Author: Sylvia Houghteling
Publisher: Princeton University Press
ISBN: 069123213X
Category : Art
Languages : en
Pages : 280
Book Description
A richly illustrated history of textiles in the Mughal Empire In the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout the Mughal Empire. Made from rare fibers and crafted using virtuosic techniques, these exquisite objects animated early modern experience, from the intimate, sensory pleasure of garments to the monumentality of imperial tents. The Art of Cloth in Mughal India tells the story of textiles crafted and collected across South Asia and beyond, illuminating how cloth participated in political negotiations, social conversations, and the shared seasonal rhythms of the year. Drawing on small-scale paintings, popular poetry, chronicle histories, and royal inventory records, Sylvia Houghteling charts the travels of textiles from the Mughal imperial court to the kingdoms of Rajasthan, the Deccan sultanates, and the British Isles. She shows how the “art of cloth” encompassed both the making of textiles as well as their creative uses. Houghteling asks what cloth made its wearers feel, how it acted in space, and what images and memories it conjured in the mind. She reveals how woven objects began to evoke the natural environment, convey political and personal meaning, and span the distance between faraway people and places. Beautifully illustrated, The Art of Cloth in Mughal India offers an incomparable account of the aesthetics and techniques of cloth and cloth making and the ways that textiles shaped the social, political, religious, and aesthetic life of early modern South Asia.
The Art of Cloth in Mughal India
Author: Sylvia Houghteling
Publisher: Princeton University Press
ISBN: 0691215782
Category : Art
Languages : en
Pages : 280
Book Description
"When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from the early modern era. Author Sylvia Houghteling resurrects a truth that seventeenth-century world citizens knew, but which has been forgotten in the modern era: South Asian cloth ranked among the highest forms of art in the global hierarchy of luxury goods, and had a major impact on culture and communication. While studies abound in economic history about the global trade in Indian textiles that flourished from the seventeenth to the nineteenth centuries, they rarely engage with the material itself and are less concerned with the artistic-and much less the literary and social-significance of the taste for cloth. This book is richly illustrated with images of textiles, garments, and paintings that are held in little-known collections and have rarely, if ever, been published. Rather than rely solely on records of European trading companies, Houghteling draws upon poetry in local languages and integrates archival research from unpublished royal Indian inventories to tell a new history of this material culture, one with a far more balanced view of its manufacture and use, as well as its purchase and trade"--
Publisher: Princeton University Press
ISBN: 0691215782
Category : Art
Languages : en
Pages : 280
Book Description
"When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from the early modern era. Author Sylvia Houghteling resurrects a truth that seventeenth-century world citizens knew, but which has been forgotten in the modern era: South Asian cloth ranked among the highest forms of art in the global hierarchy of luxury goods, and had a major impact on culture and communication. While studies abound in economic history about the global trade in Indian textiles that flourished from the seventeenth to the nineteenth centuries, they rarely engage with the material itself and are less concerned with the artistic-and much less the literary and social-significance of the taste for cloth. This book is richly illustrated with images of textiles, garments, and paintings that are held in little-known collections and have rarely, if ever, been published. Rather than rely solely on records of European trading companies, Houghteling draws upon poetry in local languages and integrates archival research from unpublished royal Indian inventories to tell a new history of this material culture, one with a far more balanced view of its manufacture and use, as well as its purchase and trade"--
The Art of Cloth in Mughal India
Author: Sylvia Houghteling
Publisher: Princeton University Press
ISBN: 069123213X
Category : Art
Languages : en
Pages : 280
Book Description
A richly illustrated history of textiles in the Mughal Empire In the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout the Mughal Empire. Made from rare fibers and crafted using virtuosic techniques, these exquisite objects animated early modern experience, from the intimate, sensory pleasure of garments to the monumentality of imperial tents. The Art of Cloth in Mughal India tells the story of textiles crafted and collected across South Asia and beyond, illuminating how cloth participated in political negotiations, social conversations, and the shared seasonal rhythms of the year. Drawing on small-scale paintings, popular poetry, chronicle histories, and royal inventory records, Sylvia Houghteling charts the travels of textiles from the Mughal imperial court to the kingdoms of Rajasthan, the Deccan sultanates, and the British Isles. She shows how the “art of cloth” encompassed both the making of textiles as well as their creative uses. Houghteling asks what cloth made its wearers feel, how it acted in space, and what images and memories it conjured in the mind. She reveals how woven objects began to evoke the natural environment, convey political and personal meaning, and span the distance between faraway people and places. Beautifully illustrated, The Art of Cloth in Mughal India offers an incomparable account of the aesthetics and techniques of cloth and cloth making and the ways that textiles shaped the social, political, religious, and aesthetic life of early modern South Asia.
Publisher: Princeton University Press
ISBN: 069123213X
Category : Art
Languages : en
Pages : 280
Book Description
A richly illustrated history of textiles in the Mughal Empire In the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout the Mughal Empire. Made from rare fibers and crafted using virtuosic techniques, these exquisite objects animated early modern experience, from the intimate, sensory pleasure of garments to the monumentality of imperial tents. The Art of Cloth in Mughal India tells the story of textiles crafted and collected across South Asia and beyond, illuminating how cloth participated in political negotiations, social conversations, and the shared seasonal rhythms of the year. Drawing on small-scale paintings, popular poetry, chronicle histories, and royal inventory records, Sylvia Houghteling charts the travels of textiles from the Mughal imperial court to the kingdoms of Rajasthan, the Deccan sultanates, and the British Isles. She shows how the “art of cloth” encompassed both the making of textiles as well as their creative uses. Houghteling asks what cloth made its wearers feel, how it acted in space, and what images and memories it conjured in the mind. She reveals how woven objects began to evoke the natural environment, convey political and personal meaning, and span the distance between faraway people and places. Beautifully illustrated, The Art of Cloth in Mughal India offers an incomparable account of the aesthetics and techniques of cloth and cloth making and the ways that textiles shaped the social, political, religious, and aesthetic life of early modern South Asia.
The Emperors' Album
Author: Stuart Cary Welch
Publisher: Metropolitan Museum of Art
ISBN: 0870994999
Category : Calligraphy, Islamic
Languages : en
Pages : 320
Book Description
Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
Publisher: Metropolitan Museum of Art
ISBN: 0870994999
Category : Calligraphy, Islamic
Languages : en
Pages : 320
Book Description
Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
Treasury of the World
Author: Manuel Keene
Publisher:
ISBN: 9780500976081
Category : Antiques & Collectibles
Languages : en
Pages : 160
Book Description
Jewelry as an art form in Mughal India has probably never been surpassed by any other civilization in the history of the world.
Publisher:
ISBN: 9780500976081
Category : Antiques & Collectibles
Languages : en
Pages : 160
Book Description
Jewelry as an art form in Mughal India has probably never been surpassed by any other civilization in the history of the world.
The Adventures of Hamza
Author: John William Seyller
Publisher: Freer Gallery of Art and Arthur M. Sackler Gallery
ISBN:
Category : Art
Languages : en
Pages : 326
Book Description
Publisher: Freer Gallery of Art and Arthur M. Sackler Gallery
ISBN:
Category : Art
Languages : en
Pages : 326
Book Description
Cities of Mughul India
Author: Gavin Hambly
Publisher:
ISBN:
Category : Agra (India)
Languages : en
Pages : 176
Book Description
Publisher:
ISBN:
Category : Agra (India)
Languages : en
Pages : 176
Book Description
From Stone to Paper
Author: Chanchal B. Dadlani
Publisher: Yale University Press
ISBN: 0300233175
Category : Architecture
Languages : en
Pages : 233
Book Description
This groundbreaking volume examines how the Mughal Empire used architecture to refashion its identity and stage authority in the 18th century, as it struggled to maintain political power against both regional challenges and the encroaching British Empire.
Publisher: Yale University Press
ISBN: 0300233175
Category : Architecture
Languages : en
Pages : 233
Book Description
This groundbreaking volume examines how the Mughal Empire used architecture to refashion its identity and stage authority in the 18th century, as it struggled to maintain political power against both regional challenges and the encroaching British Empire.
Cloth that Changed the World
Author: Royal Ontario Museum
Publisher: Other Distribution
ISBN: 9780300246797
Category : Chintz
Languages : en
Pages : 0
Book Description
Published in conjunction with the exhibition originally scheduled to be held at the Royal Ontario Museum from April 4, 2020 to September 27, 2020.
Publisher: Other Distribution
ISBN: 9780300246797
Category : Chintz
Languages : en
Pages : 0
Book Description
Published in conjunction with the exhibition originally scheduled to be held at the Royal Ontario Museum from April 4, 2020 to September 27, 2020.
The Fabric of India
Author: Rosemary Crill
Publisher: Victoria & Albert Museum
ISBN: 9781851778539
Category : Design
Languages : en
Pages : 0
Book Description
"Published to accompany the exhibition The Fabric of India at the Victoria and Albert Museum, London, from 3 October 2015 to 10 January 2016"--Title page verso.
Publisher: Victoria & Albert Museum
ISBN: 9781851778539
Category : Design
Languages : en
Pages : 0
Book Description
"Published to accompany the exhibition The Fabric of India at the Victoria and Albert Museum, London, from 3 October 2015 to 10 January 2016"--Title page verso.
Grafted Arts
Author: Holly Shaffer
Publisher: Paul Mellon Centre
ISBN: 9781913107284
Category :
Languages : en
Pages : 320
Book Description
Conceptualizes "graft"-- the violent and creative processes of suturing arts as a method of empire building in western eighteenth-century India Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"--a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives--Maratha and British, artist and patron, soldier and collector--this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"--disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely--remain instigators of nationalist agitation today.
Publisher: Paul Mellon Centre
ISBN: 9781913107284
Category :
Languages : en
Pages : 320
Book Description
Conceptualizes "graft"-- the violent and creative processes of suturing arts as a method of empire building in western eighteenth-century India Grafted Arts focuses on Maratha military rulers and British East India Company officials who used the arts to engage in diplomacy, wage war, compete for prestige, and generate devotion as they allied with (or fought against) each other to control western India in the eighteenth century. This book conceptualizes the artistic combinations that resulted as ones of "graft"--a term that acknowledges the violent and creative processes of suturing arts, and losing and gaining goods, as well as the shifting dynamics among agents who assembled such materials. By tracing grafted arts from multiple perspectives--Maratha and British, artist and patron, soldier and collector--this book charts the methods of empire-building that recast artistic production and collection in western India and from there across India and in Britain. This mercenary method of artistry propagated mixed, fractured, and plundered arts. Indeed, these "grafted arts"--disseminated across India and Britain over the nineteenth century to aid in consolidating empire or revolting against it entirely--remain instigators of nationalist agitation today.