The Art of Humorous Song: Examining Humorous Songs Through the Lens of Selected Song Sets PDF Download

Author: Andrew Lee Harper
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

View

Book Description
Humor is a universal human emotion, with many proven positive effects. These proven positive effects are invaluable to a vocal artist in reaching an audience. This document starts with an introduction to humorous art song. Following this is a critical defense of its inclusion in modern concert programming by exploring the effective use of humor in entertainment, clinical psychology, and business.Specific humorous art song sets are analyzed to validate this repertory as effective and legitimate. Performance options, text analysis, form, and score analysis were included. In the first section, Craigslistlieder by Gabriel Kahane (2009) and Another Reason I Dont Keep a Gun in the House by Tom Cipullo (1998) are explored. The second section introduces a compositional pattern that I have termed the short pithy song. These songs contrast other traditional art songs as they are extremely brief. The song sets explored are two collections, 19 Short Songs about Chuck Norris by David Harned Johnson (2016) and Do you sing, Mr. Twain? by Gordon Myers (1999). This study is informed through direct score analysis, online interviews, literature review, video performance analysis, and a phone interview with Dr. David Harned Johnson..

Author: Laurie-Jeanne Lister
Publisher: Frankfurt am Main : P. Lang
ISBN:
Category : Humor
Languages : en
Pages : 208

View

Book Description
"The first two chapters of Part One serve as preparation for the understanding of humor in music. Chapter III, then, approaches the topic directly, examining the various forms in which humor can exist: referential humor, that is, humor elicited through non-musical connotations and absolute humor - that which is portrayed through the musical material itself. In both cases, elements of surprise, exaggeration, incongruity and the like are present in order for the humor to be effective. Through the use of examples from vocal and instrumental literature, humor in music is shown in all its forms - from subtle wit to slaptick. Since the focus of this study in the instrumental music of the Classical style, a more detailed look into the eighteenth-century aesthetic view of humor in art rounds off Chapter III and prepares for the analyses in Part Two," [p. 176-177].

Author: Jacob Beuler
Publisher:
ISBN: 9781436810296
Category :
Languages : en
Pages : 40

View

Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Author: Bradley Sowell
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

View

Book Description
Ben Moore's comedy songs have found favor as the final song on recitals due to their humor. In addition to those themes, the songs have continued a compositional style using music-borrowing techniques. J. Peter Burkholder was the first researcher to codify a set of specific techniques outside the designation of "quotation" or "parody." Using the methodology of Burkholder, Moore's comedy songs and their uses of existing music can be analyzed and situated in the musical borrowing field of study. The techniques found in Moore0́9s songs include paraphrase, quotation, stylistic allusion, quodlibet, and interjection. Paraphrase is when the borrowed music is altered from the existing music through changes in words, rhythm, or melody. Quotation occurs when a direct extrapolation from the original source is included in the new piece. Stylistic allusion references the music of a particular historical period or composer rather than a specific work. Quodlibet is when several borrowing techniques are used simultaneously or in quick succession. Interjection, a technique I defined, is when borrowed music interrupts the flow of the music and is short in duration. Though Moore's contemporaries also use borrowing techniques, his comedic intent is unique to his songs and sets him apart from other contemporary composers of art songs. Analyzing each comedy song's range, tessitura, and composer's interpretation notes, in addition to defining and outlining the various music-borrowing techniques, demonstrates the differences in these compositions. This document will provide a performer's guide to each piece by showing the intent of each borrowing technique, thus allowing the performer to understand the comedic moments more thoroughly.

Author: Rachael Durkin
Publisher: Taylor & Francis
ISBN: 1000563359
Category : Music
Languages : en
Pages : 637

View

Book Description
Modern literature has always been obsessed by music. It cannot seem to think about itself without obsessing about music. And music has returned the favour. The Routledge Companion to Music and Modern Literature addresses this relationship as a significant contribution to the burgeoning field of word and music studies. The 37 chapters within consider the partnership through four lenses—the universal, opera and literature, musical and literary forms, and popular music and literature—and touch upon diverse and pertinent themes for our modern times, ranging from misogyny to queerness, racial inequality to the claimed universality of whiteness. This Companion therefore offers an essential resource for all who try to decode the musico-literary exchange.

Author: Lidia Dina Sciama
Publisher: Berghahn Books
ISBN: 1782385436
Category : Social Science
Languages : en
Pages : 220

View

Book Description
Anthropological writings on humor are not very numerous or extensive, but they do contain a great deal of insight into the diverse mental and social processes that underlie joking and laughter. On the basis of a wide range of ethnographic and textual materials, the chapters examine the cognitive, social, and moral aspects of humor and its potential to bring about a sense of amity and mutual understanding, even among different and possibly hostile people. Unfortunately, though, cartoons, jokes, and parodies can cause irremediable distress and offence. Nevertheless, contributors’ cross-cultural evidence confirms that the positive aspects of humor far outweigh the danger of deepening divisions and fueling hostilities

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1126

View

Book Description

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 272

View

Book Description
Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 270

View

Book Description
Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.

Author: Sam Friedman
Publisher: Routledge
ISBN: 1135009015
Category : Social Science
Languages : en
Pages : 241

View

Book Description
This book was shortlisted for the 2015 BSA Philip Abrams Memorial Prize. Comedy is currently enjoying unprecedented growth within the British culture industries. Defying the recent economic downturn, it has exploded into a booming billion-pound industry both on TV and on the live circuit. Despite this, academia has either ignored comedy or focused solely on analysing comedians or comic texts. This scholarship tends to assume that through analysing an artist’s intentions or techniques, we can somehow understand what is and what isn’t funny. But this poses a fundamental question – funny to whom? How can we definitively discern how audiences react to comedy? Comedy and Distinction shifts the focus to provide the first ever empirical examination of British comedy taste. Drawing on a large-scale survey and in-depth interviews carried out at the Edinburgh Festival Fringe, the book explores what types of comedy people like (and dislike), what their preferences reveal about their sense of humour, how comedy taste lubricates everyday interaction, and how issues of social class, gender, ethnicity and geographical location interact with patterns of comic taste. Friedman asks: Are some types of comedy valued higher than others in British society? Does more ‘legitimate’ comedy taste act as a tangible resource in social life – a form of cultural capital? What role does humour play in policing class boundaries in contemporary Britain? This book will be of interest to students and scholars of sociology, social class, social theory, cultural studies and comedy studies.