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Author: Thomas P. Somma Publisher: University of Delaware Press ISBN: 0874135281 Category : Apotheosis of democracy (United States Capitol, Washington, D.C.) Languages : en Pages : 164
Book Description
"The art of Paul Wayland Bartlett (1865-1925) and turn-of-the-century sculpture in general have been attracting increasing attention. A leading American sculptor of international reputation, Bartlett was one of the best-known artists in the United States." "Bartlett's sculptural decoration for the House pediment at the U.S. Capitol Building was his most prestigious public monument and one of the most historically important federal commissions to be awarded in the United States during the early twentieth century. Its installation in the long-vacant House pediment finally brought to completion a project of Capitol expansion that had begun more than a half-century earlier. As such, it provides a valuable opportunity for exploring the early development of government-sponsored public sculpture in the United States. Unveiled just eight months prior to U.S. entry into World war I, the pediment also represents one of the most visible public expressions of the ideals of the late American Renaissance (1876-1917)."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Thomas P. Somma Publisher: University of Delaware Press ISBN: 0874135281 Category : Apotheosis of democracy (United States Capitol, Washington, D.C.) Languages : en Pages : 164
Book Description
"The art of Paul Wayland Bartlett (1865-1925) and turn-of-the-century sculpture in general have been attracting increasing attention. A leading American sculptor of international reputation, Bartlett was one of the best-known artists in the United States." "Bartlett's sculptural decoration for the House pediment at the U.S. Capitol Building was his most prestigious public monument and one of the most historically important federal commissions to be awarded in the United States during the early twentieth century. Its installation in the long-vacant House pediment finally brought to completion a project of Capitol expansion that had begun more than a half-century earlier. As such, it provides a valuable opportunity for exploring the early development of government-sponsored public sculpture in the United States. Unveiled just eight months prior to U.S. entry into World war I, the pediment also represents one of the most visible public expressions of the ideals of the late American Renaissance (1876-1917)."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Cynthia R. Field Publisher: Ohio University Press ISBN: 0821442392 Category : Architecture Languages : en Pages : 177
Book Description
In 1910 John Merven Carrère, a Paris-trained American architect, wrote, “Learning from Paris made Washington outstanding among American cities.” The five essays in Paris on the Potomac explore aspects of this influence on the artistic and architectural environment of Washington, D.C., which continued long after the well-known contributions of Peter Charles L’Enfant, the transplanted French military officer who designed the city’s plan. Isabelle Gournay’s introductory essay provides an overview and examines the context and issues involved in three distinct periods of French influence: the classical and Enlightenment principles that prevailed from the 1790s through the 1820s, the Second Empire style of the 1850s through the 1870s, and the Beaux-Arts movement of the early twentieth century. William C. Allen and Thomas P. Somma present two case studies: Allen on the influence of French architecture, especially the Halle aux Blés, on Thomas Jefferson’s vision of the U.S. Capitol; and Somma on David d’Angers’s busts of George Washington and the Marquis de Lafayette. Liana Paredes offers a richly detailed examination of French-inspired interior decoration in the homes of Washington’s elite in the late nineteenth and early twentieth centuries. Cynthia R. Field concludes the volume with a consideration of the influence of Paris on city planning in Washington, D.C., including the efforts of the McMillan Commission and the later development of the Federal Triangle complex. The essays in this collection, the latest addition to the series Perspectives on the Art and Architectural History of the United States Capitol, originated in a conference held by the U.S. Capitol Historical Society in 2002 at the French Embassy’s Maison Française.
Author: Hartmut Lehmann Publisher: Berg 3pl ISBN: Category : History Languages : en Pages : 552
Book Description
In this illuminating comparative study, three generations of leading American and German scholars explore the phenomenon of nationalism in Germany and the United States, from the Declaration of Independence to the fall of the Berlin Wall. The book identifies and defines the similarities and differences between American nationalism, based on an ideology of inherent rights and faith in the 'American dream', and the 'blood and soil' nationalism of Germany. In the process, contributors encounter striking differences between the role of national symbols and the representation of the nation in both countries, and equally revealing parallels regarding the role of political and social movements, as well as the way in which colonial aggression has been related to a nationalistic discourse at home.This interdisciplinary book focuses on five areas:politics (American republicanism and German monarchism)culture (art, architecture, and the arts)warfare and militarismthe writing of national historythe role of political and social movementsThis book not only represents a major contribution to studies of German and American history, but, through the uniqueness of its comparative approach, provides profound insights into the concept of nationalism and signals the way for future comparative research.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 0870999230 Category : Sculpture Languages : en Pages : 346
Book Description
Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.
Author: Kirk Savage Publisher: Princeton University Press ISBN: 9780691009476 Category : Architecture Languages : en Pages : 294
Book Description
The United States originated as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Historian Kirk Savage explores how that history of slavery and its violent end was recognized in public--specifically in the sculptural monuments that dominated streets, parks, and town squares in 19th-century America. 67 photos.
Author: Pennsylvania Academy of the Fine Arts. Museum of American Art Publisher: University of Washington Press ISBN: Category : Architecture Languages : en Pages : 372
Book Description
This handsome volume provides an overview of sculpture in America from 1780 to the present. Featuring 400 works, it includes important examples by William Rush, William Wetmore Story, John Quincy Adams Ward, Howard Roberts, Thomas Eakins, Augustus Saint-Gaudens, Charles Grafly, Carl Paul Jennewein, and many others, some of whom appear in publication for the first time. Annual juried exhibitions at the Pennsylvania Academy of the Fine Arts, founded in 1805, have resulted in an extraordinary collection including portrait busts, neoclassical marble sculpture, French-inspired bronze figures, works by the circle of Thomas Eakins, and direct carvings in stone and wood.
Author: Donald R. Kennon Publisher: Ohio University Press ISBN: Category : Architecture Languages : en Pages : 312
Book Description
Like the ancient Roman Pantheon, the U.S. Capitol was designed by its political and aesthetic arbiters to memorialize the virtues, events, and persons most representative of the nation's ideals--an attempt to raise a particular version of the nation's founding to the level of myth. American Pantheon examines the influences upon not only those virtues and persons selected for inclusion in the American pantheon, but also those excluded. Two chapters address the exclusion of slavery and African Americans from the art in the Capitol, a silence made all the more deafening by the major contributions of slaves and free black workers to the construction of the building. Two other authors consider the subject of women emerging as artists, subjects, patrons, and proponents of art in the Capitol, a development that began to emerge only in the second half of the nineteenth century. The Rotunda, the Capitol's principal ceremonial space, was designed in part as an art museum of American history--at least the authorized version of it. It is explored in several of the essays, including discussions of the influence of the early-nineteenth-century Italian sculptors who provided the first sculptural reliefs for the room and the contributions of the mid-nineteenth-century Italian American artist Constantino Brumidi, to the mix of allegory, mythology, and history that permeates the space and indeed the Capitol itself.
Author: Nina S. Levine Publisher: ISBN: Category : Drama Languages : en Pages : 202
Book Description
In using feminist political analysis to open up the complexities of these early plays, Levine also demonstrates the value of reconsidering works that have long been marginalized in Shakespeare studies.
Author: Thomas P. Somma
Author: Thomas P. Somma
Author: Cynthia R. Field
Author: Hartmut Lehmann
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Kirk Savage
Author: Pennsylvania Academy of the Fine Arts. Museum of American Art
Author: Donald R. Kennon
Author: 
Author: 
Author: Nina S. Levine