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Author: Kelly Grovier Publisher: Thames & Hudson ISBN: 0500778337 Category : Art Languages : en Pages : 260
Book Description
Did you know that the ultramarine that shimmers at the centre of Vermeers Milkmaid connects that masterpiece with 6th-century Zoroastrian paintings found on the walls of cave temples in Bamiyan, Afghanistan? Or that the surging waves that crest and curl in Hokusais perilous Great Wave off Kanagawa owe their absorbing blue lustre to an alchemist who was born in Frankensteins Castle in 1673? And were the Pre-Raphaelites really obsessed with a murky brown hue derived from the pulverized remains of ancient mummies? (Spoiler: they were.) Invented by prehistoric cave-dwellers and medieval conjurers, cunning conmen and savvy scientists, the colours of art tell a riveting tale all their own. Over ten scintillating chapters, acclaimed author Kelly Grovier helps bring that tale vividly to life, revealing the astonishing backstories of the pigments that define the greatest works in the history of art. Interwoven between these chapters is a series of features focusing on key moments in the evolution of colour theory from the revelations of the Enlightenment to the radicalism of the Bauhaus while reproductions of carefully selected artworks help illuminate the narratives twists and turns. The history of colour is an epic saga of human ingenuity and insatiable desire. Read this book and you will never look at a work of art in quite the same way.
Author: Victoria Finlay Publisher: Getty Publications ISBN: 1606064290 Category : Art Languages : en Pages : 122
Book Description
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
Author: David Coles Publisher: National Geographic Books ISBN: 1760762016 Category : Art Languages : en Pages : 0
Book Description
This origin story of history’s most vivid color pigments is perfect for artists, history buffs, science lovers, and design fanatics. Did you know that the Egyptians created the first synthetic color and used it to create the famous blue crown of Queen Nefertiti? Or that the noblest purple comes from a predatory sea snail? In the Roman Empire, hundreds of thousands of snails had to be sacrificed to produce a single ounce of dye. Throughout history, pigments have been made from deadly metals, poisonous minerals, urine, cow dung, and even crushed insects. From grinding down beetles and burning animal bones to alchemy and pure luck, Chromatopia reveals the origin stories behind over fifty of history’s most vivid color pigments. Featuring informative and detailed color histories, a section on working with monochromatic color, and “recipes” for paint-making, Chromatopia provides color enthusiasts with an eclectic story of how synthetic colors came to be. Red lead, for example, was invented by the ancient Greeks by roasting white lead, and it became the dominant red in medieval painting. Spanning from the ancient world to modern leaps in technology, and vibrantly illustrated throughout, this book will add a little chroma to anyone’s understanding of the history of colors.
Author: Kelly Grovier Publisher: Thames & Hudson ISBN: 0500778337 Category : Art Languages : en Pages : 260
Book Description
Did you know that the ultramarine that shimmers at the centre of Vermeers Milkmaid connects that masterpiece with 6th-century Zoroastrian paintings found on the walls of cave temples in Bamiyan, Afghanistan? Or that the surging waves that crest and curl in Hokusais perilous Great Wave off Kanagawa owe their absorbing blue lustre to an alchemist who was born in Frankensteins Castle in 1673? And were the Pre-Raphaelites really obsessed with a murky brown hue derived from the pulverized remains of ancient mummies? (Spoiler: they were.) Invented by prehistoric cave-dwellers and medieval conjurers, cunning conmen and savvy scientists, the colours of art tell a riveting tale all their own. Over ten scintillating chapters, acclaimed author Kelly Grovier helps bring that tale vividly to life, revealing the astonishing backstories of the pigments that define the greatest works in the history of art. Interwoven between these chapters is a series of features focusing on key moments in the evolution of colour theory from the revelations of the Enlightenment to the radicalism of the Bauhaus while reproductions of carefully selected artworks help illuminate the narratives twists and turns. The history of colour is an epic saga of human ingenuity and insatiable desire. Read this book and you will never look at a work of art in quite the same way.
Author: Kelly Grovier Publisher: Yale University Press ISBN: 9780300267785 Category : Art Languages : en Pages : 0
Book Description
A captivating new history of art told through the storied biographies of colors and pigments In this refreshing approach to the history of color, Kelly Grovier takes readers on an exciting search for the intriguing and unusual. In Grovier's telling, a color's connotations are never fixed but are endlessly evolving. Knowledge of a pigment and its history can unlock meaning in the works that feature it. Grovier employs the term "artymology" to suggest that color is a linguistic device, where pigments stand in for syllables in art's language. Color is the site of invigorating conflict--a battleground where past and present, influence and originality, and superstition and science merge into meanings that complicate and intensify our appreciation of a given work. How might it change our understanding of a well-known masterpiece like Vincent van Gogh's Starry Night to know that the intense yellow moon in that painting was sculpted from clumps of dehydrated urine from cows that were fed nothing but mango leaves? Or that the cobalt blue pigment in Van Gogh's sky shares a material bloodline with the glaze of Ming Dynasty porcelain? Consisting of ten chapters, each presenting a biography of a family of colors, this volume mines a rich vein of pigmentation from prehistoric cave painting to art of the present day. The book also includes beautifully designed features exploring important milestones in the history of color theory from the Enlightenment to the twentieth century.
Author: Harald Arnkil Publisher: Aalto korkeakoulusäätiö ISBN: 9526404041 Category : Art Languages : en Pages : 302
Book Description
Colours are all around us and they affect our daily lives, but what exactly are they and what is their function? A closer look at colours raises many questions: Can colour be measured? How does changing illumination affect the perception of colours? What is colour harmony? Do colours affect our emotions? Colours in the Visual World provides answers to these and other questions. It inspires the reader to discover and creatively use colour by tapping artistic knowledge and recent findings of perceptual science. Colours in the Visual World is a resource of colour facts and phenomena for students of art, design, and architecture, as well as all those interested in the world of colour. The book is based on the author’s over 20 years of experience in teaching, researching and creating with colour. Each chapter includes assignments that serve as a starting point for independent study and experimentation. A glossary helps to clarify colour concepts and terminology.
Author: Kelly Grovier
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Author: Victoria Finlay
Author: David Coles
Author: Kelly Grovier
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