork is indeed removed by duplication. In an essay critical of modern fashion and manufacture, Benjamin decries how new technology affects art. The notion of fine arts is threatened by an absence of scarcity; an affair which diminishes the authenticity and essence of the artist's work. Though the process of art replication dates to classical antiquity, only the modern era allows for a mass quantity of prints or mass production. Given that the unique aura of an artist's work, and the reaction it provokes in those who see it, is diminished, Benjamin posits that artwork is much more political in significance. The style of modern propaganda, of the use of art for the purpose of generating raw emotion or arousing belief, is likely to become more prevalent versus the old-fashioned production of simpler beauty or meaning in a cultural or religious context.
Publisher:
ISBN: 9781774640074
Category : Art
Languages : en
Pages : 0
Book Description
Walter Benjamin discusses whether art is diminished by the modern culture of mass replication, arriving at the conclusion that the aura or soul of an artwork is indeed removed by duplication. In an essay critical of modern fashion and manufacture, Benjamin decries how new technology affects art. The notion of fine arts is threatened by an absence of scarcity; an affair which diminishes the authenticity and essence of the artist's work. Though the process of art replication dates to classical antiquity, only the modern era allows for a mass quantity of prints or mass production. Given that the unique aura of an artist's work, and the reaction it provokes in those who see it, is diminished, Benjamin posits that artwork is much more political in significance. The style of modern propaganda, of the use of art for the purpose of generating raw emotion or arousing belief, is likely to become more prevalent versus the old-fashioned production of simpler beauty or meaning in a cultural or religious context.
The Work of Art in the Age of Mechanical Reproduction: An Influential Essay of Cultural Criticism; The History and Theory of Art (Hardcover)
Author: Walter Benjamin
Publisher: Lulu.com
ISBN: 9780359046386
Category : Art
Languages : en
Pages : 40
Book Description
Walter Benjamin discusses whether art is diminished by the modern culture of mass replication, arriving at the conclusion that the aura or soul of an artwork is indeed removed by duplication. In an essay critical of modern fashion and manufacture, Benjamin decries how new technology affects art. The notion of fine arts is threatened by an absence of scarcity; an affair which diminishes the authenticity and essence of the artist's work. Though the process of art replication dates to classical antiquity, only the modern era allows for a mass quantity of prints or mass production. Given that the unique aura of an artist's work, and the reaction it provokes in those who see it, is diminished, Benjamin posits that artwork is much more political in significance. The style of modern propaganda, of the use of art for the purpose of generating raw emotion or arousing belief, is likely to become more prevalent versus the old-fashioned production of simpler beauty or meaning in a cultural or religious context.
Publisher: Lulu.com
ISBN: 9780359046386
Category : Art
Languages : en
Pages : 40
Book Description
Walter Benjamin discusses whether art is diminished by the modern culture of mass replication, arriving at the conclusion that the aura or soul of an artwork is indeed removed by duplication. In an essay critical of modern fashion and manufacture, Benjamin decries how new technology affects art. The notion of fine arts is threatened by an absence of scarcity; an affair which diminishes the authenticity and essence of the artist's work. Though the process of art replication dates to classical antiquity, only the modern era allows for a mass quantity of prints or mass production. Given that the unique aura of an artist's work, and the reaction it provokes in those who see it, is diminished, Benjamin posits that artwork is much more political in significance. The style of modern propaganda, of the use of art for the purpose of generating raw emotion or arousing belief, is likely to become more prevalent versus the old-fashioned production of simpler beauty or meaning in a cultural or religious context.
Walter Benjamin's the Work of Art in the Age of Mechanical Reproduction
Author: Rachele Dini
Publisher: Macat Library
ISBN: 9781912304042
Category : Art and society
Languages : en
Pages : 112
Book Description
The Work of Art in the Age of Mechanical Reproduction combats traditional art criticism's treatment of artworks as fixed, unchanging mystical objects. For Walter Benjamin, the consequences of addressing a work of art in this manner have a wider resonance: closed off from any active visual or tactile engagement, the work of art becomes an object of passive contemplation and a potential tool of oppression. Benjamin argues that technology has fundamentally altered the way art is experienced. Potentially open to interpretation and accessible to many, art in the age of mechanical reproduction has the potential to be mobilized for radical purposes. While ostensibly addressing the artistic consequences of technical reproducibility on art, Benjamin also addresses the wider political consequences of this shift.
Publisher: Macat Library
ISBN: 9781912304042
Category : Art and society
Languages : en
Pages : 112
Book Description
The Work of Art in the Age of Mechanical Reproduction combats traditional art criticism's treatment of artworks as fixed, unchanging mystical objects. For Walter Benjamin, the consequences of addressing a work of art in this manner have a wider resonance: closed off from any active visual or tactile engagement, the work of art becomes an object of passive contemplation and a potential tool of oppression. Benjamin argues that technology has fundamentally altered the way art is experienced. Potentially open to interpretation and accessible to many, art in the age of mechanical reproduction has the potential to be mobilized for radical purposes. While ostensibly addressing the artistic consequences of technical reproducibility on art, Benjamin also addresses the wider political consequences of this shift.
The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media
Author: Walter Benjamin
Publisher: Harvard University Press
ISBN: 9780674024458
Category : Art
Languages : en
Pages : 452
Book Description
A series of influential essays on the visual arts that were made possible by machines, and the implications for the future of culture.
Publisher: Harvard University Press
ISBN: 9780674024458
Category : Art
Languages : en
Pages : 452
Book Description
A series of influential essays on the visual arts that were made possible by machines, and the implications for the future of culture.
The Mother in the Age of Mechanical Reproduction
Author: Elissa Marder
Publisher: Fordham Univ Press
ISBN: 082324055X
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
This book grows out of a longstanding fascination with the uncanny status of the mother in literature, philosophy, psychoanalysis, film, and photography. The mother haunts Freud's writings on art and literature, emerges as an obscure stumbling block in his metapsychological accounts of the psyche, and ultimately undermines his patriarchal accounts of the Oedipal complex as a foundation for human culture. The figure of the mother becomes associated with some of psychoanalysis's most unruly and enigmatic concepts (the uncanny, anxiety, the primal scene, the crypt, and magical thinking). Read in relation to deconstructive approaches to the work of mourning, this book shows how the maternal function challenges traditional psychoanalytic models of the subject, troubles existing systems of representation, and provides a fertile source for nonmimetic, nonlinear conceptions of time and space. The readings in this book examine the uncanny properties of the maternal function in psychoanalysis, technology, and literature in order to show that the event of birth is radically unthinkable and often becomes expressed through uncontrollable repetitions that exceed the bounds of any subject. The maternal body often serves as an unacknowledged reference point for modern media technologies such as photography and the telephone, which attempt to mimic its reproductive properties. To the extent that these technologies aim to usurp the maternal function, they are often deployed as a means of regulating or warding off anxieties that are provoked by the experience of loss that real separation from the mother invariably demands. As the incarnation of our first relation to the strange exile of language, the mother is inherently a literary figure, whose primal presence in literary texts opens us up to the unspeakable relation to our own birth and, in so doing, helps us give birth to new and fantasmatic images of futures that might otherwise have remained unimaginable.
Publisher: Fordham Univ Press
ISBN: 082324055X
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
This book grows out of a longstanding fascination with the uncanny status of the mother in literature, philosophy, psychoanalysis, film, and photography. The mother haunts Freud's writings on art and literature, emerges as an obscure stumbling block in his metapsychological accounts of the psyche, and ultimately undermines his patriarchal accounts of the Oedipal complex as a foundation for human culture. The figure of the mother becomes associated with some of psychoanalysis's most unruly and enigmatic concepts (the uncanny, anxiety, the primal scene, the crypt, and magical thinking). Read in relation to deconstructive approaches to the work of mourning, this book shows how the maternal function challenges traditional psychoanalytic models of the subject, troubles existing systems of representation, and provides a fertile source for nonmimetic, nonlinear conceptions of time and space. The readings in this book examine the uncanny properties of the maternal function in psychoanalysis, technology, and literature in order to show that the event of birth is radically unthinkable and often becomes expressed through uncontrollable repetitions that exceed the bounds of any subject. The maternal body often serves as an unacknowledged reference point for modern media technologies such as photography and the telephone, which attempt to mimic its reproductive properties. To the extent that these technologies aim to usurp the maternal function, they are often deployed as a means of regulating or warding off anxieties that are provoked by the experience of loss that real separation from the mother invariably demands. As the incarnation of our first relation to the strange exile of language, the mother is inherently a literary figure, whose primal presence in literary texts opens us up to the unspeakable relation to our own birth and, in so doing, helps us give birth to new and fantasmatic images of futures that might otherwise have remained unimaginable.
Absolute Music, Mechanical Reproduction
Author: Arved Mark Ashby
Publisher: Univ of California Press
ISBN: 0520264797
Category : Art
Languages : en
Pages : 333
Book Description
"Arved Ashby writes with a keen sense of the historical processes, ironies, and reversals that seem to characterize the ways that musicologists think about, and contemporary listeners experience, works and performance. This book is a major contribution to the burgeoning body of critical musicological literature on recordings; anybody interested in that field, or in the question of the 'artwork' in the contemporary world, needs to read this book--which fortunately, is a great pleasure to do."--Adam Krims, author of Music and Urban Geography "The relationship between classical music and recording is strangely conflicted: on the one hand recorded music is the perfect realization of aesthetic autonomy, on the other hand it commodifies music and transforms its role within society. Ashby's book offers a penetrating analysis of these cultural conflicts, showing how technological developments from the phonogram to the mp3 have changed our basic sense of what music is as well as the ways in which we consume it. What emerges from this sustained study of the relationship between technology and values is a view of classical musical culture that is both richer and truer to life."--Nicholas Cook, author of A Guide to Musical Analysis "Lively and persuasive. Ashby has the enviable, rare ability to lead the reader comfortably through highly complex material without oversimplifying. This is a must-read for composers, music theorists, performers, musicologists, critics, and anyone with an interest in classical music beyond the elementary level."--Jonathan Dunsby, author of Performing Music
Publisher: Univ of California Press
ISBN: 0520264797
Category : Art
Languages : en
Pages : 333
Book Description
"Arved Ashby writes with a keen sense of the historical processes, ironies, and reversals that seem to characterize the ways that musicologists think about, and contemporary listeners experience, works and performance. This book is a major contribution to the burgeoning body of critical musicological literature on recordings; anybody interested in that field, or in the question of the 'artwork' in the contemporary world, needs to read this book--which fortunately, is a great pleasure to do."--Adam Krims, author of Music and Urban Geography "The relationship between classical music and recording is strangely conflicted: on the one hand recorded music is the perfect realization of aesthetic autonomy, on the other hand it commodifies music and transforms its role within society. Ashby's book offers a penetrating analysis of these cultural conflicts, showing how technological developments from the phonogram to the mp3 have changed our basic sense of what music is as well as the ways in which we consume it. What emerges from this sustained study of the relationship between technology and values is a view of classical musical culture that is both richer and truer to life."--Nicholas Cook, author of A Guide to Musical Analysis "Lively and persuasive. Ashby has the enviable, rare ability to lead the reader comfortably through highly complex material without oversimplifying. This is a must-read for composers, music theorists, performers, musicologists, critics, and anyone with an interest in classical music beyond the elementary level."--Jonathan Dunsby, author of Performing Music
Walter Benjamin and Art
Author: Andrew Benjamin
Publisher: A&C Black
ISBN: 1847144543
Category : Philosophy
Languages : en
Pages : 310
Book Description
Walter Benjamin's most famous and influential essay remains The Work of Art in the Age of Mechanical Reproduction. Walter Benjamin and the Work of Art is the first book to provide a broad and dedicated analysis of this canonical work and its effect upon core contemporary concerns in the visual arts, aesthetics and the history of philosophy. The book is structured around three distinct areas: the extension of Benjamin's work; the question of historical connection; the importance of the essay in the development of criticism of both the visual arts and literature. Contributors to the volume include major Benjamin commentators, whose work has very much defined the reception of the essay, and leading philosophers, historians and aesthetician, whose approaches open up new areas of interest and relevance.
Publisher: A&C Black
ISBN: 1847144543
Category : Philosophy
Languages : en
Pages : 310
Book Description
Walter Benjamin's most famous and influential essay remains The Work of Art in the Age of Mechanical Reproduction. Walter Benjamin and the Work of Art is the first book to provide a broad and dedicated analysis of this canonical work and its effect upon core contemporary concerns in the visual arts, aesthetics and the history of philosophy. The book is structured around three distinct areas: the extension of Benjamin's work; the question of historical connection; the importance of the essay in the development of criticism of both the visual arts and literature. Contributors to the volume include major Benjamin commentators, whose work has very much defined the reception of the essay, and leading philosophers, historians and aesthetician, whose approaches open up new areas of interest and relevance.
Love in the Age of Mechanical Reproduction
Author: Judd Trichter
Publisher: Macmillan
ISBN: 125003602X
Category : Fiction
Languages : en
Pages : 321
Book Description
Set in a near-future LA, a man falls in love with a beautiful android—but when she is kidnapped and sold piecemeal on the black market, he must track down her parts to put her back together. Bad luck for Eliot Lazar, he fell in love with an android, a beautiful C-900 named Iris Matsuo. That's the kind of thing that can get you killed in late 21th century Los Angeles or anywhere else for that matter – anywhere except the man-made island of Avernus, far out in the Pacific, which is where Eliot and Iris are headed once they get their hands on a boat. But then one night Eliot knocks on Iris's door only to find she was kidnapped, chopped up, sold for parts. Unable to move on and unwilling to settle for a woman with a heartbeat, Eliot vows to find the parts to put Iris back together again—and to find the sonofabitch who did this to her and get his revenge. With a determined LAPD detective on his trail and time running out in a city where machines and men battle for control, Eliot Lazar embarks on a bloody journey that will take him to the edge of a moral precipice from which he can never return, from which mankind can never return. Judd Trichter's Love in the Age of Mechanical Reproduction is a science fiction love story that asks the question, how far will you go to save someone you love?
Publisher: Macmillan
ISBN: 125003602X
Category : Fiction
Languages : en
Pages : 321
Book Description
Set in a near-future LA, a man falls in love with a beautiful android—but when she is kidnapped and sold piecemeal on the black market, he must track down her parts to put her back together. Bad luck for Eliot Lazar, he fell in love with an android, a beautiful C-900 named Iris Matsuo. That's the kind of thing that can get you killed in late 21th century Los Angeles or anywhere else for that matter – anywhere except the man-made island of Avernus, far out in the Pacific, which is where Eliot and Iris are headed once they get their hands on a boat. But then one night Eliot knocks on Iris's door only to find she was kidnapped, chopped up, sold for parts. Unable to move on and unwilling to settle for a woman with a heartbeat, Eliot vows to find the parts to put Iris back together again—and to find the sonofabitch who did this to her and get his revenge. With a determined LAPD detective on his trail and time running out in a city where machines and men battle for control, Eliot Lazar embarks on a bloody journey that will take him to the edge of a moral precipice from which he can never return, from which mankind can never return. Judd Trichter's Love in the Age of Mechanical Reproduction is a science fiction love story that asks the question, how far will you go to save someone you love?