The appreciation of music, vol. 2: Great modern composers PDF Download

Author: Daniel Gregory Mason
Publisher:
ISBN:
Category :
Languages : en
Pages : 248

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Author: Daniel Gregory Mason
Publisher: Palala Press
ISBN: 9781359681652
Category :
Languages : en
Pages :

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Christopher P. Gordon
Publisher:
ISBN: 9780757540967
Category : Music
Languages : en
Pages : 0

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Author: Kate Guthrie
Publisher: Univ of California Press
ISBN: 0520351673
Category : History
Languages : en
Pages : 306

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The art of appreciation -- "Audiences of the future" : the Robert Mayer Concerts for Children (1924-1939) -- Victorians on radio : Music and the Ordinary Listener (1926-1939) -- Music education on film : Instruments of the Orchestra (1946) -- Outside the ivory tower : extra-mural music at the University of Birmingham (1948-1964) -- The Avant-garde goes to school : O Magnum Mysterium (1960) -- Epilogue : the middlebrow in an age of cultural pluralism.

Author: Thomas Whitney Surette
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0

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Author: Emil Naumann
Publisher: Cambridge University Press
ISBN: 1108061648
Category : History
Languages : en
Pages : 667

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Scholar and composer Emil Naumann (1827-88) studied with Mendelssohn. This two-volume English translation of his best-known work was made by Ferdinand Praeger (1815-91) and published in 1888. Chapters on music in England have been added by its editor, the eminent Victorian musician Sir Frederick Gore Ouseley (1825-89).

Author: Thomas Surette
Publisher: Createspace Independent Publishing Platform
ISBN: 9781541253582
Category :
Languages : en
Pages : 238

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From the PREFATORY NOTE. This book has been prepared in order to provide readers who wish to listen to music intelligently, yet without going into technicalities, with a simple and practical guide to musical appreciation written from the listener's rather than from the professional musician's standpoint. The authors believe that there is at the present moment a genuine need for such a book. Teachers in schools, colleges, and universities, educators in all parts of the country, and the music-loving public generally, are every day realizing more vividly the importance of applying to music the kind of study which has long been fruitfully pursued in the other arts; and with the adoption, in 1906, by the College Entrance Examination Board, of musical appreciation as a subject which may be offered for entrance to college, this mode of studying music has established itself firmly in our educational system. Yet its progress is still hampered by the lack of suitable text-books. The existing books are for the most part either too technical to be easily followed by the general reader, or so rhapsodical and impressionistic as to be of no use to him. In the following pages an effort has been made, first, to present to the reader in clear and untechnical language an account of the evolution of musical art from the primitive folk-song up to the symphony of Beethoven; second, to illustrate all the steps of this evolution by carefully chosen musical examples, in the form of short quotations in the text and of complete pieces printed in a supplement; third, to facilitate the study of these examples by means of detailed analysis, measure by measure, in many cases put into the shape of tabular views; and fourth, to mark out the lines of further study by suggesting collateral reading. Too much stress cannot be laid on the fact that the music itself is the central point of the scheme of study, to which the reader must return over and over again. Carefully attentive, concentrated listening to the typical pieces presented in the supplement is the essence of the work, to which the reading of the text is to be considered merely as an aid. These pieces are for the most part not beyond the reach of a pianist of moderate ability. At the same time, the authors have realized that some readers who might profit much by such study will not be able to play, or have played for them, even these pieces. For them, however, the music will still be accessible through mechanical instruments....

Author: Mark Grimshaw-Aagaard
Publisher: Oxford University Press
ISBN: 0190460261
Category : Music
Languages : en
Pages : 704

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Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.

Author: Graham Wade
Publisher: Mel Bay Publications
ISBN: 1619115883
Category : Music
Languages : en
Pages : 513

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Book Description
This second comprehensive and scholarly volume of over 500 pages on the life and work of Andres Segovia contains a biography of the years 1958-1987 and focuses on Segovia's rendition of Spanish/Romantic and Contemporary/Neo-Classical masterpieces by Tárrega, Albeniz, Granados, Llobet and Ponce. A special appendix in each volume presents the original scores for the Segovia editions discussed in the text, some of which have never been published, as well as modern editions of these pieces. Includes access to an online audio recording by Gerard Garno.

Author: Albert Gehring
Publisher:
ISBN: 9781729446171
Category :
Languages : en
Pages : 90

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Book Description
Albert Gehring has compiled a comprehensive little book on "The Appreciation of Music." He discusses briefly what is essential in musical appreciation, giving short special chapters, with illustrations, on counterpoint, thematic work, the Leitmotif, music form, the sonata and rondo, instrumental effects, and the combination of factors. -The Harvard Graduates' Magazine, Volume 22 [1914] Albert Gehring's book, "The Appreciation of Music," suggests the training the listener must have to really understand the music he hears and judge of its beauty and excellence. It is a well-written and useful handbook. -The American Review of Reviews, Volume 49 [1914]