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Author: Tetsuo Nishio Publisher: Bloomsbury Publishing ISBN: 0857710508 Category : Fiction Languages : en Pages : 288
Book Description
The Arabian Nights and Orientalism in Resonance was especially commissioned to celebrate the tercentenary of the first Western edition of The Arabian Nights. This volume marries Western and Japanese perspectives on The Arabian Nights to provide a fascinating study of how this literary phenomenon brought about a unique and rich cross-cultural fertilization. The volume is divided into three sections: the first part deals with narrative motifs and styles; the second part examines the 'Nights' from a comparative point of view and the third part unfolds the relationship between the written text and its pictorial representation. Extensively illustrated throughout, The Arabian Nights and Orientalism in Resonance will be of interest to scholars of the Middle East as well as anyone who has ever fallen under the spell of Scheherazade's stories.
Author: Tetsuo Nishio Publisher: Bloomsbury Publishing ISBN: 0857710508 Category : Fiction Languages : en Pages : 288
Book Description
The Arabian Nights and Orientalism in Resonance was especially commissioned to celebrate the tercentenary of the first Western edition of The Arabian Nights. This volume marries Western and Japanese perspectives on The Arabian Nights to provide a fascinating study of how this literary phenomenon brought about a unique and rich cross-cultural fertilization. The volume is divided into three sections: the first part deals with narrative motifs and styles; the second part examines the 'Nights' from a comparative point of view and the third part unfolds the relationship between the written text and its pictorial representation. Extensively illustrated throughout, The Arabian Nights and Orientalism in Resonance will be of interest to scholars of the Middle East as well as anyone who has ever fallen under the spell of Scheherazade's stories.
Author: Yuriko Yamanaka Publisher: ISBN: 9780755612338 Category : Languages : en Pages : 288
Book Description
"The Arabian Nights and Orientalism in Resonance was especially commissioned to celebrate the tercentenary of the first Western edition of The Arabian Nights. This volume marries Western and Japanese perspectives on The Arabian Nights to provide a fascinating study of how this literary phenomenon brought about a unique and rich cross-cultural fertilization. The volume is divided into three sections: the first part deals with narrative motifs and styles; the second part examines the 'Nights' from a comparative point of view and the third part unfolds the relationship between the written text and its pictorial representation. Extensively illustrated throughout, The Arabian Nights and Orientalism in Resonance will be of interest to scholars of the Middle East as well as anyone who has ever fallen under the spell of Scheherazade's stories."--Bloomsbury Publishing.
Author: Yaron Peleg Publisher: Cornell University Press ISBN: 1501729357 Category : Literary Criticism Languages : en Pages : 166
Book Description
Calling into question prevailing notions about Orientalism, Yaron Peleg shows how the paradoxical mixture of exoticism and familiarity with which Jews related to Palestine at the beginning of the twentieth century shaped the legacy of Zionism. In Peleg's view, the tension between romancing the East and colonizing it inspired a revolutionary reform that radically changed Jewish thought during the Hebrew Revival that took place between 1900 and 1930. Orientalism and the Hebrew Imagination introduces a fresh voice to the contentious debate over the concept of Orientalism. Zionism has often been labeled a Western colonial movement that sought to displace and silence Palestinian Arabs. Based on his readings of key texts, Peleg asserts that early Zionists were inspired by Palestinian Arab culture, which in turn helped mold modern Jewish gender, identity, and culture. Peleg begins with the new ways in which the lands of the Bible are formulated as a modern "Orient" in David Frishman's Bamidbar. He continues by showing how in The Sons of Arabia, Moshe Smilansky laid the basis for the literary construction of the "New Jew," modeled after Palestinian Arabs. Peleg concludes with a discussion of L. A. Arielli's 1913 play Allah Karim! in which both the promise and the problems of the Land of Israel as "Orient" marked the end of Hebrew Orientalism as a viable cultural option.
Author: Geoffrey P. Nash Publisher: Cambridge University Press ISBN: 1108585566 Category : Literary Criticism Languages : en Pages : 670
Book Description
Orientalism and Literature discusses a key critical concept in literary studies and how it assists our reading of literature. It reviews the concept's evolution: how it has been explored, imagined and narrated in literature. Part I considers Orientalism's origins and its geographical and multidisciplinary scope, then considers the major genres and trends Orientalism inspired in the literary-critical field such as the eighteenth-century Oriental tale, reading the Bible, and Victorian Oriental fiction. Part II recaptures specific aspects of Edward Said's Orientalism: the multidisciplinary contexts and scholarly discussions it has inspired (such as colonial discourse, race, resistance, feminism and travel writing). Part III deliberates upon recent and possible future applications of Orientalism, probing its currency and effectiveness in the twenty-first century, the role it has played and continues to play in the operation of power, and how in new forms, neo-Orientalism and Islamophobia, it feeds into various genres, from migrant writing to journalism.
Author: Michael Kemper Publisher: Routledge ISBN: 1317636708 Category : Literary Criticism Languages : en Pages : 246
Book Description
Orientalism as a concept was first applied to Western colonial views of the East. Subsequently, different types of orientalism were discovered but the premise was that these took their lead from Western-style orientalism, applying it in different circumstances. This book, on the other hand, argues that the diffusion of interpretations and techniques in orientalism was not uni-directional, and that the different orientologies – Western, Soviet and oriental orientologies – were interlocked, in such a way that a change in any one of them affected the others; that the different orientologies did not develop in isolation from each other; and that, importantly, those being orientalised were active, not passive, players in shaping how the views of themselves were developed.
Author: Geoffrey Nash Publisher: Bloomsbury Publishing ISBN: 1786730715 Category : History Languages : en Pages : 261
Book Description
"From Empire to Orient" offers an alternative perspective on Britain's late imperial period by looking at the lives and the writings of the men who chose to defy the conventional social and political attitudes of the British ruling classes towards the Near East. Between the Greek revolt in 1830 and the fall of the Caliphate in 1924 a different kind of voice was heard that was both anti-imperialist and pro-Islamic. Geoffrey Nash places David Urquhart's passionate belief in the ideal of municipal government in Turkey, W.S. Blunt's enthusiasm for the Egyptian reformers of the Azhar, E.G. Browne's zeal for the Persian revolution and Marmaduke Pickthall's pained advocacy of the cause of the Young Turks into their political and historical context and into the context of their writings. The author argues that the actions of these men represented a distinctive identification with the Islamic world and of the involvement of the West in its politics. By condemning Britain's manoeuvres and choice of allies in the Near East, each of these writers embellished a narrative of betrayal and a breach with the British educated classes' view of the Islamic East.Through the lives and writings of these men who identified so passionately with the Islamic world, Nash offers a fascinating perspective on Britain's late imperial period.
Author: Elisabeth Oxfeldt Publisher: Museum Tusculanum Press ISBN: 9788763501347 Category : Art Languages : en Pages : 266
Book Description
Nordic Orientalism explores the appropriation of Oriental imagery within Danish and Norwegian nineteenth-century nation-building. The project queries Edward Said''s binary notion of Orientalism and posits a more complex model describing how European countries on the periphery ? Denmark and Norway ? imported Oriental imagery from France to position themselves, not against their colonial Other, but in relation to central European nations. Examining Nordic Orientalism across a century in the context of modernization, urbanization and democratization the study furthermore shows how the Romanticists? naive treatment of the Orient was challenged by increased contact with the "real" Orient.
Author: Katharina Herold-Zanker Publisher: Oxford University Press ISBN: 0198881002 Category : Literary Criticism Languages : en Pages : 305
Book Description
Decadence and Orientalism in England and Germany, 1880-1920 examines the Orientalist portrayal of Middle Eastern cultures in Decadent Literatures in England and Germany at the turn of the century. This book argues that the role of Orientalism in literary Decadence uniquely exposes its paradoxical engagement with other cultures. In bringing together two fin-de-siècle European literatures, this comparative study makes a case for the transnational, if not imperial, nature of Decadence. The East emerges as an 'indispensable' mediator between various versions of European Decadence. The book examines the role of the East with specific reference to selected English and German authors: starting from Oscar Wilde's Victorian vision of Egypt and Arthur Symons's and Violet Fane's image of Constantinople, it moves to Paul Scheerbart's and Else Lasker-Schüler's Decadent Babylon and Assyria and concludes by turning to Stefan George's exclusion of the East from his poetic practice. The geographical reach of the East focuses on regions of the Eastern Mediterranean and Northern Africa. The cultural translation of specifically the Middle East into different European national contexts gains new—sometimes oppositional—meanings, avoiding a one-sided representation of both the East and the two national literatures that absorbed it. In arguing for a Decadent cosmopolitanism as a model of heterogeneous inclusivity that reaches beyond the binaries established by Edward Said's Orientalism, the present book brings twenty-first century theories of cosmopolitanism into dialogue with art history and literature to uncover striking synergies and interdependences between the different manifestations of Decadence in England and Germany.
Author: Hasan M. El-Shamy Publisher: ISBN: Category : History Languages : en Pages : 718
Book Description
In 1704 the French Orientalist Antoin Galland introduced to the Western world a translation of The Thousand and One Nights. Over the course of two subsequent centuries, numerous editions followed. Many of these, like Galland's, included texts of stories not found in the indigenous manuscripts of the Nights but selected by the European editors from other literary and oral collections of ordinary folktales and legends. Thus, the original work acquired a Western designation as The Arabian Nights, a title unknown among the masses in Arab lands. Now, three centuries later, original publication of The Thousand and One Nights is being celebrated with widespread, renewed interest in the work. Hasan El-Shamy's motif-index, based on an authentic folk edition of Alf laylah wa laylah, provides scholars of various fields accurate information about the content of this classic piece of Arabic folk tradition.
Author: Tetsuo Nishio
Author: Tetsuo Nishio
Author: 
Author: Yuriko Yamanaka
Author: Yaron Peleg
Author: Geoffrey P. Nash
Author: Michael Kemper
Author: Geoffrey Nash
Author: Elisabeth Oxfeldt
Author: Katharina Herold-Zanker
Author: Hasan M. El-Shamy