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Author: Sophia Beal Publisher: Springer Nature ISBN: 3030371379 Category : Social Science Languages : en Pages : 263
Book Description
People from outside of Brasília often dismiss Brazil’s capital as socially divided, boring, corrupt, and emotionally cold. Apparently its founders created not a vibrant capital, but a cultural wasteland. However, as Sophia Beal argues, Brasília’s contemporary artists are out to prove the skeptics wrong. These twenty-first-century artists are changing how people think about the city and animating its public spaces. They are recasting Brasília as a vibrant city of the arts in which cultural production affirms a creative right to the city. Various genres—prose, poetry, film, cultural journalism, music, photography, graffiti, street theater, and street dance—play a part. Brasília’s initial 1960s art was state-sanctioned, carried out mainly by privileged, white men. In contrast, the capital’s contemporary art is marked by its diversity, challenging norms about who has a voice within the Brasília art scene. This art demystifies the capital’s inequities and imagines alternative ways of inhabiting the city.
Author: Sophia Beal Publisher: Springer Nature ISBN: 3030371379 Category : Social Science Languages : en Pages : 263
Book Description
People from outside of Brasília often dismiss Brazil’s capital as socially divided, boring, corrupt, and emotionally cold. Apparently its founders created not a vibrant capital, but a cultural wasteland. However, as Sophia Beal argues, Brasília’s contemporary artists are out to prove the skeptics wrong. These twenty-first-century artists are changing how people think about the city and animating its public spaces. They are recasting Brasília as a vibrant city of the arts in which cultural production affirms a creative right to the city. Various genres—prose, poetry, film, cultural journalism, music, photography, graffiti, street theater, and street dance—play a part. Brasília’s initial 1960s art was state-sanctioned, carried out mainly by privileged, white men. In contrast, the capital’s contemporary art is marked by its diversity, challenging norms about who has a voice within the Brasília art scene. This art demystifies the capital’s inequities and imagines alternative ways of inhabiting the city.
Author: Sophia Beal Publisher: Palgrave Macmillan ISBN: 9783030371395 Category : Social Science Languages : en Pages : 252
Book Description
People from outside of Brasília often dismiss Brazil’s capital as socially divided, boring, corrupt, and emotionally cold. Apparently its founders created not a vibrant capital, but a cultural wasteland. However, as Sophia Beal argues, Brasília’s contemporary artists are out to prove the skeptics wrong. These twenty-first-century artists are changing how people think about the city and animating its public spaces. They are recasting Brasília as a vibrant city of the arts in which cultural production affirms a creative right to the city. Various genres—prose, poetry, film, cultural journalism, music, photography, graffiti, street theater, and street dance—play a part. Brasília’s initial 1960s art was state-sanctioned, carried out mainly by privileged, white men. In contrast, the capital’s contemporary art is marked by its diversity, challenging norms about who has a voice within the Brasília art scene. This art demystifies the capital’s inequities and imagines alternative ways of inhabiting the city.
Author: Elena Shtromberg Publisher: University of Texas Press ISBN: 147730858X Category : Art Languages : en Pages : 239
Book Description
From currency and maps to heavily censored newspapers and television programming, Art Systems explores visual forms of critique and subversion during the height of Brazilian dictatorship, drawing sometimes surprising connections between artistic production and broader processes of social exchange during a period of authoritarian modernization. Positioning the works beyond the prism of politics, Elena Shtromberg reveals subtle forms of subversion and critique that reinvented the artists’ political terrain. Analyzing key examples from Cildo Meireles, Antonio Manuel, Artur Barrio, Anna Bella Geiger, Sonia Andrade, Geraldo Mello, and others, the book offers a new framework for theorizing artistic practice. By focusing on the core economic, media, technological, and geographic conditions that circumscribed artistic production during this pivotal era, Shtromberg excavates an array of art systems that played a role in the everyday lives of Brazilians. An examination of the specific historical details of the social systems that were integrated into artistic production, this unique study showcases works that were accessed by audiences far outside the confines of artistic institutions. Proliferating during one of Brazil’s most socially and politically fraught decades, the works—spanning cartography to video art—do not conform to an easily identifiable style, form, material use, or medium. As a result of this breadth, Art Systems gives voice to the multifaceted forces at play in a unique chapter of Latin American cultural history.
Author: James Holston Publisher: University of Chicago Press ISBN: 0226349799 Category : Architecture Languages : en Pages : 383
Book Description
The utopian design and organization of Brasília—the modernist new capital of Brazil—were meant to transform Brazilian society. In this sophisticated, pioneering study of Brasília from its inception in 1957 to the present, James Holston analyzes this attempt to change society by building a new kind of city and the ways in which the paradoxes of constructing an imagined future subvert its utopian premises. Integrating anthropology with methods of analysis from architecture, urban studies, social history, and critical theory, Holston presents a critique of modernism based on a powerfully innovative ethnography of the city.
Author: Kenneth Frampton Publisher: ISBN: 9780500515426 Category : Architectural photography Languages : en Pages : 0
Book Description
Published on the occasion of Brasilia's fiftieth anniversary: a celebration in contemporary photography of the building of Brazil's capital city.
Author: Adonai Rocha Publisher: Createspace Independent Pub ISBN: 9781481255240 Category : Architecture Languages : en Pages : 114
Book Description
Brasília - the modernist utopia A photographic essay by Adonai Rocha Brasília seems the ultimate modernist fantasy: pristine, elegant, refined , and a remarkable demonstration of lucidity. These shots seem to offer a sumptuousness to that vision. The light, color and panorama provide an exoticism. The modernist utopia of a socially ambitious beauty comes unhinged, when we see in the shadow of the great civic buildings, children living amongst the trees. That this cultivated treat of Brasília arises or was created ex-nihilo (or out of nothing) suggests to me a certain view that the natural process of growth, in all its human messiness, is somehow corrupt. The experience of the GigaPan in viewing these images provides remarkable intimacy. At the same time I seem a voyeur. And I feel strongly compelled to experience it firsthand. Maura Doern Danko, Painter, Faculty Humanities / General Education Department The Art Institute of Pittsburgh History Inaugurated in 1960, Brasilia - the capital city of Brazil is a masterpiece of modernist architecture. It is the only city in the world built in the 20th century to be awarded (in 1987) the status of Cultural Heritage of Humanity by UNESCO. Behind the construction of Brasília lay a monumental campaign to construct an entire new Capital City for Brazil. In 1956, Juscelino Kubitschek de Oliveira is elected President and ordered the construction of Brasília, fulfilling an article of the country's constitution dating back to 1891 stating that the capital should be moved from Rio de Janeiro to a place close to the center of the country. Kubitschek invites a young architect, Oscar Niemeyer, to command the project. In the same year, the work on site starts.
Author: René Burri Publisher: Scheidegger and Spiess ISBN: 9783858813077 Category : Photography Languages : en Pages : 0
Book Description
Last year marked the fiftieth anniversary of the inauguration of Brazil's capital Brasilia. Designed by architects Lúcio Costa and Oscar Niemeyer, it has since become one of the most famous and widely studied urban planning projects. Niemeyer's cathedral, Catedral Metropolitana Nossa Senhora Aparecida; his building for the national parliament, the Congresso Nacional; and the city's 707-foot television tower have become icons of twentieth-century architecture. The entire city, marked by its cross-shaped layout and vast open spaces, was named a UNESO World Heritage site in 1987. René Burri, an internationally celebrated Swiss-born photographer and member of the legendary Magnum agency, visited the city for the first time on a long journey around South America in 1958, when most of Brasilia was a vast building site. He returned many times over more than thirty years, documenting the growth and development of this urban utopia. Besides documenting the buildings in various stages of completion, Burri took portraits of Niemeyer and his workers and photographed Brasilia's street scenes and people: workers with their tools, machinery and building materials, pedestrians on the newly finished streets and squares, and aerial views from the air of the city's first slums abutting brand-new blocks of residential buildings. His images capture the strong sense of a new era and a vibrant atmosphere of hard work and strain; they reflect the huge dimensions of the landscape and the great scale of this project and its ambition to design and build a new capital--and fill it with life. Complete with an essay by eminent architect and scholar of architectural history Arthur Rüegg, René Burri. Brasilia marks the city's fiftieth anniversary and allows readers to look at an extraordinary city through the eyes of an exceptional photographer.
Author: Antonio Sergio Bessa Publisher: Fordham University Press ISBN: 0823289133 Category : Art Languages : en Pages : 256
Book Description
A significant contribution on the development and aftermath of post–World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country’s wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today—namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics. The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil. Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.
Author: Sophia Beal
Author: Sophia Beal
Author: Sophia Beal
Author: Elena Shtromberg
Author: James Holston
Author: Kenneth Frampton
Author: Adonai Rocha
Author: René Burri
Author: William Howard Adams
Author: Antonio Sergio Bessa
Author: Gilles Peterson